Alejandro Lingenti Movie Reviews & Previews - Rotten Tomatoes

Alejandro Lingenti

Alejandro Lingenti
Alejandro Lingenti's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Pabellon 4 (2018) Director Diego Gachassin made a sober and eloquent documentary that reflects a little known side of the prison life in Argentina. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 9, 2018
100% My Own Place (Casa propia) (2018) Ruiz is effective in handling that energy and gets a solid and emotional film that also chooses to run prudently from artificial sentimentality.‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
100% The Omission (La omisión) (2018) The remarkable staging (with an abundance of short shots that accentuate the oppressive climate of the film) fits perfectly with the tenor of the story. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 23, 2018
No Score Yet Las olas (2017) As if Francois Truffaut had decided to gather all of Antoine Doinel's life's stages... in a single film. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 23, 2018
No Score Yet the Dread (El espanto) (2017) It's a particular world in miniature, with its own rules, dynamics and contradictions, to which two filmmakers hungry for novelties arrive with the almost always invariable explorer's logic. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 23, 2018
100% 27: El club de los malditos (2018) [An] intriguing film, full of melancholy, that combines police drama, science fiction and comedy sagaciously. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 1, 2018
92% Niñato (2017) Narrated with depth, modesty and nobility. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 5, 2017
No Score Yet The Unseen (Los Últimos) (2017) A thorny issue that is worth paying attention to immediately. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 14, 2017
48% Souvenir (2018) [Bavo Defurne] lacks the mordacity and inventiveness to live up to [the film's] ambitious purpose. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Nov 3, 2017
84% Loving Vincent (2017) The result is hypnotic and emotional. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 31, 2017
67% Los Perros (2017) The film aims at the critical reflection on a long period of darkness in Chilean history (Augusto Pinochet came to power in 1973 and only left in 1990)... [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 16, 2017
No Score Yet The Future Ahead (2017) The Future Ahead addresses these thorny issues with honesty and intelligence. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 16, 2017
100% Things to Come (L'avenir) (2016) Mia Hansen-Løve tells with sobriety and intelligence the story of the tenacious survival of a protagonist who is grandly played by Huppert. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 11, 2017
No Score Yet Tigre (2017) ... combines formal rigor and lyricism with a conviction that astonishes. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 6, 2017
No Score Yet Cuatreros (2016) An original, emotional film with a sophisticated narrative system and far away from the conventions that links intimacy with political reflection on a larger scale. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 8, 2017
No Score Yet Vapor (2016) An economic and effective film about love and death, discussed with grace and depth in a course that is taking the nuances of the dream as it progresses. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted May 2, 2017
86% The Academy of Muses (La academia de las musas) (2016) Reality and fiction as complementary propellers in cinema and the distance between the world of ideas and the crudeness of reality are some of the themes that develops this unique film. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Mar 27, 2017
93% Neruda (2016) With humor and irreverence, Larraín draws his own Neruda in this provocative and baroque film. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Feb 9, 2017
44% It's Only the End of the World (Juste la fin du monde) (2016) A film driven by a torrent of powerful emotions supported in a succession of closed planes that accentuate the suffocation that causes the situation presented in it. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 27, 2017
No Score Yet Casanova Variations (2014) An opera, theater and cinema hybrid that looks like a sovereignly boring Baroque whim. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 26, 2017
93% Lo and Behold, Reveries of the Connected World (2016) Dynamic, provocative, enthralling. The film combines irony, scientific arguments and sociological reflections that are Herzog's trademark. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 8, 2016