Alissa Simon
Alissa Simon's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
Variety,
Sight and Sound
| Publications: | Variety, Sight and Sound |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| 57% | Ramen Heads (2018) |
"Ramen Heads" may be a tad lacking in visual excitement, but it succeeds in imparting the ineffable appeal of Japan's national dish.‐ Variety
Read More | Posted Mar 16, 2018
|
|
| No Score Yet | Adam (2018) |
It succeeds as a showcase for the thesping talents of the helmer's athletic son (a producer as well), who essays the eponymous lead.‐ Variety
Read More | Posted Feb 28, 2018
|
|
| No Score Yet | The Quest of Alain Ducasse (La Quête d'Alain Ducasse) (2017) |
Absorbing and cinematic, "The Quest of Alain Ducasse" offers the documentary equivalent of a memorable meal at one of the eponymous chef's three Michelin-starred restaurants.‐ Variety
Read More | Posted Feb 27, 2018
|
|
| No Score Yet | Dressage (2018) |
"Dressage" powerfully illustrates the consequences of growing social divisions within contemporary Iranian society and indicts a middle and upper class that have lost their moral center.‐ Variety
Read More | Posted Feb 26, 2018
|
|
| No Score Yet | Cuban Food Stories (2018) |
Eye-opening in every way, especially for those who may think that Cuban food is just rice and beans, the film makes extensive use of Soto's engaging voiceover narration.‐ Variety
Read More | Posted Feb 26, 2018
|
|
| No Score Yet | Becoming Astrid (Unga Astrid) (2018) |
With a vibrant performance from fresh-faced Alba August as the lead, "Becoming Astrid" looks sure to become a hot seller and makes one eager for more episodes from Lindgren's astonishingly unconventional life.‐ Variety
Read More | Posted Feb 21, 2018
|
|
| No Score Yet | Genesis (Genezis) (2018) |
Csordás and Illési, the non-professional actors playing Ricsi and Virág, do a fine job, but the camera loves Illési, and it's her story that stands out whether it was meant to or not.‐ Variety
Read More | Posted Feb 21, 2018
|
|
| No Score Yet | Horizon (Horizonti) (2018) |
This accomplished, absorbing, even-handed look at the pain of a marital breakup should broaden the director's fan base on the festival circuit.‐ Variety
Read More | Posted Feb 20, 2018
|
|
| No Score Yet | Black Kite (2017) |
Certainly, multihyphenate Qayumi deserves credit for his deft use of archival footage and animation, which provide useful context and historical background.‐ Variety
Read More | Posted Feb 13, 2018
|
|
| No Score Yet | And Breathe Normally (2018) |
Although some might find the twists and turns of the narrative to occasionally defy credibility, others will be swept along with the gripping human dilemmas of the main characters.‐ Variety
Read More | Posted Jan 22, 2018
|
|
| 80% | Scaffolding (2017) |
A troubled student is challenged by his literature teacher, who aims to open his narrow worldview to other possibilities.‐ Variety
Read More | Posted Sep 22, 2017
|
|
| 80% | The Other Side of Everything (Druga strana svega) (2017) |
Director Mila Turajlić examines Serbia's political history through the eyes of her activist mother in this engrossing doc.‐ Variety
Read More | Posted Sep 22, 2017
|
|
| 75% | What Will People Say? (Hva vil folk si) (2017) |
The kinetically shot film brims with authenticity and immediacy and benefits from a deeply sympathetic turn from sublime discovery Maria Mozhdah as the lead.‐ Variety
Read More | Posted Sep 12, 2017
|
|
| 8% | Euphoria (2017) |
Plays as if it might have come from Yorgos Lanthimos' bin of discarded ideas.‐ Variety
Read More | Posted Sep 9, 2017
|
|
| No Score Yet | Granny's Dancing on the Table (2015) |
Both off-putting and engrossing, the pic marks [Hanna] Skold as an idiosyncratic talent.‐ Variety
Read More | Posted Aug 14, 2017
|
|
| 100% | The Girl Without Hands (La Jeune fille sans mains) (2017) |
The vibrant, Fauvist color-washes and overlays represent the film's most impressive element, recalling the cut-outs of Henri Matisse or the decorative work of Raoul Dufy.‐ Variety
Read More | Posted Jul 17, 2017
|
|
| No Score Yet | Out (2017) |
Terhes makes palpable Ágoston's optimism, loneliness and frustration - and he gets viewers to care about the character's fate.‐ Variety
Read More | Posted May 23, 2017
|
|
| 94% | Tempestad (2016) |
The beautifully crafted and creative documentary Tempestad traces the stories of two women whose lives, through no fault of their own, became utter, incomprehensible nightmares.‐ Variety
Read More | Posted May 22, 2017
|
|
| 100% | A Man of Integrity (Lerd) (2017) |
Although the film will be banned in its home nation, fests and niche arthouse distributors in most territories will welcome this brave, underground production for the way it manages to resonate on both specific and universal levels.‐ Variety
Read More | Posted May 22, 2017
|
|
| 90% | The Teacher (Ucitelka) (2017) |
Although dealing with weighty matters, Jarchovsky's script (which is based on a real-life incident he experienced during primary school) is leavened with welcome humor and irony.‐ Variety
Read More | Posted May 15, 2017
|
|
| No Score Yet | Ice Mother (2017) |
For the first time, older characters are at the heart of a Sláma film, and Kronerová and Nový repay the helmer-writer with warm, dignified turns that require both soul- and flesh-baring.‐ Variety
Read More | Posted Apr 25, 2017
|
|
| No Score Yet | Highway (2012) |
Low-budget, over-ambitious multi-strander from debuting helmer Deepak Rauniyar is more interesting for its glimpse of a politically tense, mixed-race society where tradition and modernity mingle uneasily than for the surfeit of uneven dramas.‐ Variety
Read More | Posted Mar 7, 2017
|
|
| No Score Yet | The Erlprince (2016) |
Gives an unorthodox spin to archetypes and confirms the helmer as a talent to watch.‐ Variety
Read More | Posted Feb 24, 2017
|
|
| No Score Yet | Fanny's Journey (Le voyage de Fanny) (2017) |
While the entire cast acquits themselves well, the impressive, nuanced camerawork by Pierre Cottereau (who also recently shot Christian Carion's WWII drama Come What May) is the film's strongest technical asset.‐ Variety
Read More | Posted Feb 14, 2017
|
|
| 94% | 1945 (2017) |
A fresh, intelligent cinematic approach to a difficult topic that takes on a transitional time in Hungarian history with subtlety and nuance.‐ Variety
Read More | Posted Feb 12, 2017
|
|
| 100% | My Happy Family (Chemi Bednieri Ojakhi) (2017) |
An interesting sociological perspective on a changing patriarchal society.‐ Variety
Read More | Posted Jan 23, 2017
|
|
| 96% | The Women's Balcony (Ismach Hatani) (2017) |
A close-knit congregation fractures along gender lines after a catastrophe at their synagogue in this nicely observed dramedy.‐ Variety
Read More | Posted Oct 26, 2016
|
|
| 95% | Window Horses (2017) |
An entertaining, educational, and poignant tale about identify and imagination that is filled with stories and poetry.‐ Variety
Read More | Posted Oct 17, 2016
|
|
| 93% | All This Panic (2017) |
More remarkable for the way it looks than the actual, somewhat banal, girl-talk content.‐ Variety
Read More | Posted Oct 17, 2016
|
|
| 100% | Wednesday, May 9 (Chaharshanbeh, 19 Ordibehesht) (2015) |
Three O. Henry-esque stories from contempo Tehran are woven together with mixed results in Wednesday, May 9, the debut feature of multihyphenate Vahid Jalilvand.‐ Variety
Read More | Posted Oct 6, 2016
|
|
| 71% | Little Wing (Tyttö nimeltä Varpu) (2016) |
A tender-hearted coming-of-age story shot in a low-key, realist style ...‐ Variety
Read More | Posted Sep 29, 2016
|
|
| No Score Yet | Blindness (Zacma) (2016) |
Remarkable for its ability to put viewers inside the head of its complicated protagonist, "Blindness" is a high quality, old-style arthouse drama ...‐ Variety
Read More | Posted Sep 21, 2016
|
|
| 86% | A Death in the Gunj (2016) |
Although Sensharma seems confident behind the camera, she directs her cast of name actors at too high a pitch. It becomes exhausting to watch their near-manic singing, dancing, and playing games.‐ Variety
Read More | Posted Sep 21, 2016
|
|
| 79% | Past Life (2017) |
As the sisters lead them to desperately seek a path to forgiveness and peace for all concerned, Nesher expertly builds suspense while echoing and reinforcing their quest with the film's hauntingly beautiful musical choices.‐ Variety
Read More | Posted Sep 12, 2016
|
|
| 100% | Barakah Meets Barakah (Barakah yoqabil Barakah) (2016) |
A smart, charming, and bittersweet tale about the Kingdom's millennial generation and their take on the social and political restrictions that stand in the way of meeting and mingling with the opposite sex.‐ Variety
Read More | Posted Sep 9, 2016
|
|
| 71% | The Tenth Man (El rey del Once) (2016) |
This low-key romantic comedy marks a return to one of Burman's oft-repeated themes -- a son coming to grips with his relationship with his father -- and to the setting of one of his most successful features, Lost Embrace.‐ Variety
Read More | Posted Aug 1, 2016
|
|
| 71% | The Model (2016) |
A shallow but good-looking soap opera-like drama set in the world of high fashion.‐ Variety
Read More | Posted Jul 27, 2016
|
|
| No Score Yet | Normal Autistic Film (2016) |
A beautifully crafted, intimate, and revealing observational portrait of five youngsters with Asperger's Syndrome.‐ Variety
Read More | Posted Jul 17, 2016
|
|
| No Score Yet | Wolf and Sheep (2016) |
Although more compelling on a visual level than a narrative one, the movie represents an enticing festival and niche event item, as well as a vision of Sadat's homeland that is far different from what the media normally depicts.‐ Variety
Read More | Posted May 21, 2016
|
|
| 78% | American Honey (2016) |
While some viewers may find the film's length (162 minutes) and a certain repetitiveness off-putting, it gives Arnold scope to capture the spontaneity and rawness of their lifestyle.‐ Sight and Sound
Read More | Posted May 19, 2016
|
|
| 89% | Applause (Applaus) (2010) |
A fearless, tour-de-force performance by star Paprika Steen is the main attraction of the Danish drama Applause, about an abrasive, alcoholic actress trying to regain control of her life and custody of her young sons.‐ Variety
Read More | Posted Apr 7, 2016
|
|
| 91% | A Man Called Ove (En man som heter Ove) (2016) |
It's a heartwarming tale about a stubborn, short-tempered man with steadfast beliefs, strict routines and the feeling that everyone around him is an idiot - and no reticence about telling them so.‐ Variety
Read More | Posted Mar 9, 2016
|
|
| 95% | Min lilla syster (My Skinny Sister) (2015) |
Lenken excels at establishing a realistic relationship between Stella and Katja, and the actresses share good chemistry as well as a certain resemblance.‐ Variety
Read More | Posted Dec 30, 2015
|
|
| 100% | Le coeur de madame Sabali (2015) |
Expertly laced with visual humor, Sabali is a gorgeously stylized, wryly comic drama about a train-ticket seller with heart and relationship problems.‐ Variety
Read More | Posted Dec 11, 2015
|
|
| No Score Yet | Bota (2014) |
Compelling, surprising and tenderly performed, this low-key arthouse title deserves further distribution and clearly marks its co-directors as talents to watch.‐ Variety
Read More | Posted Nov 30, 2015
|
|
| No Score Yet | I dine hænder (2015) |
[A] provocative query into what makes life worth living.‐ Variety
Read More | Posted Oct 23, 2015
|
|
| No Score Yet | No Land's Song (2014) |
[This] gripping chronicle of [composer Sara Najafi's] efforts covers a nearly three-year period and is as full of ups and downs as a roller coaster, and bursting with beautiful music.‐ Variety
Read More | Posted Oct 20, 2015
|
|
| 67% | Tiempos Felices (2015) |
A smart, offbeat comedy about how hard it is to end a romantic relationship.‐ Variety
Read More | Posted Oct 12, 2015
|
|
| No Score Yet | Three Windows And A Hanging (2014) |
As the woman who is victimized twice yet refuses to play a victim, theater thesp Cahani makes a strong impression in her first feature role.‐ Variety
Read More | Posted Oct 8, 2015
|
|
| No Score Yet | Baba Joon (2015) |
Although some may find it a tad too sentimental and under-nuanced, the film depicts the ways of a community infrequently seen on Israeli screens.‐ Variety
Read More | Posted Sep 22, 2015
|