Andrew Barker Movie Reviews & Previews - Rotten Tomatoes

Andrew Barker

Andrew Barker
Andrew Barker's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Variety

Movie Reviews Only

Rating T-Meter Title | Year Review
24% Traffik (2018) Attempts to marry cheap genre thrills with an unflinching depiction of the horrors of international sex trafficking, only to cheapen the latter and cast a grimy pall over the former.‐ Variety
Read More | Posted Apr 20, 2018
50% What We Started (2018) What works in a nightclub set doesn't always work in a film, as electronic dance music documentary "What We Started" demonstrates.‐ Variety
Read More | Posted Mar 24, 2018
45% The Hurricane Heist (2018) If our divided country can't come together over a movie this wonderfully terrible, what hope do we really have?‐ Variety
Read More | Posted Mar 9, 2018
20% The Outsider (2018) Dull, flavorless, and fundamentally incurious, "The Outsider" is a clueless misfire, the cinematic equivalent of a study-abroad student showing off the kanji forearm tattoo whose meaning he never bothered to learn.‐ Variety
Read More | Posted Mar 8, 2018
100% Skate Kitchen (2018) It is first and foremost an irresistible hangout movie, offering a thoroughly millennial, vérité spin on '80s skater classics like "Thrashin'."‐ Variety
Read More | Posted Jan 22, 2018
42% Maze Runner: The Death Cure (2018) "Death Cure" is the most successful entry in the franchise by far. It may be too late to turn the cultural tide on the genre, but it comes as a relief to see at least one series manage to stick the landing.‐ Variety
Read More | Posted Jan 17, 2018
67% Humor Me (2018) "Humor Me" manages to earn its audience's indulgence, if never its full affection.‐ Variety
Read More | Posted Jan 13, 2018
32% Insidious: The Last Key (2018) "The Last Key" is wildly uneven, confused and confusing, and it appears to leave the "Insidious" saga written into a corner yet again.‐ Variety
Read More | Posted Jan 3, 2018
5% Flatliners (2017) About as inessential as reboots get, "Flatliners"... otherwise offers no reason for reanimating this long-expired property.‐ Variety
Read More | Posted Sep 29, 2017
100% Oh Lucy! (2018) Expanded from her award-winning short of the same title, Oh Lucy! betrays some rough edges in the transition, but Hirayanagi's idiosyncratic touch marks her as a talent worth tracking.‐ Variety
Read More | Posted Sep 27, 2017
55% The Lego Ninjago Movie (2017) Still plenty entertaining and occasionally very funny, "Ninjago" nonetheless displays symptoms of diminishing returns, and Lego might want to shuffle its pieces a bit before building yet another film with this same model.‐ Variety
Read More | Posted Sep 20, 2017
100% The Wife (2018) [Close] is a marvel of twisty understatement here, delivering emotions that conceal as much as they reveal, and offering onion-like layers that invite repeat viewings in light of some of the film's later revelations.‐ Variety
Read More | Posted Sep 16, 2017
93% Thelma (2017) At times a tad too subtle, "Thelma" is nonetheless an unnervingly effective slow-burn, and those with the patience for Trier's patient accumulation of detail will find it pays off in unexpected ways.‐ Variety
Read More | Posted Sep 15, 2017
No Score Yet The Gospel According to André (2018) The film amounts to essentially a long, intimate brunch conversation with its inimitable subject, and for those with even a passing interest in fashion, that should be plenty.‐ Variety
Read More | Posted Sep 11, 2017
94% Disobedience (2018) "Disobedience" may not catapult Lelio beyond the arthouse world, but it's yet another triumph in what's shaping up to be a major career.‐ Variety
Read More | Posted Sep 11, 2017
75% Kodachrome (2018) ... it's an entirely watchable if entirely by-the-numbers throwback to the sweet-and-sour Sundance-style indie films of yore.‐ Variety
Read More | Posted Sep 11, 2017
36% The Current War (2017) What it can't do ... is generate even the slightest bit of interest in what happens to any of its characters.‐ Variety
Read More | Posted Sep 10, 2017
35% Mary Shelley (2018) Impressively shot and suffused with a righteous feminist fire, the film is undercut by a confused and clunky script and a fundamental lack of thematic focus, turning an extraordinary story into didactic and disjointed melodrama.‐ Variety
Read More | Posted Sep 10, 2017
92% Stronger (2017) Green looks for small but meaningful ways to complicate and deepen the well-trod story he's telling, and by the end, those complications help the film earn its uplift.‐ Variety
Read More | Posted Sep 9, 2017
95% Bodied (2017) Pummeling, overlong, and at times a bit too proud of its own provocations, "Bodied" is nonetheless a feverishly entertaining spectacle ...‐ Variety
Read More | Posted Sep 8, 2017
85% It (2017) King fans will surely appreciate the clear effort and affection that went into this adaptation, even as it struggles to become more than the sum of its parts.‐ Variety
Read More | Posted Sep 5, 2017
100% Served Like a Girl (2017) An unusual beauty pageant offers an emotionally vivid look at the lives of female veterans.‐ Variety
Read More | Posted Aug 24, 2017
16% Wish Upon (2017) "Wish Upon" is a pretty bad movie. But its badness is of such a distinct and kooky character that it can't help but exert an inadvertent charm.‐ Variety
Read More | Posted Jul 13, 2017
92% Wonder Woman (2017) Patty Jenkins' Wonder Woman provides a welcome respite from DC's house style of grim darkness with star Gal Gadot proving an inspired choice for this avatar of truth, justice and the Amazonian way.‐ Variety
Read More | Posted May 29, 2017
30% Pirates of the Caribbean: Dead Men Tell No Tales (2017) The franchise has lost a bit of its luster with every successive installment, but never has a "Pirates" film felt this inessential, this depressingly pro forma.‐ Variety
Read More | Posted May 22, 2017
No Score Yet Chacun sa vie (2017) Often it feels like sitting through an endless series of half-remembered shaggy dog stories screamed from across the bar by someone who's had two glasses too many.‐ Variety
Read More | Posted May 3, 2017
55% Lowriders (2017) A peek under the hood reveals a rather shopworn story that doesn't completely sell its more melodramatic narrative strands, but [also] to a trio of finely calibrated performances, an authentic sense of place and one gorgeously designed red '36 Chevy.‐ Variety
Read More | Posted May 2, 2017
55% Speech & Debate (2017) Once a darkly comic romp centered around outing a pedophile teacher, this adaptation has been shorn of its sharpest edges, leaving a largely unfocused, conventional teen dramedy in its place.‐ Variety
Read More | Posted Apr 7, 2017
93% Walking Out (2017) Its unabashedly folky, less-is-more approach proves quietly moving.‐ Variety
Read More | Posted Mar 21, 2017
71% M.F.A. (2017) "M.F.A.'s" themes call for a careful, consistent tone that it is rarely able to maintain, and an increasingly ridiculous third act squanders much of the empathy and engagement that Leite works so hard to build in the early going.‐ Variety
Read More | Posted Mar 21, 2017
80% Tragedy Girls (2017) At its best, "Tragedy Girls" plays like a sweet story of a believable high school friendship between two girls who just happen to be sociopaths.‐ Variety
Read More | Posted Mar 18, 2017
71% Fits and Starts (2017) While it certainly has its moments, it remains frustratingly one-note, too cool to really commit to the screwball farce the premise is crying out for, and too enamored with picking off easy targets to draw real blood.‐ Variety
Read More | Posted Mar 14, 2017
100% Mr. Roosevelt (2017) Nothing here, from the premise to the plotting to the basic tone, is particularly novel, but the entire affair has a distinctive personality.‐ Variety
Read More | Posted Mar 14, 2017
97% The Light of the Moon (2017) [This] simply-structured film is harrowingly effective in its streamlined, low-frills way: sensitive without ever being sanctimonious, brutally frank without ever lapsing into exploitation.‐ Variety
Read More | Posted Mar 13, 2017
77% Atomic Blonde (2017) So much uncut hardboiled posturing proves exhausting over a nearly two-hour runtime, and with zero emotional stakes and a plot that is both difficult and seemingly pointless to follow, there's a fundamental emptiness behind all the flash.‐ Variety
Read More | Posted Mar 13, 2017
90% Win It All (2017) Funny, warm, and broken-in in all the right ways, "Win It All" marries Swanberg's loping, observational style with a plot that wouldn't have been out of place in an old-school Warner Bros. melodrama, and ends up dealing a surprisingly strong hand.‐ Variety
Read More | Posted Mar 12, 2017
47% Rock Dog (2017) Taking an ode to the power of musical rebellion and running it through the mill of committee-thinking winds up being no rock and roll fun.‐ Variety
Read More | Posted Feb 24, 2017
71% American Fable (2017) Gorgeously shot, and helmed with a sense of daring and verve that belies Hamilton's greenness to feature filmmaking, this is a debut of obvious promise, although its story never quite rises to the level of its craft.‐ Variety
Read More | Posted Feb 14, 2017
33% A Dog's Purpose (2017) It's hard to fault the movie's earnestness; Hallström's canine cinema pedigree (which includes the superior "Hachi: A Dog's Tale") shows through; and Rachel Portman's score is understandably sentimental without going completely saccharine.‐ Variety
Read More | Posted Jan 24, 2017
86% Band Aid (2017) It lives and dies on Lister-Jones and Pally's chemistry, which the film is just as willing to test as to nurture.‐ Variety
Read More | Posted Jan 24, 2017
78% Crown Heights (2017) The film sketches an effective, if ultimately somewhat schematic, picture of the legal system's countless crevasses and sinkholes into which a blameless person can easily be shoved.‐ Variety
Read More | Posted Jan 24, 2017
45% xXx: Return of Xander Cage (2017) Rarely do five minutes elapse between some sort of laugh-out-loud absurdity, and the distinction between the film's intentional and unintentional comedy grows hazier as it goes.‐ Variety
Read More | Posted Jan 19, 2017
50% London Town (2016) The story of the Clash is a fascinating one, and spotlighting a kid inspired by, but not a part of, the punk milieu has plenty of potential. But "London Town" just never burns brightly enough.‐ Variety
Read More | Posted Nov 30, 2016
23% Bad Santa 2 (2016) A weary, half-hearted affair that doesn't even have the courage of its own nihilism.‐ Variety
Read More | Posted Nov 16, 2016
82% Oasis: Supersonic (2016) A riotously enjoyable, appropriately deafening flashback to one of the last moments in music history when a bunch of knuckleheads with guitars could conquer the world on chutzpah alone.‐ Variety
Read More | Posted Oct 25, 2016
71% Before the Flood (2016) "Before the Flood" may not tackle too much new ground, but given the sincerity of its message, its ability to assemble such a watchable and comprehensive account gives it an undeniable urgency.‐ Variety
Read More | Posted Oct 21, 2016
0% London Fields (2015) This spiraling story of sex, murder, darts, premillennial dread and authorial anxiety becomes a veritable hash of garish, disassociated tableaux.‐ Variety
Read More | Posted Sep 14, 2016
100% Justin Timberlake + The Tennessee Kids (2016) Demme proves he's still a wily master of the craft, and the director's work here makes this more than just a fans-only proposition.‐ Variety
Read More | Posted Sep 14, 2016
96% The B-Side: Elsa Dorfman's Portrait Photography (2017) Discount it at your peril: This portrait of the artist as an old woman is a gentle-hearted gem, as profoundly subtle as it is subtly profound.‐ Variety
Read More | Posted Sep 13, 2016
40% King of the Dancehall (2016) Hysterical, feverish, incredibly watchable ...‐ Variety
Read More | Posted Sep 13, 2016