Andrew Todd Movie Reviews & Previews - Rotten Tomatoes

Andrew Todd

Andrew Todd
Andrew Todd's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Birth.Movies.Death.

Movie Reviews Only

Rating T-Meter Title | Year Review
83% Relaxer (2018) Relaxer's premise is, somehow, both exactly what the movie's about, and utterly unrepresentative of what kind of experience it is. ‐ Birth.Movies.Death.
Read More | Posted Jul 16, 2018
65% Unfriended: Dark Web (2018) Unfriended: Dark Web represents some of the best aspects of screenlife films - and some of its biggest limitations.‐ Birth.Movies.Death.
Read More | Posted Jul 16, 2018
No Score Yet Tales from the Hood 2 (2018) Keith David chews scenery magnificently in this horror anthology followup.‐ Birth.Movies.Death.
Read More | Posted Jul 16, 2018
52% Bad Samaritan (2018) Despite its objective flaws, it makes for an oddly fun watch.‐ Birth.Movies.Death.
Read More | Posted May 2, 2018
31% Super Troopers 2 (2018) A tired, sagging movie, populated by tired, sagging men still making pot jokes and fart noises well into middle age.‐ Birth.Movies.Death.
Read More | Posted Apr 18, 2018
92% Lean on Pete (2018) Even for those who find it difficult to connect with "horse movies," there's a lot worthwhile in Lean On Pete.‐ Birth.Movies.Death.
Read More | Posted Apr 18, 2018
No Score Yet Green House (2018) Though it falls short of delivering the total weirdo package, Green House is a fascinating watch - especially for fans of DIY cinema. ‐ Birth.Movies.Death.
Read More | Posted Apr 2, 2018
No Score Yet The Laplace's Demon (2017) It's a testament to the importance of viewing art in context, of understanding where movies come from, of exercising more intellectual rigour than blindly watching whatever an algorithm predicts we want to watch next. ‐ Birth.Movies.Death.
Read More | Posted Mar 28, 2018
No Score Yet Mangoshake (2018) For those who can see the heart inside the roughest cinematic outsider art, Mangoshake has a lot to offer.‐ Birth.Movies.Death.
Read More | Posted Mar 28, 2018
96% Foxtrot (2018) There are no grand statements about death or grief here, only minute observations of their effects, presented through carefully-considered performances and filmmaking decisions.‐ Birth.Movies.Death.
Read More | Posted Mar 19, 2018
25% 7 Days in Entebbe (2018) Part of what makes Entebbe a frustrating watch is its steadfast refusal to pass moral judgement on almost anyone in its cast.‐ Birth.Movies.Death.
Read More | Posted Mar 17, 2018
38% The Strangers: Prey At Night (2018) Prey At Night delivers the same intentionally pointless terror as its predecessor - but it takes more delight in it (and thus doesn't sell it quite as well). ‐ Birth.Movies.Death.
Read More | Posted Mar 8, 2018
71% Padmaavat (2018) India's most controversial blockbuster is an exciting take on an ancient story.‐ Birth.Movies.Death.
Read More | Posted Feb 2, 2018
84% Ravenous (Les affamés) (2018) The story isn't anything new, but the way it's told really is, and that's good enough for me.‐ Birth.Movies.Death.
Read More | Posted Feb 1, 2018
100% Paddington 2 (2018) Like a dream from which you don't want to wake, Paddington 2 is a sweet respite from life in 2018. Don't sleep on it.‐ Birth.Movies.Death.
Read More | Posted Jan 19, 2018
88% The Road Movie (2018) The best clips in The Road Movie are those that expose bizarre mini-dramas from everyday Russian life.‐ Birth.Movies.Death.
Read More | Posted Jan 17, 2018
28% Proud Mary (2018) Proud Mary is an absolute mess, incoherent to the point of ineptitude, and certainly not something befitting the talents of its star.‐ Birth.Movies.Death.
Read More | Posted Jan 12, 2018
No Score Yet Samurai Rauni Reposaarelainen (2016) Watch this thing at a midnight screening, as I did - it's definitely not a movie for the light of day - and it'll ... blow your mind.‐ Birth.Movies.Death.
Read More | Posted Nov 22, 2017
100% Devil's Freedom (La Libertad del Diablo) (2017) While Devil's Freedom is almost entirely made up of talking heads, those heads are as emotionally varied as they are visually uniform. But even if you don't remember a face, you won't forget stories like these.‐ Birth.Movies.Death.
Read More | Posted Nov 13, 2017
75% Caniba (2017) In terms of literal visual content, Caniba isn't that extreme. But it's so real, so intimate with its repulsive subjects, that it's an especially difficult watch. ‐ Birth.Movies.Death.
Read More | Posted Oct 31, 2017
14% Geostorm (2017) A disaster movie with a weird distaste for disaster.‐ Birth.Movies.Death.
Read More | Posted Oct 23, 2017
51% Downsizing (2017) Alexander Payne's latest lands with a tiny, depressing thud.‐ Birth.Movies.Death.
Read More | Posted Oct 2, 2017
86% Thoroughbreds (2018) As a portrait of teenage sociopathy - whether real or affected - it's a worthwhile and delightfully misanthropic watch.‐ Birth.Movies.Death.
Read More | Posted Sep 26, 2017
94% Anna and the Apocalypse (2018) Exuberant and gleeful, Anna and the Apocalypse is just the film the zombie genre needed: a bloody, toe-tapping, good-time frolic delivered with such un-zombie-like joie de vivre that it's impossible not to get infected yourself.‐ Birth.Movies.Death.
Read More | Posted Sep 26, 2017
No Score Yet Take It Out In Trade (2014) Take It Out In Trade is historically significant not just because it's a lost Ed Wood film, but because the film itself provides an insight into the Z-grade auteur unmatched by anything except Glen or Glenda. ‐ Birth.Movies.Death.
Read More | Posted Sep 26, 2017
84% The Square (2017) The Square's narrative is meandering and episodic, feeling almost like a feel-bad sketch comedy show than a traditional story.‐ Birth.Movies.Death.
Read More | Posted Sep 26, 2017
69% mother! (2017) Mother! is abstract and experiential rather than naturalistic, a thundering, aggressive blast of misanthropy that takes place outside reality and makes more cosmic sense than literal.‐ Birth.Movies.Death.
Read More | Posted Sep 17, 2017
92% Some Freaks (2017) Even when the script falters, it's saved by a small cast that nails the required flavours of social ineptitude, refusing to succumb to stereotype.‐ Birth.Movies.Death.
Read More | Posted Aug 1, 2017
68% To the Bone (2017) Endeavours to be a frank, honest look at the human beings behind eating disorders - to paint them as people, rather than as problems. And it very nearly succeeds. Nearly.‐ Birth.Movies.Death.
Read More | Posted Jul 16, 2017