Àngel Quintana

Àngel Quintana
Àngel Quintana's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

T-Meter Title | Year
86% The Swallows of Kabul (Les hirondelles de Kaboul) (2019) The backgrounds animated with simple and watercolor strokes turn the story into a reflection on the path that can lead human beings... to break with unjustly inherited prejudices and to embrace a secular struggle for freedom. [Full revew in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
83% Song Without a Name (Canción sin nombre) (2019) In the eyes of [director] Melisa León there is much more honesty and a desire to establish her struggle, as a woman, against the forgetfulness of her country. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
83% Tommaso (2019) Tommaso emerges as a kind of marginal film, made by a filmmaker who seems to be back of many things, including industrial models. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
62% Frankie (2019) A marvel. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
99% Parasite (Gisaengchung) (2019) An excellent film about the 'others'. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
88% The Invisible Life of Eurídice Gusmão (A vida invisível de Eurídice Gusmão) (2019) [Director] Karim Aïnouz plays with the feuilleton's rules efficiently. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
85% Once Upon a Time In Hollywood (2019) Reminds us that behind a star is always its shadow. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
67% For the Money (Por el dinero) (2019) Not very efficient as a fable about the state of the world and art. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
100% The Bears' Famous Invasion of Sicily (La fameuse invasion des Ours en Sicile) (2019) An animated wonder. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
92% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) A beautiful film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
75% Particles (Les particules) (2019) The film is honest, it works as a curious debut film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
60% Oh Mercy! (Roubaix, une lumière) (2019) We will never get to know what really happened... What matters is how the story can come to set up and shape the limits of a reconstruction. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
17% Summer of Changsha (Liu yu tian) (2019) [Director] Zu Feng falls progressively in rhetoric until the film breaks down. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
58% Matthias and Maxime (2019) There is nothing new that can surprise us and perhaps this is the film's main problem. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
75% The Traitor (2020) A fascinating chronicle. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
48% Sibyl (2019) [Director Justine Triet's] problem is that her film wants to travel through too many spaces, to unfold in too many layers and the different levels of self-fiction flow with the same intensity. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
No Score Yet Once in Trubchevsk (Odnazhdy v Trubchevske) (2019) [Director] Larisa Salidova films a small movie, with a certain sense of humor and with much laconicism. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
10% Mektoub, My Love: Intermezzo (2019) A fundamental work. [Full review in Spanishi] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
90% It Must Be Heaven (2019) [Director Elia] Suleiman walks, observes, does not laugh, does not cry, does not scream, does not get excited. Just watches. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
83% The Halt (Ang hupa) (2019) [Director] Lav Diaz has his devices to turn his films into works of worship, into receptacles of a radical cinema that survives constantly reinventing itself. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 24, 2019
85% Zombi Child (2020) [Director] Bertrand Bonello... is always capable of bewildering, of reinventing himself and reinventing cinema. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
70% Little Joe (2019) [Director] Jessica Hausner builds a mysterious tale. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
97% Pain and Glory (Dolor y gloria) (2019) Pain and Glory becomes a good movie when it shows that it is possible to find insight and that it can end up resuscitating the most recondite childhood. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
60% Papicha (2019) [Director] Mounia Meddour builds a poignant story but resolves it in an overly conventional way... Papicha works but sometimes it's too weak. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
85% The Whistlers (2019) This stylistic lightness allows us to show that generic games are only a reflection of what is and has been Romania after Ceaucescu. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
65% Liberté (2019) [Director] Albert Serra builds a complex and difficult work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
47% Joan of Arc (Jeanne) (2019) [Director Bruno] Dumont emphasizes the theatricality, the strength of the dialogues but also the poetry of the verses, to the point of transforming the confessions into songs. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
83% Port Authority (2019) [Director] Danielle Lessovitz manages to make her film rise in tone when she films the dances. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
98% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2019) The range of themes presented by this delicate film is impressive. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
87% The Wild Goose Lake (Nan fang che zhan de ju hui) (2019) A well-constructed, efficient work, in which perhaps what does not shine is the novelty and the capacity for surprise. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
79% A Hidden Life (2019) In Malick's universe, every narrative attempt to build a story always has its metaphysical counterpoint... It's at this point that Malick makes his film excessively grandiloquent and pretentious. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
90% Adam (2019) A demanding debut with some truly moving moments. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
83% On a Magical Night (Chambre 212) (2019) [Director Christophe] Honoré once again recycles, but has the merit of reminding us of [director] Michel Deville. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
46% Young Ahmed (Le jeune Ahmed) (2019) Ahmed is as lost as Rosetta and for this reason the camera will not stop pursuing him integrating in his point of view. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
No Score Yet Blow it to Bits (On va tout Péter) (2019) It is true, as indicated by the title of the film, that without realizing everything is going to jump through the air. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
95% Atlantics (2019) The strength of Atlantique lies in the fact that this social fable is transformed into a tale of ghosts and revolt. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
100% Beanpole (Dylda) (2020) A marvel. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
84% Sorry We Missed You (2019) Loach loses his credibility once again but sells his brand. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
100% Living and Knowing You are Alive (Être vivant et le savoir) (2019) Human presences are always off camera, but they fill the screen continuously. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
99% For Sama (2019) The only thing we can do is to question our world, our hypocrisy. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
76% Les Misérables (2020) It fails when hatred arises. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
85% Deerskin (Le daim) (2019) The story leads to... a game of mirrors between genre cinema and metaphor. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
90% Bull (2019) [Director Annie] Silverstein moves between American transcendentalism [and] moral fable. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
91% Bacurau (Nighthawk) (2019) Perhaps the best thing about the film is its attachment to a tradition... Brazilian cinema configured as a political weapon. However, times have changed. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
56% The Dead Don't Die (2019) Jarmusch's images have ceased to have the visual potency of yesteryear, but they preserve that internal rhythm in which everything develops independently of the moving image. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 15, 2019
93% Us (2019) Society's demons acquire physical forms while the horror film returns to embrace that politicization that was present in John Carpenter and George A. Romero' best films. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 10, 2019
80% Knife + Heart (Un couteau dans le coeur) (2019) A jewel. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2018
83% Ayka (2018) Twenty years ago, Ayka would surprise us, now it seems that we have already seen her. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2018
94% The Wild Pear Tree (Ahlat agaci) (2019) [Director Nuri Bilge] Ceylan films this story starting from long and convincing dialogues, with a clearly poetic gaze and looking for some way out that goes beyond nihilism and despair. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2018
81% In My Room (2018) The story works in certain moments, but ends up losing itself in its own limits. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 18, 2018