Àngel Quintana Movie Reviews & Previews - Rotten Tomatoes

Àngel Quintana

Àngel Quintana
Àngel Quintana's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

Rating T-Meter Title | Year Review
67% Knife + Heart (Un couteau dans le coeur) (2018) A jewel. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 21, 2018
No Score Yet Ayka (2018) Twenty years ago, Ayka would surprise us, now it seems that we have already seen her. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 21, 2018
85% The Wild Pear Tree (Ahlat agaci) (2018) [Director Nuri Bilge] Ceylan films this story starting from long and convincing dialogues, with a clearly poetic gaze and looking for some way out that goes beyond nihilism and despair. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 21, 2018
57% In My Room (2018) The story works in certain moments, but ends up losing itself in its own limits. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2018
88% Whitney (2018) The tone is less incisive, it seems as if... the opportunity to carry out a media criticism about the way in which the press hovers around the lives of big stars is lost. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2018
71% Dogman (2018) It is not a pleasant movie to watch... but it harbors memorable acting work, from the composition of these extreme characters who don't find dignity in an environment that has just lost it. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2018
No Score Yet La traversée (2018) The journey is a kaleidoscope of the present. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2018
61% Under the Silver Lake (2018) [Director] David Robert Mitchell shows his cards from the beginning of the show, films brilliantly, has inspired moments but the enterprise exceeds it. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 17, 2018
80% The Dead and the Others (Chuva E Cantoria Na Aldeia Dos Mortos) (2018) Filmed with non-professional actors, with a calculated staging... the film works. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 17, 2018
50% At War (En guerre) (2018) [Director Stephan] Brizé makes an unfortunate mistake... by not understanding that the workers' struggles belong to everyone and that, in any case, there are leaders, but never martyrs, much less saints. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 16, 2018
52% The House That Jack Built (2018) Von Trier films the horror, the vexation, the destruction, with sadism, but also with the desire to articulate a kind of critical distancing that allows the viewer to reflect on the relationship between crime and art... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 16, 2018
71% Solo: A Star Wars Story (2018) The rest is nothing more than a compendium of action scenes filmed in a pedestrian way and without inspiration. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 16, 2018
86% Long Day's Journey Into Night (Di qiu zui hou de ye wan) (2018) The end result is a fascinating film... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 16, 2018
96% BlacKkKlansman (2018) Spike Lee draws all his political weapons to carry out a forceful and devastating criticism about depravity, the cult of the white race and the Protestant religion. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 16, 2018
50% Asako I & II (Netemo sametemo) (2018) The tone of the film seems flat, almost as if it were representing a story of teenage love... However, Asako I & II is neither a movie for teenagers, nor any triviality. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 15, 2018
60% Little Tickles (Les chatouilles) (2018) A tense comedy that progresses progressively towards emptiness. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 15, 2018
89% Pope Francis - A Man of His Word (2018) Despite the familiar tone of some moments... the final result is a neat image without the pontiff's contradictions. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 15, 2018
100% Shoplifters (Manbiki kazoku) (2018) In his latest film, [director Hirokazu Koreeda presents a family that lives in marginalization. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 15, 2018
100% Another Day of Life (2017) The film works, but beyond the ethical debate it lacks a debate about the role of animation as distancing from the archive and the documentary memory of the past. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
76% The Image Book (Le livre d'image) (2018) The colors are stitched and the black and white is more spectral than ever. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
100% Ash Is Purest White (2018) In a certain way it can be considered that in the turn made by [director] Jia Zhang-ke something has been lost, but it can also be argued that in the loss something new is emerging... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
97% Mandy (2018) The most interesting part of [Mandy] is not what counts but how, from a few elements, it's able to create a hypnotic atmosphere. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
33% Angel Face (Gueule d'ange) (2018) The premises are clear, but... does not work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
89% The Angel (El Ángel) (2018) We are in Argentina in 1971 but the context only serves to use the songs of the time. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
100% Three Faces (2018) The strength of the film lies in the gaps, in the subtlety with which it faces a world governed by laws that oppress women from a distance, but without losing force. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
33% Murder Me, Monster (Muere, monstro, muere) (2018) There is inspiration, many doubts, some overflow of unnecessary tone, but above all there is a clear will to search. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
92% Happy as Lazzaro (Lazzaro felice) (2018) [Director] Alice Rhorwacher seeks the look of transparency but finds herself in a world in which neither the dreamers, the lunatics, nor the decadent 'Princes of Salina' from [director Luchino] Visconti's universe can survive. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
35% Fahrenheit 451 (2018) [Director Ramin] Bahrani wants to dust off the kitsch of special effects that the old movie had, but unlike Truffaut, Bahrani does not love books, and to update Fahrenheit 451 it is necessary to do so. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
No Score Yet Sink or Swim (Le grand bain) (2018) The tone is heavy-handed, the solutions are more than predictable and the surprises minimum. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 14, 2018
81% Sorry Angel (Plaire, aimer et courir vite) (2018) Christophe Honoré makes a controlled film, with sporadic brilliant moments, but also with a style that wants to proclaim himself heir to the old French tradition. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
17% Sextape (A genoux les gars) (2018) [Sextape] could be a criticism of online sexual blackmail... but it ends up being diluted, it seems as if the easy joke was more important than any explicit denunciation. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
100% Border (Gräns) (2018) Border ​​could be nonsense but it's not. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
59% Summer (Leto) (2018) The first big surprise of the [Cannes] festival. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
89% Petra (2018) Petra should not be seen as a naturalistic proposal, but as a reflection on where we come from... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
100% Cold War (Zimna wojna) (2018) The final result is an admirable exercise of narrative economy but also a beautiful love story... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
No Score Yet My Favorite Fabric (Mon tissu préféré) (2018) The legends of The Thousand and One Nights are in a very distant horizon. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 11, 2018
50% Yomeddine (2018) The film does not know how to build its characters and is limited to showing misery... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 10, 2018
90% Donbass (2018) Donbass has the same faults as [director Sergei Loznitsa's] other fictions, but it is something more interesting. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 10, 2018
83% Rafiki (2018) [Director] Wanuri Kahiu films the women's bodies with elegance and the scenes of homophobic repression move, but the rest of the film responds to a series of clichés. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 10, 2018
100% Wildlife (2018) The main merit of the film lies in its ability to establish a point of view. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 10, 2018
48% Everybody Knows (Todos lo saben) (2018) Fahardi can be a respectable filmmaker when his dramas are confronted with the political-social situation of Iran, but when he is in foreign land ends up being a mere dramatic director... [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 9, 2018
84% The Desert Bride (La Novia del Desierto) (2018) The film works as an emotional story, but it stays a bit short. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
85% The Nothing Factory (A Fábrica de Nada) (2017) One of the most important and amazing films of Cannes. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
100% Montparnasse Bienvenue (Jeune femme) (2017) Jeune femme, Léonor Serraille's debut film, is an eccentric work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet Demons in Paradise (2017) The film weaves the different encounters with some victims who remember the dark side of the history of a country and the attempt of annihilation of a town. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet After the War (Dopo la guerra) (2017) The film poses interesting things but its execution is old. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
50% Based on a True Story (D'après une histoire vraie) (2017) A movie made with great skill. The rhythm is dizzying and tension is revealed throughout the movie. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
60% April's Daughter (Las hijas de Abril) (2017) Everything ends up being a wicked toy without any grace. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
87% You Were Never Really Here (2018) The film doesn't cease to show and to force its style and the staging ends up being excessively pretentious. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
77% In the Fade (Aus dem Nichts) (2017) A bland movie about the creation of hatred through terrorism and about how vengeance always intervenes as an alternative to justice. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017