Àngel Quintana Movie Reviews & Previews - Rotten Tomatoes

Àngel Quintana

Àngel Quintana
Àngel Quintana's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

Rating T-Meter Title | Year Review
100% The Desert Bride (La Novia del Desierto) (2017) The film works as an emotional story, but it stays a bit short. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
86% The Nothing Factory (A Fábrica de Nada) (2017) One of the most important and amazing films of Cannes. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
100% Montparnasse Bienvenue (Jeune femme) (2017) Jeune femme, Léonor Serraille's debut film, is an eccentric work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet Demons in Paradise (2017) The film weaves the different encounters with some victims who remember the dark side of the history of a country and the attempt of annihilation of a town. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet After the War (Dopo la guerra) (2017) The film poses interesting things but its execution is old. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
38% Based on a True Story (D'après une histoire vraie) (2017) A movie made with great skill. The rhythm is dizzying and tension is revealed throughout the movie. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
60% April's Daughter (Las hijas de Abril) (2017) Everything ends up being a wicked toy without any grace. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
85% You Were Never Really Here (2018) The film doesn't cease to show and to force its style and the staging ends up being excessively pretentious. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
58% In the Fade (Aus dem Nichts) (2017) A bland movie about the creation of hatred through terrorism and about how vengeance always intervenes as an alternative to justice. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
62% Amant Double (L'amant double) (2018) A cold, overly elaborate film that bets on safe ground. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
91% Good Time (2017) Good Time works as an overwhelming stylistic game that starts from a miserable vision of New York to go progressively towards a kind of great guignol. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
86% 12 Days (2017) The filmmaker maintains his lucidity regarding his institutional look, but his cinema seems to lose some of its strong internal coherence. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
No Score Yet Until the Birds Return (En attendant les hirondelles) (2017) An amazing debut film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
68% A Gentle Creature (2017) There's a certain visual style and sound, but so much miserableness ends up turning the film into a real nightmare. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
63% The Summit (La cordillera) (2017) At the end of the long journey the viewer may wonder if La Cordillera is the great Argentine political film of the moment. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
78% The Beguiled (2017) Sofia Coppola is surprising builds her film with rigor and even with certain asceticism. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
16% Rodin (2017) The stylistic proposal of Jacques Doillon is based on absolute sobriety, breaking with the rules of conventional biopic. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
14% Frost (2017) Marked by a strange lyricism, Sharunas Bartas makes an uneven film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
86% 24 Frames (2017) If it weren't because the only possible masterpiece is the unknown masterpiece, 24 Frames would be a masterpiece. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
58% Radiance (Hikari) (2017) Kawase owns all the elements to build a worthy film, however Radiance (Hikari) doesn't work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
95% The Florida Project (2017) The Florida Project is a work in a state of grace. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
90% The Workshop (L'atelier) (2017) A story perfectly located in the present France, but it gives the feeling that the good intentions don't just work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
75% The Day After (Geu-hu) (2017) The film has charm even though it lacks more strength to rise and reach more complexity. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
79% The Killing of a Sacred Deer (2017) [Lanthimos] He's not a bad director, in his first part the film even restless, but the whole final part is drawn with thick stroke. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
73% Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2017) Dumont ridicules Péguy to end up making an eccentric, perhaps failed, but politically stimulating anti-National Front. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
66% Happy End (2017) A film in which the vanity of the director is imposed as a gesture of reprobation and contempt to the viewer's gaze. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
80% Before We Vanish (Sanpo suru shinryakusha) (2017) Kiyoshi Kurosawa manages the elements of the genre effectively and brilliantly. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
67% Napalm (2017) The film is like the reverse of Shoah. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
93% The Meyerowitz Stories (New and Selected) (2017) A comedy with a series of tender characters, good actors and a script that can articulate its dramatic pieces. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
69% Claire's Camera (La caméra de Claire) (2017) Claire's Camera has its charm, but it's so discreet that it's still a mere amusement within the bulimia that marks the work of the Korean filmmaker. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
99% BPM (Beats Per Minute) (120 battements par minute) (2017) Campillo builds the film with long scenes and ends up exploding a portrait, the chronicle of a moment that never stops projecting into our present. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
100% The Venerable W (Le Vénérable W.) (2017) Schroeder turns Wirathu, Burma's social crisis, in an exponent of the situation that is lived in the world with the rise of ultranationalist movements. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
89% Promised Land (2017) An acid and blunt portrait of American myths and their fall in the Trump era. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
94% Lover For A Day (L'amant d'un jour) (2018) Garrel is the only director who continues filming in the style of that modern cinema of which he has always been an illustrious bulwark. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
81% The Square (2017) The film's approach could be interesting if it weren't because it tries to tackle too many things in more than two and a half hours of footage without them fit at all. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
88% Let the Sun Shine In (Un beau soleil intérieur) (2017) The result is a luminous and light film as a kind of new paragraph in Claire Denis's work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
100% Faces Places (Visages, villages) (2017) The filmmaker builds his character, he continues to self-represent using imagination to transform anything and break with all possible rigidity of the cinematographic gesture. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
80% Barbara (2017) The way it paints the whole meticulous process of her vampirization it's what makes it an exceptional film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
32% Jupiter's Moon (Jupiter holdja) (2017) Mundruczó leads the fable to the thriller territory and ends up making a film of thick tone that instead of finding its poetic ends in the absurd. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
94% Western (2017) Western is a good movie because it knows how to create a precise world with force and originality. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
67% Los Perros (2017) From a moment it seems as if the film doesn't advance, as if the script will not stop to revolve in a story that already has been told and that ends up being underlined. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
71% Wonderstruck (2017) The end result is a real wonder that is sometimes too wonderful. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
67% Sea Sorrow (2017) Vanessa Redgrave builds a film full of good intentions, with an excessively flat format and without much scenic inspiration. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
92% Loveless (Nelyubov) (2018) A forceful parable on a depersonalized, commodified Russia and in which the only thing that matters is the uncertainty of the present. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2017
60% Les Fantômes d'Ismaël (2017) A sort of cubist portrait of Desplechin's own film universe. It's evident that this polyhedral portrait is unstable and imperfect. But in the supposed imperfection lies the secret of the film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2017
87% The Student ((M)uchenik) (2017) The film is powerful but at times it falls on the visual excesses. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 24, 2016
44% It's Only the End of the World (Juste la fin du monde) (2016) Juste la fin du monde ends up being a strange cocktail made up of visually memorable moments and other poorly resolved. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
95% Gimme Danger (2016) Jarmusch shows some interesting things about the stage presence of Iggy Pop. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
71% The Unknown Girl (La fille inconnue) (2017) Jean-Pierre and Luc Dardenne prove once again their films are something out of this world, beyond good and evil, and have a radical feel to them. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2016
85% Ma' Rosa (2016) The film is never clear about its intentions and that can cause confusion to the viewer. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2016