Anita Katz Movie Reviews & Previews - Rotten Tomatoes

Anita Katz

Anita Katz
Anita Katz's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): San Francisco Examiner

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 84% Frantz (2017) In the central role, Beer affirms her status as a rising international star. Niney portrays hauntedness superbly.‐ San Francisco Examiner
Read More | Posted Mar 24, 2017
3/4 79% Personal Shopper (2017) Its adventure, intelligence, originality, rich mood, worthy subject and powerful lead performance make it impossible to dismiss.‐ San Francisco Examiner
Read More | Posted Mar 17, 2017
2/4 33% The Last Word (2017) The film is a comedy that benefits from the gifts of an effectively typecast Shirley MacLaine but traps her in a story lacking credibility and in a production bereft of emotional truth.‐ San Francisco Examiner
Read More | Posted Mar 10, 2017
2/4 19% Table 19 (2017) A bland screwball comedy sunk by an excess of gimmickry and a lack of credibility and punch.‐ San Francisco Examiner
Read More | Posted Mar 3, 2017
2.5/4 75% You're Killing Me Susana (Me estás matando Susana) (2017) All said, the film shapes up as a mildly entertaining missed opportunity, notable for its performances, especially Bernal's.‐ San Francisco Examiner
Read More | Posted Feb 24, 2017
3/4 83% The Lure (Córki dancingu) (2017) The performances are in sync with Smoczynska's vision of a Polish fantasyland both bouncy and visceral. Olszanska, as the hungry-looking Golden, and Mazurek, as the, relatively speaking, sweeter Silver, command the screen.‐ San Francisco Examiner
Read More | Posted Feb 17, 2017
3.5/4 97% The Salesman (Forushande) (2017) Hosseini and Alidoosti, both Farhadi veterans, are extraordinary. Farid Sajjadi Hosseini, as the terribly behaving but deeply human man who triggered the disaster, also is superb.‐ San Francisco Examiner
Read More | Posted Feb 3, 2017
3/4 94% The Red Turtle (La tortue rouge) (2017) Truth, grace, and simplicity rule in this film, which establishes Dudok de Wit as a rising star in world animation and provides audiences on these shores with a memorably unusual adventure.‐ San Francisco Examiner
Read More | Posted Jan 27, 2017
3.5/4 96% Neruda (2016) The actors make the robust, confident Neruda and the thin, self-doubting Peluchonneau riveting psychological, as well as physical, complements.‐ San Francisco Examiner
Read More | Posted Jan 13, 2017
3/4 84% Julieta (2016) The cast's two Julietas both excel as their character's pre- and post-tragedy selves, who switch place mid-scene in a cinematic magic trick that affirms Almodovar's status as a master.‐ San Francisco Examiner
Read More | Posted Jan 6, 2017
3/4 98% Long Way North (Tout en haut du monde) (2016) The down-to-earth quality of the human dynamics, which are completely absent of superhuman behavior, give the characters a credibility that allows audiences to believe their lives in these treacherous waters are at stake.‐ San Francisco Examiner
Read More | Posted Dec 30, 2016
3/4 93% Hidden Figures (2017) The film's immensely agreeable real-life story has so much joy and energy, we're willing to go the predictable distance.‐ San Francisco Examiner
Read More | Posted Dec 23, 2016
1/4 12% Collateral Beauty (2016) It's a ludicrous story, and the filmmakers, despite a grade-A cast, deliver neither the Capra spark nor a credible depiction of grief.‐ San Francisco Examiner
Read More | Posted Dec 16, 2016
3/4 71% Miss Sloane (2016) Compromised by too many plot twists, Miss Sloane is not a searing condemnation of Capitol Hill politics nor a penetrating character portrait of an adrenaline-addicted power player. But it is a terrifically acted, electric thriller.‐ San Francisco Examiner
Read More | Posted Dec 9, 2016
1.5/4 43% Ovation! (2016) [Ovation] is passable fare that might suffice for a rainy-day matinee. But it can't complete with superior films playing around town now.‐ San Francisco Examiner
Read More | Posted Dec 2, 2016
3.5/4 96% Manchester by the Sea (2016) Lonergan doesn't write dialogue that spells out details of the harrowing event. He leaves it to outstanding actors to convey the effect of the experience via facial expression and body language.‐ San Francisco Examiner
Read More | Posted Nov 29, 2016
3.5/4 73% Nocturnal Animals (2016) Adams, slightly hampered by the busy plot, carries the film as a woman realizing distressing truths about herself. Gyllenhaal, especially as Tony, powerfully portrays anger and desperation.‐ San Francisco Examiner
Read More | Posted Nov 18, 2016
3.5/4 94% Arrival (2016) Even when the plot has you shaking your head, expect to be moved.‐ San Francisco Examiner
Read More | Posted Nov 11, 2016
3/4 100% Tower (2016) This is gripping nonfiction cinema containing thrills and a point.‐ San Francisco Examiner
Read More | Posted Nov 4, 2016
3.5/4 97% Moonlight (2016) Directing, screenwriting, acting, cinematography and music combine superbly in the movie, which is based on a play by Tarell Alvin McCraney and has been compared to Richard Linklater's Boyhood and Charles Burnett's Killer of Sheep.‐ San Francisco Examiner
Read More | Posted Oct 28, 2016
3/4 88% Christine (2016) Hall's quietly extraordinary performance as a woman disconnected from the world she so desperately wants to glow in makes the movie worth seeing.‐ San Francisco Examiner
Read More | Posted Oct 21, 2016
2.5/4 82% Denial (2016) The problem is that the story is set up with Lipstadt as its passionate heroine and driving moral force. Yet she's been buttoned up, which limits the emotional impact of a film that should be stirring.‐ San Francisco Examiner
Read More | Posted Oct 7, 2016
3/4 99% Cameraperson (2016) Small and experimental, but engrossing and enlightening, it's truly a one-of-a-kind documentary.‐ San Francisco Examiner
Read More | Posted Sep 30, 2016
2/4 54% The Dressmaker (2016) In the end, the characters are all dressed up with nowhere funny or interesting to go.‐ San Francisco Examiner
Read More | Posted Sep 23, 2016
3/4 92% Demon (2016) Classy and contained and, at the same time, wickedly crazed.‐ San Francisco Examiner
Read More | Posted Sep 16, 2016
2.5/4 80% Author: The JT LeRoy Story (2016) The film makes for a compelling cinematic memoir but, as a documentary portrait, is weighted and unenlightening.‐ San Francisco Examiner
Read More | Posted Sep 9, 2016
2/4 44% The Hollars (2016) Although the cast keeps things engaging, in an apparent attempt to offset the serious with the sunny, director John Krasinski sinks a potentially radiant thing by replacing true emotion with artificial sunshine.‐ San Francisco Examiner
Read More | Posted Sep 2, 2016
3/4 100% Ixcanul (2016) As an indictment of how people of privilege continue to exploit and abuse life's have-nots, the movie is devastating.‐ San Francisco Examiner
Read More | Posted Aug 26, 2016
3/4 93% Lo and Behold, Reveries of the Connected World (2016) Herzog provides no shockers. The film is less penetrating, fascinating and affecting than his movies Grizzly Man and Cave of Forgotten Dreams. Still, he's incapable of being shallow or uninteresting.‐ San Francisco Examiner
Read More | Posted Aug 19, 2016
3.5/4 100% Paths of the Soul (Kang rinpoche) (2016) Sights of stones tumbling down a mountain, or of pilgrims dancing by a river, look spontaneous and extraordinary. Long takes and widescreen vistas poetically show a minute human presence traversing a vast natural landscape.‐ San Francisco Examiner
Read More | Posted Aug 12, 2016
3/4 82% Indignation (2016) Though it could use more dramatic juice, Indignation succeeds as absorbing, intelligent, grown-up cinema.‐ San Francisco Examiner
Read More | Posted Aug 5, 2016
3.5/4 91% The Witness (2016) As Bill starts focusing on Kitty's life, rather than death, the film becomes even better; it's one of the most satisfying documentaries released this year.‐ San Francisco Examiner
Read More | Posted Jul 29, 2016
3/4 70% Café Society (2016) The two perfrmers also nicely capture the regrets people have over roads and risks not taken. Allen, in the final scenes, handles this theme with grace and depth, ending the film on a unexpectedly moving and satisfying note.‐ San Francisco Examiner
Read More | Posted Jul 22, 2016
3/4 93% Our Little Sister (Umimachi Diary) (2016) The performances are solid throughout, and young Hirose's Suzu is an unassuming delight.‐ San Francisco Examiner
Read More | Posted Jul 15, 2016
3/4 78% From Afar (Desde Allá) (2016) This is small film that aims nobly and impresses.‐ San Francisco Examiner
Read More | Posted Jul 8, 2016
2/4 57% The Neon Demon (2016) Spectacle works for only so long. As its surface allure wanes, the movie becomes as tiresomely superficial as its subjects.‐ San Francisco Examiner
Read More | Posted Jun 24, 2016
3/4 98% The Fits (2016) The trials of adolescence come to life in fresh and mesmerizing ways in The Fits, a low-budget, mood-rich tale about a tomboy, an all-girl dance team, the need to belong, and a baffling sickness.‐ San Francisco Examiner
Read More | Posted Jun 17, 2016
3/4 89% Dheepan (2016) Dheepan is a memorable and relevant refugee-condition drama, a non-preachy indictment of France's immigrant policies, an engrossing personal journey, and an inspiring testament to the hope and change human connection can spark.‐ San Francisco Examiner
Read More | Posted Jun 3, 2016
3/4 97% Weiner (2016) Should this guy decide to attempt another comeback, he likely won't be hiring Kriegman and Steinberg to film it, but you kind of wish he would.‐ San Francisco Examiner
Read More | Posted May 27, 2016
3/4 89% The Lobster (2016) Farrell makes a convincing sad sack regaining his romantic pulse. Weisz is radiant as, depending on how you see her character, a triumphant or a tragic heroine. Take a chance and go with this one.‐ San Francisco Examiner
Read More | Posted May 20, 2016
3/4 82% Tale of Tales (Il racconto dei racconti) (2016) Set in a world that looks like old Italy but where ogres marry princesses and fleas grow as large as dogs, Tale of Tales is a sprawling fantasy that is too ambitious and imaginative to be sunk by an inability to fully transport viewers.‐ San Francisco Examiner
Read More | Posted May 13, 2016
3/4 81% Viva (2016) The movie scores points for freshness with its Havana setting, and the emotional connections it depicts are undeniably moving.‐ San Francisco Examiner
Read More | Posted May 6, 2016
2.5/4 73% Valley Of Love (2016) While intriguing, the movie simply isn't penetrating or profound. The psychological drama needs to go deeper, and the paranormal scenes prove merely teasing.‐ San Francisco Examiner
Read More | Posted Apr 29, 2016
3/4 76% Elvis & Nixon (2016) When Shannon and Spacey finally get their scenes together, the movie demonstrates what good actors, and a director who sets the tone and lets them do their job, can make possible.‐ San Francisco Examiner
Read More | Posted Apr 22, 2016
2.5/4 56% Sold (2016) The film has a worthy message, but doesn't present its brave young heroine's story compellingly.‐ San Francisco Examiner
Read More | Posted Apr 15, 2016
3/4 50% One More Time (When I Live My Life Over Again) (2016) In a performance that will highlight many a Christopher Walken film festival someday, he combines a willingness to be a caricature of his distinctive self with a dramatic depth and range to create a terrific character.‐ San Francisco Examiner
Read More | Posted Apr 8, 2016
3/4 95% Marguerite (2016) A funny, thoughtful, moving story about art, love, passion, delusion and the sad reality that dreams and personal talents don't always jibe.‐ San Francisco Examiner
Read More | Posted Apr 1, 2016
1.5/4 29% My Big Fat Greek Wedding 2 (2016) Advice for future Greek Wedding couples: Elope.‐ San Francisco Examiner
Read More | Posted Mar 25, 2016
3/4 83% Hello, My Name is Doris (2016) A likable actress, Field bravely makes Doris a challenge to like. And against all likelihood, we're captivated.‐ San Francisco Examiner
Read More | Posted Mar 18, 2016
2.5/4 50% Bleak Street (La calle de la amargura) (2016) By failing to provide an adequate picture of the humanity at stake, the movie shapes up as a superficial affair. While consistently intriguing, it appeals foremost to perverse curiosity and leaves us, deeper down, unmoved.‐ San Francisco Examiner
Read More | Posted Mar 11, 2016