Anna Leszkiewicz Movie Reviews & Previews - Rotten Tomatoes

Anna Leszkiewicz

Anna Leszkiewicz
Anna Leszkiewicz's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Daily Telegraph (UK), New Statesman

Movie Reviews Only

Rating T-Meter Title | Year Review
100% Paddington 2 (2018) There are wonderful little jokes hidden amid the slapstick: a perfectly delivered take on the word "baguette", and every line that leaves a delightfully camp Hugh Grant's mouth.‐ New Statesman
Read More | Posted Nov 29, 2017
88% The Problem with Apu (2017) Kondabolu's documentary has shone a light on the racism behind the laughs.‐ New Statesman
Read More | Posted Nov 14, 2017
93% Joan Didion: The Center Will Not Hold (2017) If you're at all interested in Didion's life and work, those flashes are worth watching.‐ New Statesman
Read More | Posted Nov 10, 2017
92% Thor: Ragnarok (2017) The plot is chaotic and the pacing is bizarre (scenes are unusually short and fast). But it's undeniably a riot.‐ New Statesman
Read More | Posted Nov 2, 2017
100% Daphne (2017) Beecham is triumphant as Daphne. The camera rarely leaves her face, and some of her best moments are silent ones.‐ New Statesman
Read More | Posted Oct 12, 2017
86% Ingrid Goes West (2017) Aren't we all sometimes guilty of desperately forcing human connection when we feel lonely? Ingrid Goes West suggests we are.‐ Another Gaze
Read More | Posted Oct 3, 2017
31% Home Again (2017) It might not be quite as charming as 2015's The Intern, but this is a Meyers movie through and through: irresistibly charismatic.‐ New Statesman
Read More | Posted Sep 28, 2017
68% To the Bone (2017) The script knows that telling stories from personal experience, even with good intentions, is not enough to prevent those stories from being dangerous when they reach other people.‐ New Statesman
Read More | Posted Jul 14, 2017
51% Genius (2016) Genius ends up being terrifically boring, while enthusiastically reproducing the creative hierarchies of the time it portrays.‐ New Statesman
Read More | Posted Aug 25, 2016