Anna MM Vetticad Movie Reviews & Previews - Rotten Tomatoes

Anna MM Vetticad

Anna MM Vetticad
Anna MM Vetticad's reviews do not count toward the Tomatometer. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/5 No Score Yet Badhaai Ho (2018) Surekha Sikri is rollicking good fun as the cantankerous Dadi who turns out to be not quite as old-fashioned as you might think...‐ Firstpost
Read More | Posted Oct 18, 2018
2/5 38% Helicopter Eela (2018) Helicopter Eela means well, but it ends up as an often fun but almost entirely superficial Mom com.‐ Firstpost
Read More | Posted Oct 12, 2018
4.5/5 100% Andhadhun (2018) It all counts...every minute, second and millisecond of the unpredictable, crazy ride that follows.‐ Firstpost
Read More | Posted Oct 5, 2018
3/5 86% Sui Dhaaga: Made in India (2018) The camerawork in Sui Dhaaga is an important contributor to the endearing chemistry between the two characters and the statement about their teamwork that Katariya seeks to make.‐ Firstpost
Read More | Posted Sep 28, 2018
1/5 No Score Yet Mitron (2018) Mitron is strewn with hints of what it might have been if it had been better cast. Hindi cinema tends to be very culturally insular...‐ Firstpost
Read More | Posted Sep 18, 2018
2/5 57% Laila Majnu (2018) What is truly troubling is the fact that the Alis have resorted to the woman-as-a-tease and the male-suitor-as-a-stalker clichés that were once a fixture in Bollywood but that many contemporary filmmakers now abjure.‐ Firstpost
Read More | Posted Sep 7, 2018
3.5/5 78% Stree (2018) The primary reason why Stree is so effective though is that it does not caricature the people of Chanderi - they are as real and foolish and prejudiced and good as most human beings are, and could well be you or me with less sophistication.‐ Firstpost
Read More | Posted Aug 31, 2018
1.5/5 33% Saheb Biwi Aur Gangster 3 (2018) The first two Saheb Biwi Aur Gangster films were gratifying action-and-vengeance-packed rides. This one is just okay.‐ Firstpost
Read More | Posted Jul 27, 2018
2/5 100% Trapped (2017) This promising premise combined with the formidable talents of Vikramaditya Motwane and Rajkummar Rao should have added up to much more.‐ Firstpost
Read More | Posted Jul 23, 2018
1.5/5 44% Dhadak (2018) Dhadak seems to have completely missed the point of its source material.‐ Firstpost
Read More | Posted Jul 20, 2018
2/5 63% Soorma (2018) It is a pity that Ali and his team manage to draw us into the pages of his world only up to a point but mess up the most important chapter.‐ Firstpost
Read More | Posted Jul 13, 2018
1.5/5 17% Begum Jaan (2017) Begum Jaan's intriguing basic concept deserves a writer who could have expanded on it to better effect. And the lovely Vidya Balan deserves better than this soulless film.‐ Firstpost
Read More | Posted Jul 12, 2018
0.5/5 54% For Here Or To Go? (2017) To describe For Here Or To Go? as mediocre would be a compliment. It is a pathetically written, terribly edited and directed film in which the dear young leading man gives it more of himself than it deserves.‐ Firstpost
Read More | Posted Jul 6, 2018
2/5 50% Sanju (2018) Even this gifted star cannot camouflage the reality of Sanju being little beyond a PR exercise for Sanjay Dutt (and Manyata Dutt).‐ Firstpost
Read More | Posted Jun 29, 2018
1.5/5 9% Race 3 (2018) Remo D'souza's Race 3 lacks the panache to turn such triteness on its head and/or to keep it still interesting.‐ Firstpost
Read More | Posted Jun 18, 2018
40% Dobaara: See Your Evil (2017) Dobaara takes forever to take off, and when it does, it is a non-starter.‐ Firstpost
Read More | Posted Jun 5, 2018
2/5 50% Parmanu: The Story of Pokhran (2018) What could have elevated this film to another level altogether, of course, would have been at least an allusion to the perils of military aggression irrespective of the perpetrator, rather than a celebration of weaponisation.‐ Firstpost
Read More | Posted May 25, 2018
1.5/5 No Score Yet Angrezi Mein Kehte Hain (2018) In terms of thematic plausibility then, Angrezi Mein Kehte Hain is initially on solid ground. It stumbles after a while though, because the screenplay runs out of imagination and is unable to take the story forward with conviction, depth or gravitas.‐ Firstpost
Read More | Posted May 18, 2018
3.5/5 No Score Yet Nude (2017) This is a lyrical film about human beings and the arts struggling to survive in a hypocritical world.‐ Firstpost
Read More | Posted May 11, 2018
3.5/5 80% Omertà (2018) Omerta's pace is so unrelenting and Rao's acting so immersive that it is impossible to turn away from the screen for a single moment of the film's compact 97 minutes.‐ Firstpost
Read More | Posted May 7, 2018
2.5/5 18% Tubelight (2017) With Tubelight, my glass is half full and not half empty. When your head points out several exasperating aspects of a film and you still find yourself weeping with it, there is something to be said about the ability to strike an emotional chord. ‐ Firstpost
Read More | Posted May 3, 2018
1/5 No Score Yet Nanu Ki Jaanu (2018) The crux of this entire affair is that Nanu Ki Jaanu is unsure of what it wants to be, the team lacks the ability to make it everything they want it to be, and the film therefore ends up flailing its arms all over the place.‐ Firstpost
Read More | Posted Apr 23, 2018
4/5 89% October (2018) October is a mellow drama shorn of conventionally filmic twists and turns. It is tough to explain because it needs to be felt. ‐ Firstpost
Read More | Posted Apr 13, 2018
No Score Yet The Legend Of Michael Mishra (2016) The Legend of Michael Mishra, just like the non-existent chemistry between its lead couple, is a big naught.‐ Firstpost
Read More | Posted Apr 11, 2018
2/5 60% Blackmail (2018) Kirti Kulhari is handicapped by limited writing, but still embodies a certain vulnerability through her performance.‐ Firstpost
Read More | Posted Apr 6, 2018
1.5/5 29% Baaghi 2 (2018) There are moments in Baaghi 2 that are so trite and so dated, it feels like a 1970s-'80s assembly-line product. ‐ Firstpost
Read More | Posted Mar 30, 2018
2.5/5 57% Hichki (2018) Hichki offers enough surprises and enough moments of unmanipulative emotional intensity to be a rewarding experience.‐ Firstpost
Read More | Posted Mar 23, 2018
1.5/5 No Score Yet Mantra (2017) If the film does not come together as a whole, it is for clearly identifiable reasons: first, the cast is a mixed bag; second, the English dialogues do not sit well on several of them; third, the equation between the five Kapoors is not fully established.‐ Firstpost
Read More | Posted Mar 19, 2018
1/5 No Score Yet Mantostaan (2016) The kindest thing that can be said about Mantostaan is that it means well.‐ Firstpost
Read More | Posted Mar 19, 2018
3.5/5 67% Raid (2018) Credible realism and Gupta's unembellished directorial style are what make Raid such a gripping experience.‐ Firstpost
Read More | Posted Mar 16, 2018
3.5/5 91% Lipstick Under My Burkha (2016) Despite the grim themes of female subjugation and the right to choose, Shrivastava tells the story with a light touch, and there is as much to smile about as to weep over in this film. ‐ Firstpost
Read More | Posted Mar 15, 2018
2.5/5 67% 3 Storeys (2018) The cast is uniformly good. While the rare big-screen appearance by Shahane is the centerpiece of 3 Storeys, each of her co-stars is a pleasure to watch. For them, and much else, 3 Storeys is time well spent.‐ Firstpost
Read More | Posted Mar 9, 2018
1/5 No Score Yet Captain (2018) In the end, Captain's achievement is that it made me hope for a better-made film on Sathyan.‐ Firstpost
Read More | Posted Mar 1, 2018
4/5 No Score Yet Mayaanadhi (2017) For its non-traditionalism, smooth flow, credible characters and situations and so much else, the true stars of Mayaanadhi are director Aashiq Abu and his frequent collaborators.‐ Firstpost
Read More | Posted Mar 1, 2018
0.5/5 43% Sonu Ke Titu Ki Sweety (2018) This is a tacky, trite recycling of a recipe that has brought box-office success twice to this director. Why bother writing an original script when a photocopy machine is at hand?‐ Firstpost
Read More | Posted Feb 23, 2018
2.5/5 No Score Yet Hey Jude (2018) The delicacy with which Hey Jude treads around its central character in its pre-interval portion is one of its many attractions. We are introduced to his multiple quirks with humour and affection, yet the storyteller is never patronising towards him.‐ Firstpost
Read More | Posted Feb 21, 2018
No Score Yet Kyaa Kool Hain Hum 3 (2016) Kyaa Kool Hain Hum 3 should inspire the Censor Board to introduce a new rating to the existing lot: J for Juvenile. ‐ Firstpost
Read More | Posted Feb 13, 2018
2.5/5 No Score Yet Aami (2018) Aami's thoughtful tone is engaging but it is too risk-averse to be as captivating as the woman whose story it tells.‐ Firstpost
Read More | Posted Feb 12, 2018
2.5/5 92% Pad Man (2018) Separately, Kumar's charisma and Muruganantham's saga are remarkable ingredients for any film. Together though, they are Padman's failing and its strength...There is a lot I liked about Padman, but a lot that bothered me about it too.‐ Firstpost
Read More | Posted Feb 9, 2018
0.5/5 No Score Yet Kuldip Patwal: I Didn't Do It! (2017) Kuldip Patwal: I Didn't Do It! fails to make a journey since it is too busy not giving a damn about Dalits while simultaneously trying desperately to be an edgy thriller.‐ Firstpost
Read More | Posted Feb 2, 2018
1/5 71% Padmaavat (2018) Padmaavat's disturbing ideology - misogynistic, communal and homophobic - is bad enough. The final nail in the coffin is the lack of chemistry between Deepika Padukone and Shahid Kapoor.‐ Firstpost
Read More | Posted Jan 24, 2018
1.5/5 No Score Yet Union Leader (2017) The ease with which victory is achieved is unconvincing in Union Leader. The film's portrayal of trade unionism is too simplistic then for it to be considered a serious study of the subject or for it to leave a lasting impression.‐ Firstpost
Read More | Posted Jan 22, 2018
1/5 No Score Yet My Birthday Song (2018) This birthday song goes flat too soon to sustain interest.‐ Firstpost
Read More | Posted Jan 19, 2018
2.5/5 50% Jolly LLB 2 (2017) Jolly LLB 2 has its moments, poignant, political and profound, but it ain't no Jolly LLB.‐ Firstpost
Read More | Posted Jan 18, 2018
40% Jai Gangaajal (2016) When Abha and Babloo's paths intermittently cross, we get glimpses of what Jai Gangaajal might have been. When, however, the spotlight repeatedly moves away from them and falls on Prakash/Bhola, the film sags. ‐ Firstpost
Read More | Posted Jan 17, 2018
1/5 17% Jab Harry Met Sejal (2017) Jab Harry Met Sejal is a lost cause from the word go.‐ Firstpost
Read More | Posted Jan 17, 2018
1/5 57% Irada (2017) The basic theme is laudable no doubt, but Irada fails to expand the premise into a relatable flesh-and-blood story peopled by flesh-and-blood sufferers.‐ Firstpost
Read More | Posted Jan 17, 2018
2/5 80% Indu Sarkar (2017) We know the Emergency happened. Can you provide us with insights that go beyond mere facts? And if you cannot, what is the point?‐ Firstpost
Read More | Posted Jan 9, 2018
1/5 20% Raabta (2017) It is hard to imagine why Vijan chose to make his directorial debut with this unremarkable enterprise in which Sushant Singh Rajput, Kriti Sanon and pretty visuals are all drowned out by tedium.‐ Firstpost
Read More | Posted Jan 4, 2018
20% Hate Story 3 (2015) [Hate Story 1 & 2] were terrible films but at least they were not absolute zeroes. Hate Story 3 adds up to zilch.‐ Firstpost
Read More | Posted Jan 3, 2018