Dr Anton Bitel was born in Australia in 1970, and has lived in the UK since 1989. Now a father of twins, occasional academic and full-time caffeine junkie, he compensates for a general sense of disgruntlement by moping about in darkened cinemas watching other people's joys and sorrows. He seeks elusive thrills from all genres (even romantic comedy), but tends to prefer anything extreme, odd, miserable or tawdry. He is at home with horror, 'arthouse', the avant garde and Oriental cinema. Anton currently freelances for Film4, musicOMH (where he is a staff writer), Eye for Film, Film International and Little White Lies, and was for three years one of the principal contributors to the now semi-defunct Movie Gazette.
Eraserhead Brazil Spring, Summer, Autumn, Winter...and Spring Apocalypse Now The Texas Chainsaw Massacre (1974) M. Houlot's Holiday Ichi the Killer Last Year in Marienbad Batman (1966) Synecdoche, New York
|Publications:||Cinetalk, musicOMH.com, Sight and Sound, Film4, Movie Gazette, ScreenAnarchy, Little White Lies, Eye for Film, Film International, MovieScope, SciFiNow, Grolsch Film Works, Daily Info, Scene 360, New Empress Magazine, Film Divider, FilmLand Empire, Vérité, TheHorrorShow, Projected Figures, VODzilla.co|
|Critics' Group:||London Film Critics Circle, Online Film Critics Society|
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