Audra Schroeder
Audra Schroeder's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
The Daily Dot
| Publications: | The Daily Dot |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| No Score Yet | Seth Rogen's Hilarity for Charity (2018) |
It's less clear where Hilarity for Charity fits in; it's not quite a talk show, not just a standup special, but has potential as a variety show.‐ The Daily Dot
Read More | Posted Apr 11, 2018
|
|
| 82% | First Match (2018) |
First Match escapes the genre and leaves an impression that's often rare for a debut film.‐ The Daily Dot
Read More | Posted Mar 23, 2018
|
|
| No Score Yet | Ricky Gervais: Humanity (2018) |
If you're someone who works online all day, there's a shade of truth there, but at times during Humanity it feels like Gervais is just calling out random Twitter trolls and not necessarily looking deeper at his own issues. ‐ The Daily Dot
Read More | Posted Mar 13, 2018
|
|
| No Score Yet | Blood Fest (2018) |
You have to follow the rules of horror films to escape the horror film, and while Blood Fest gets a little lost along the way, its love of the genre-and satire of it-will speak to the obsessives.‐ The Daily Dot
Read More | Posted Mar 13, 2018
|
|
| 67% | Take Your Pills (2018) |
Ultimately, the film struggles to present an "aesthetic" while also telling human stories that present bigger truths. Klayman admits one of the biggest challenges was to stay on topic, but she sees the irony.‐ The Daily Dot
Read More | Posted Mar 13, 2018
|
|
| 3.5/5 | 100% | Chris Rock: Tamborine (2018) |
This is Rock in extreme close-up, in a more intimate venue than stadiums of the past.‐ The Daily Dot
Read More | Posted Feb 15, 2018
|
| 16% | The Cloverfield Paradox (2018) |
The movie feels more like one long episode of TV. ‐ The Daily Dot
Read More | Posted Feb 7, 2018
|
|
| 2.5/5 | No Score Yet | Fred Armisen: Standup For Drummers (2018) |
Armisen is deft with impressions and characters, but as a standup he still needs practice.‐ The Daily Dot
Read More | Posted Feb 7, 2018
|
| No Score Yet | Todd Glass: Act Happy (2018) |
The set is unmoored, which isn't necessarily a bad thing. He leans into chaotic good. Glass keeps his energy up, jumping from topic to topic, often starting a joke and abandoning the punchline in favor of a new one.‐ The Daily Dot
Read More | Posted Feb 1, 2018
|
|
| 61% | A Futile and Stupid Gesture (2017) |
In the hands of another director, this film might have felt procedural, but Wain adds in the asides and inside jokes and fourth-wall-breaking that made WHAS so unique.‐ The Daily Dot
Read More | Posted Feb 1, 2018
|
|
| 100% | Chris Gethard: Career Suicide (2017) |
Career Suicide does feel a bit long, but it's clear Gethard wanted to take his time. He gets people to laugh at the fact that sometimes people break, and there's always a way to put yourself back together.‐ The Daily Dot
Read More | Posted Jan 9, 2018
|
|
| 100% | Maria Bamford: Old Baby (2017) |
The absence of traditional punchlines and structure could be risky for a lesser comic, but Bamford is deft at balancing extended fart noises and musings about her brain‐ The Daily Dot
Read More | Posted Jan 9, 2018
|
|
| 3/5 | No Score Yet | Judd Apatow: The Return (2017) |
Apatow is famous enough that he can poke fun at his fame, but he can also revise his history.‐ The Daily Dot
Read More | Posted Dec 14, 2017
|
| 2.5/5 | 97% | Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (2017) |
There's not a lot of scrutiny in Jim & Andy. Carrey's the only present-day interview we get, so there's no real objectivity or point of view, and Smith doesn't ask any hard questions about Kaufman's button-pushing. ‐ The Daily Dot
Read More | Posted Nov 17, 2017
|
| 88% | Joan Didion: The Center Will Not Hold (2017) |
In any portrait of an artist, you ideally want to leave with something that feels raw or sacred. By the end of The Center Will Not Hold, one doesn't necessarily feel like they know Didion any better, or that she's loosened her grip on her public image.‐ The Daily Dot
Read More | Posted Oct 27, 2017
|
|
| 86% | 1922 (2017) |
... Wilfred's guilt becomes a literal infestation. In the hands of a lesser actor, he could have become a caricature, but Jane stains him, revealing his toxic masculinity and vulnerability.‐ The Daily Dot
Read More | Posted Oct 20, 2017
|
|
| 100% | Patton Oswalt: Annihilation (2017) |
Oswalt's strength is storytelling and here he weaves in and out of bits about DNA testing, witnessing a fight, and robocalls to give the special some levity. ‐ The Daily Dot
Read More | Posted Oct 19, 2017
|
|
| No Score Yet | Long Shot (2017) |
Something inconsequential became almost comically consequential. In a way, it's the purest episode of Curb Your Enthusiasm yet.‐ The Daily Dot
Read More | Posted Oct 5, 2017
|
|
| 91% | Gerald's Game (2017) |
[Carla] Gugino's performance in particular is stunning and raw.‐ The Daily Dot
Read More | Posted Oct 3, 2017
|
|
| 92% | Louis C.K.: 2017 (2017) |
It's as if he's having a debate with himself and we're watching.‐ The Daily Dot
Read More | Posted Sep 8, 2017
|
|
| 82% | Patti Cake$ (2017) |
Patti Cake$ just feels stuck between being a music video and a fully realized film.‐ The Daily Dot
Read More | Posted Sep 8, 2017
|
|
| 94% | Prevenge (2017) |
Ruth pushes through each absurd act with dead-eyed focus, though we come to find out that focus is shaped by grief, and that Prevenge has an emotional core.‐ The Daily Dot
Read More | Posted Sep 8, 2017
|
|
| No Score Yet | Amy Schumer: The Leather Special (2017) |
It's not a cohesive show‐ The Daily Dot
Read More | Posted Sep 7, 2017
|
|
| 94% | Lo and Behold, Reveries of the Connected World (2016) |
We're still in the early days of internet history, and Herzog's film serves as a document of a time in which ideas are still being forged about how to tame this ever-growing beast.‐ The Daily Dot
Read More | Posted Oct 24, 2016
|