Carlos Boyero Movie Reviews & Previews - Rotten Tomatoes

Carlos Boyero

Carlos Boyero
Carlos Boyero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
90% Cold War (Zimna wojna) (2018) From the musical start, until in one of the most beautiful, romantic and tragic outcomes that I have seen in the cinema, this film is unpredictable, powerful, lyrical, complex and truthful. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 5, 2018
83% Quién te cantará (2018) Quien te Cantará lasts two hours, but I have the feeling that I have been drowsy for a week. And I forget it quickly. The tortuous intensity has always put me on my nerves. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 27, 2018
99% Roma (2018) Nothing sounds forced in the director's exquisite description of that world of yesterday, everything sounds true, his formidable visual language serves to express feelings and feelings with complexity. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 26, 2018
61% Everybody Knows (Todos lo saben) (2019) It is a hard, tense and realistic narrative that I can not ignore at any time, in possession of climate and mystery. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 14, 2018
89% Carmen & Lola (Carmen y Lola) (2018) There are no beginner gaps in the movie or vacuous pretensions. Echevarria's sense of place is good, has freshness, sensuality and ability to get excited for love. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 7, 2018
No Score Yet Yucatán (2018) Nothing works in this tired work that's null of grace. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 31, 2018
40% Mary Shelley (2018) Al-Mansour narrates with elegance, rhythm, intensity and delicacy about the painful vital learning, the iron will in the learning of art, vocational subversion, and the refusal to submit in a ancestrally macho universe. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 12, 2018
63% Sicario: Day of the Soldado (2018) The plot, the situations and the characters exude tension, evident violence, and professionalism.‐ El Pais (Spain)
Read More | Posted Jun 28, 2018
86% Tully (2018) [Tully] tells you you lot of profound things about the the character with her eyes and her gestures. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
57% Under the Silver Lake (2018) [Under the Silver Lake] pretends to be eccentric and unsettling, but reeks of emptiness and over-projection. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
70% Solo: A Star Wars Story (2018) No one had to squeeze their brain in order to present the 20-something Han Solo. Everything is mechanic, routine and the only thing remotely shocking is that it used shockingly dark photography on a story meant to be bright. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
92% Burning (Beoning) (2018) [Burning's] biggest issue here is that it needs two hours to tell its story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
88% Whitney (2018) [Whitney] works and no moment is ever taxing or sensationalist. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
78% Dogman (2018) Garrone created an atmosphere of first class in discussing this underground world. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
31% Loving Pablo (2018) My problem with Loving Pablo is not the abusive déjà vu with the character and plot, but that it doesn't live up to my expectations. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 11, 2018
39% Mary Magdalene (2018) Rooney Mara is a remarkable actress, suggestive, sober, but her presence does not alleviate in the midst of so much boredom. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018
72% Ready Player One (2018) There will be many who jump for joy over this new invention of Spielberg. How I envy their ecstasy. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018
67% Sin rodeos (2018) I appreciate the characters, situations and gags; they made me smile and laugh, gestures that are rare in cinema and life lately. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 5, 2018
78% All the Money in the World (2017) All the Money in the World is not remarkable, but it's also not bland. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Feb 26, 2018
78% The Wolf of Wall Street (2013) Scorsese's art continues in dazzling form. May it last us a long time. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 8, 2018
30% Wonder Wheel (2017) ... [a film] I forget five minutes after finishing. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 21, 2017
91% Star Wars: The Last Jedi (2017) Falsely epic, uselessly lyrical. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 12, 2017
54% The Bookshop (2018) The intimacy is contagious. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 13, 2017
98% The Big Sick (2017) ... nonethelss has a certain spontaneity, a certain freshness, a certain purity, a certain grace. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2017
87% Blade Runner 2049 (2017) With the appearance of Harrison Ford, I notice that the mediocre bar is raised a little. But he's late in a film that seems eternal to me. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 6, 2017
85% It (2017) The real protagonism is exercised by repetition, a flat screenplay, cheap and continuous scares, the crushing and unbearable music underlining each plane and a superficial and forced vision of the cornered universe of children. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 8, 2017
92% Sieranevada (2016) I have already read that this extraordinary film marks a before and after in the language film. I am convinced of this, it's impossible to make it worse. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 16, 2017
92% Dunkirk (2017) A great creation of pure cinema. There are few dialogues, but it doesn't need them since the visual language is very powerful. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 27, 2017
95% Graduation (Bacalaureat) (2017) If in 4 Months, 3 Weeks & 2 Days Mungiu managed to involve you to distressing extremes,here leaves you indifferent to the drama of the protagonists. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 6, 2017
77% A Gentle Creature (2017) In one facet as in another, its 140 minutes of footage are insufferable. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
50% Based on a True Story (D'après une histoire vraie) (2017) Polanski opts for an end that doesn't live up to what he has portrayed, but for a couple of hours has entertained you intelligently. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
88% You Were Never Really Here (2018) Phoenix feels like a fish in the water playing another moron in a silly story, as poorly written as directed. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
77% In the Fade (Aus dem Nichts) (2017) Akin narrates this story with expressive force and veracity. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 29, 2017
71% Double Lover (L'amant double) (2018) Its final surprise can make you cold, but watching this sophisticated beauty outweighs you. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 29, 2017
91% Good Time (2017) A story with psychological pretensions, excessively shabby characters, silly situations, capriciously filmed with exhausting close-ups, jamming music. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 26, 2017
78% The Day After (Geu-hu) (2018) A tedious story of tormented adultery filmed in black and white, with fixed plans that never end. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
79% The Killing of a Sacred Deer (2017) It can convey tension and mystery, but its scripts aren't solid and the outcomes seem to be invented on the fly. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
78% The Beguiled (2017) Sofia Coppola is more interested in filming the landscape than delving into the complex reactions of the characters. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
28% Rodin (2018) Rodin reduce itself to a monotonous succession of scenes. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
70% Happy End (2017) Haneke is faithful in Happy End to his eternal speech. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
94% Loveless (Nelyubov) (2018) Zvyagintsev narrates sharply the catharsis of such careless and selfish parents. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
98% BPM (Beats Per Minute) (120 battements par minute) (2017) The argument gave for much more but its development falls short. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
51% Ismael's Ghosts (Les fantômes d'Ismaël) (2018) It all sounds silly, but in a cheesy way, with no sense of ridicule. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
49% Jupiter's Moon (Jupiter holdja) (2017) It's a well-rounded movie, but that doesn't stop me from losing myself a few times between the mystical labyrinths. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
86% Okja (2017) It's a very rare movie. It doesn't bother me but I find nothing exciting about it either. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
66% Wonderstruck (2017) Haynes applies his powerful aesthetic sense, an exquisite setting and abusive music to tell two parallel stories. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
93% The Meyerowitz Stories (New and Selected) (2017) Funny at times thanks to the good performances of Adam Sandler, Ben Stiller, Dustin Hoffman and Emma Thompson, but it extends unnecessarily. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
54% Godard Mon Amour (Le redoutable) (2018) You will laugh with an enervating Godard in a permanent crisis that always breaks his glasses and makes you feel sorry for him. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
84% The Square (2017) The situations become intolerable because of their length, the jokes are as fancy as not very effective. I have no complicity with Ostlund's sense of humor. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
93% Stefan Zweig: Farewell to Europe (2017) A forced and painful vagrancy by America of the Austrian writer that the German director Maria Schrader has dared to narrate. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 25, 2017