Carlos Boyero Movie Reviews & Previews - Rotten Tomatoes

Carlos Boyero

Carlos Boyero
Carlos Boyero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
39% Mary Shelley (2018) Al-Mansour narrates with elegance, rhythm, intensity and delicacy about the painful vital learning, the iron will in the learning of art, vocational subversion, and the refusal to submit in a ancestrally macho universe. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 12, 2018
64% Sicario: Day of the Soldado (2018) The plot, the situations and the characters exude tension, evident violence, and professionalism.‐ El Pais (Spain)
Read More | Posted Jun 28, 2018
87% Tully (2018) [Tully] tells you you lot of profound things about the the character with her eyes and her gestures. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 22, 2018
61% Under the Silver Lake (2018) [Under the Silver Lake] pretends to be eccentric and unsettling, but reeks of emptiness and over-projection. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
71% Solo: A Star Wars Story (2018) No one had to squeeze their brain in order to present the 20-something Han Solo. Everything is mechanic, routine and the only thing remotely shocking is that it used shockingly dark photography on a story meant to be bright. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
95% Burning (Beoning) (2018) [Burning's] biggest issue here is that it needs two hours to tell its story. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
88% Whitney (2018) [Whitney] works and no moment is ever taxing or sensationalist. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
69% Dogman (2018) Garrone created an atmosphere of first class in discussing this underground world. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted May 18, 2018
33% Loving Pablo (2018) My problem with Loving Pablo is not the abusive déjà vu with the character and plot, but that it doesn't live up to my expectations. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 11, 2018
42% Mary Magdalene (2018) Rooney Mara is a remarkable actress, suggestive, sober, but her presence does not alleviate in the midst of so much boredom. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018
73% Ready Player One (2018) There will be many who jump for joy over this new invention of Spielberg. How I envy their ecstasy. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Apr 10, 2018
67% Sin rodeos (2018) I appreciate the characters, situations and gags; they made me smile and laugh, gestures that are rare in cinema and life lately. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Mar 5, 2018
77% All the Money in the World (2017) All the Money in the World is not remarkable, but it's also not bland. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Feb 26, 2018
78% The Wolf of Wall Street (2013) Scorsese's art continues in dazzling form. May it last us a long time. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 8, 2018
30% Wonder Wheel (2017) ... [a film] I forget five minutes after finishing. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 21, 2017
91% Star Wars: The Last Jedi (2017) Falsely epic, uselessly lyrical. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 12, 2017
48% The Bookshop (2018) The intimacy is contagious. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 13, 2017
98% The Big Sick (2017) ... nonethelss has a certain spontaneity, a certain freshness, a certain purity, a certain grace. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2017
87% Blade Runner 2049 (2017) With the appearance of Harrison Ford, I notice that the mediocre bar is raised a little. But he's late in a film that seems eternal to me. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 6, 2017
85% It (2017) The real protagonism is exercised by repetition, a flat screenplay, cheap and continuous scares, the crushing and unbearable music underlining each plane and a superficial and forced vision of the cornered universe of children. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 8, 2017
92% Sieranevada (2016) I have already read that this extraordinary film marks a before and after in the language film. I am convinced of this, it's impossible to make it worse. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 16, 2017
92% Dunkirk (2017) A great creation of pure cinema. There are few dialogues, but it doesn't need them since the visual language is very powerful. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 27, 2017
95% Graduation (Bacalaureat) (2017) If in 4 Months, 3 Weeks & 2 Days Mungiu managed to involve you to distressing extremes,here leaves you indifferent to the drama of the protagonists. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 6, 2017
77% A Gentle Creature (2017) In one facet as in another, its 140 minutes of footage are insufferable. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
50% Based on a True Story (D'après une histoire vraie) (2017) Polanski opts for an end that doesn't live up to what he has portrayed, but for a couple of hours has entertained you intelligently. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
87% You Were Never Really Here (2018) Phoenix feels like a fish in the water playing another moron in a silly story, as poorly written as directed. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 30, 2017
77% In the Fade (Aus dem Nichts) (2017) Akin narrates this story with expressive force and veracity. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 29, 2017
71% Double Lover (L'amant double) (2018) Its final surprise can make you cold, but watching this sophisticated beauty outweighs you. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 29, 2017
92% Good Time (2017) A story with psychological pretensions, excessively shabby characters, silly situations, capriciously filmed with exhausting close-ups, jamming music. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 26, 2017
78% The Day After (Geu-hu) (2018) A tedious story of tormented adultery filmed in black and white, with fixed plans that never end. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
80% The Killing of a Sacred Deer (2017) It can convey tension and mystery, but its scripts aren't solid and the outcomes seem to be invented on the fly. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
78% The Beguiled (2017) Sofia Coppola is more interested in filming the landscape than delving into the complex reactions of the characters. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
21% Rodin (2018) Rodin reduce itself to a monotonous succession of scenes. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
69% Happy End (2017) Haneke is faithful in Happy End to his eternal speech. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 25, 2017
93% Loveless (Nelyubov) (2018) Zvyagintsev narrates sharply the catharsis of such careless and selfish parents. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
98% BPM (Beats Per Minute) (120 battements par minute) (2017) The argument gave for much more but its development falls short. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
52% Ismael's Ghosts (Les fantômes d'Ismaël) (2018) It all sounds silly, but in a cheesy way, with no sense of ridicule. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
50% Jupiter's Moon (Jupiter holdja) (2017) It's a well-rounded movie, but that doesn't stop me from losing myself a few times between the mystical labyrinths. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
86% Okja (2017) It's a very rare movie. It doesn't bother me but I find nothing exciting about it either. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
67% Wonderstruck (2017) Haynes applies his powerful aesthetic sense, an exquisite setting and abusive music to tell two parallel stories. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
92% The Meyerowitz Stories (New and Selected) (2017) Funny at times thanks to the good performances of Adam Sandler, Ben Stiller, Dustin Hoffman and Emma Thompson, but it extends unnecessarily. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
55% Godard Mon Amour (Le redoutable) (2018) You will laugh with an enervating Godard in a permanent crisis that always breaks his glasses and makes you feel sorry for him. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
84% The Square (2017) The situations become intolerable because of their length, the jokes are as fancy as not very effective. I have no complicity with Ostlund's sense of humor. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted May 23, 2017
93% Stefan Zweig: Farewell to Europe (2017) A forced and painful vagrancy by America of the Austrian writer that the German director Maria Schrader has dared to narrate. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Apr 25, 2017
96% The Salesman (Forushande) (2017) It was hard for me to get in, but then the oppressive tone, the anguish, the mystery, the feeling that everything is going bad and that will end up much worse got me hooked. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Mar 6, 2017
79% T2 Trainspotting (2017) It's not bad at all, however its old charm has disappeared. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 24, 2017
98% Moonlight (2016) Nothing is forced in this beautiful film. The emotions are describe in an exquisite way, there are no moral judgments and doesn't seek resources to move the viewer. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 9, 2017
95% Manchester by the Sea (2016) A self-indulgent and irritating film of someone bent on telling a tragedy in a different way, stripping it of melodramatic resources. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Feb 3, 2017
93% Toni Erdmann (2016) A bittersweet and unusual comedy that, although it could have been shorter, it has been a pleasant and delicious time being with its characters in their crazy trip. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 23, 2017
92% La La Land (2016) A film that starts as an explosion of therapeutic vitality with contagious dance and music admirably filmed while telling a playful and warm love story. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jan 16, 2017