Carlos Boyero

Carlos Boyero
Carlos Boyero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)
Publications: El Pais (Spain)

movie Reviews Only

T-Meter Title | Year Review
88% Capernaum (Capharnaüm) (2018) This is one of the most anxiety inducing portraits of infancy I have seen in a long time. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 15, 2019
80% Green Book (2018) Green Book owes some of its likability to Capra and to mediocre imitators that play with a secure and almost always infallible formula. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 1, 2019
92% The Old Man & the Gun (2018) Robert Redford possesses something truly powerful as an actor and moves with great security in his craft. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jan 25, 2019
94% The Favourite (2018) That cyclothymic queen and her relationship with her two lovers are intriguing, the dialogues have sharpness. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jan 17, 2019
83% Juliet, Naked (2018) Comedy situations, ironic tone and underground drama are successfully melded together. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jan 3, 2019
91% Widows (2018) The film is entertaining and I suspect a new genre is born and the weapons have changed hands. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Dec 2, 2018
99% The Guilty (Den skyldige) (2018) Throughout this film, I am inside of what I'm told, I fear what unravels next, and the suspense is certainly transmitted in the worry I had while watching. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 26, 2018
100% The Silence of Others (2018) These three stories are well constructed and are a touching way for these victims to be able to leave their testimonies. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 16, 2018
81% Fahrenheit 11/9 (2018) As much as I admire Moore's ability to put his finger in the eyes of intolerable situations, his manipulative tendencies can outweigh even the most good of causes. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 8, 2018
73% El Angel (El ángel) (2018) It tends to the blackness and is developed with complexity. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 2, 2018
No Score Yet El fotógrafo de Mauthausen (2018) It achieves a worthy chronicle, something that does not bother me from beginning to end, it causes me certain uneasiness and tenderness at some points. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Oct 26, 2018
94% Petra (2018) It does not pretend to manipulate the viewer at any time, it leaves a lot of space for your imagination. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Oct 19, 2018
93% Cold War (Zimna wojna) (2018) From the musical start, until in one of the most beautiful, romantic and tragic outcomes that I have seen in the cinema, this film is unpredictable, powerful, lyrical, complex and truthful. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Oct 5, 2018
89% Quién te cantará (2018) Quien te Cantará lasts two hours, but I have the feeling that I have been drowsy for a week. And I forget it quickly. The tortuous intensity has always put me on my nerves. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Sep 27, 2018
96% Roma (2018) Nothing sounds forced in the director's exquisite description of that world of yesterday, everything sounds true, his formidable visual language serves to express feelings and feelings with complexity. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Sep 26, 2018
70% Everybody Knows (Todos lo saben) (2019) It is a hard, tense and realistic narrative that I can not ignore at any time, in possession of climate and mystery. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Sep 14, 2018
90% Carmen & Lola (Carmen y Lola) (2018) There are no beginner gaps in the movie or vacuous pretensions. Echevarria's sense of place is good, has freshness, sensuality and ability to get excited for love. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Sep 7, 2018
60% Yucatán (2018) Nothing works in this tired work that's null of grace. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Aug 31, 2018
40% Mary Shelley (2018) Al-Mansour narrates with elegance, rhythm, intensity and delicacy about the painful vital learning, the iron will in the learning of art, vocational subversion, and the refusal to submit in a ancestrally macho universe. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jul 12, 2018
62% Sicario: Day of the Soldado (2018) The plot, the situations and the characters exude tension, evident violence, and professionalism. - El Pais (Spain) EDIT
Read More | Posted Jun 28, 2018
85% Tully (2018) [Tully] tells you you lot of profound things about the the character with her eyes and her gestures. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jun 22, 2018
54% Under the Silver Lake (2019) [Under the Silver Lake] pretends to be eccentric and unsettling, but reeks of emptiness and over-projection. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 18, 2018
70% Solo: A Star Wars Story (2018) No one had to squeeze their brain in order to present the 20-something Han Solo. Everything is mechanic, routine and the only thing remotely shocking is that it used shockingly dark photography on a story meant to be bright. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 18, 2018
94% Burning (Beoning) (2018) [Burning's] biggest issue here is that it needs two hours to tell its story. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 18, 2018
88% Whitney (2018) [Whitney] works and no moment is ever taxing or sensationalist. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 18, 2018
79% Dogman (2019) Garrone created an atmosphere of first class in discussing this underground world. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 18, 2018
32% Loving Pablo (2018) My problem with Loving Pablo is not the abusive déjà vu with the character and plot, but that it doesn't live up to my expectations. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 11, 2018
39% Mary Magdalene (2018) Rooney Mara is a remarkable actress, suggestive, sober, but her presence does not alleviate in the midst of so much boredom. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 10, 2018
72% Ready Player One (2018) There will be many who jump for joy over this new invention of Spielberg. How I envy their ecstasy. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Apr 10, 2018
67% Sin rodeos (2018) I appreciate the characters, situations and gags; they made me smile and laugh, gestures that are rare in cinema and life lately. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Mar 5, 2018
78% All the Money in the World (2017) All the Money in the World is not remarkable, but it's also not bland. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 26, 2018
78% The Wolf of Wall Street (2013) Scorsese's art continues in dazzling form. May it last us a long time. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Feb 8, 2018
30% Wonder Wheel (2017) ... [a film] I forget five minutes after finishing. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Dec 21, 2017
91% Star Wars: The Last Jedi (2017) Falsely epic, uselessly lyrical. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Dec 12, 2017
55% The Bookshop (2018) The intimacy is contagious. [Full Review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 13, 2017
98% The Big Sick (2017) ... nonethelss has a certain spontaneity, a certain freshness, a certain purity, a certain grace. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Nov 3, 2017
87% Blade Runner 2049 (2017) With the appearance of Harrison Ford, I notice that the mediocre bar is raised a little. But he's late in a film that seems eternal to me. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Oct 6, 2017
85% It (2017) The real protagonism is exercised by repetition, a flat screenplay, cheap and continuous scares, the crushing and unbearable music underlining each plane and a superficial and forced vision of the cornered universe of children. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Sep 8, 2017
92% Sieranevada (2016) I have already read that this extraordinary film marks a before and after in the language film. I am convinced of this, it's impossible to make it worse. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Aug 16, 2017
92% Dunkirk (2017) A great creation of pure cinema. There are few dialogues, but it doesn't need them since the visual language is very powerful. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jul 27, 2017
95% Graduation (Bacalaureat) (2017) If in 4 Months, 3 Weeks & 2 Days Mungiu managed to involve you to distressing extremes,here leaves you indifferent to the drama of the protagonists. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted Jul 6, 2017
76% A Gentle Creature (2017) In one facet as in another, its 140 minutes of footage are insufferable. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 30, 2017
50% Based on a True Story (D'après une histoire vraie) (2017) Polanski opts for an end that doesn't live up to what he has portrayed, but for a couple of hours has entertained you intelligently. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 30, 2017
89% You Were Never Really Here (2018) Phoenix feels like a fish in the water playing another moron in a silly story, as poorly written as directed. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 30, 2017
76% In the Fade (Aus dem Nichts) (2017) Akin narrates this story with expressive force and veracity. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 29, 2017
70% Double Lover (L'amant double) (2018) Its final surprise can make you cold, but watching this sophisticated beauty outweighs you. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 29, 2017
91% Good Time (2017) A story with psychological pretensions, excessively shabby characters, silly situations, capriciously filmed with exhausting close-ups, jamming music. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 26, 2017
76% The Day After (Geu-hu) (2018) A tedious story of tormented adultery filmed in black and white, with fixed plans that never end. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 25, 2017
80% The Killing of a Sacred Deer (2017) It can convey tension and mystery, but its scripts aren't solid and the outcomes seem to be invented on the fly. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 25, 2017
79% The Beguiled (2017) Sofia Coppola is more interested in filming the landscape than delving into the complex reactions of the characters. [Full review in Spanish] - El Pais (Spain) EDIT
Read More | Posted May 25, 2017