Carlos F. Heredero Movie Reviews & Previews - Rotten Tomatoes

Carlos F. Heredero

Carlos F. Heredero
Carlos F. Heredero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

Rating T-Meter Title | Year Review
100% The Desert Bride (La Novia del Desierto) (2018) A prime opera that makes of humility its best virtue and whose images are loaded with an exciting inner truth. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
82% The Nothing Factory (A Fábrica de Nada) (2017) The film challenges us all with its provocative lucidity and its infinite audacity. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
87% You Were Never Really Here (2018) The greatest strength of the film comes from the intensity with which the face, body and movements of a magnificent Joaquin Phoenix are captured. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
71% Double Lover (L'amant double) (2018) This is an evident step backwards with respect to the previous title of its director (Frantz). [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
92% Good Time (2017) If the film is seen as what it really is (an energetic show of genre cinema) can be fully enjoyed without any prejudice. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
95% 12 Days (12 Jours) (2018) The result is far from being the director's best film, but its human and sociological interest is more than remarkable. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
77% A Gentle Creature (2017) The film is a limbo of dissatisfaction that it costs a lot of work to decipher if you don't have the keys to do it. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
63% The Summit (La cordillera) (2017) A sober and solvent film, that at times, manages to inject tension and anguish. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
16% Rodin (2017) The creative process and the search for inspiration concentrate the best moments of the film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
14% Frost (2017) Filmed rather flat and with little relief throughout its first part, and with something more strength, intensity and atmosphere as the protagonists enter the war zone. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
95% 24 Frames (2018) The result is certainly repetitive and perhaps uneven among some of the 24 pieces, but no less fascinating. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
55% Radiance (Hikari) (2017) The aesthetic proposal is diluted too many times in a somewhat smoker style. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
96% The Florida Project (2017) The Florida Project completely turns the American dream and shows us the devastated backyard of Donald Trump's tacky America. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
85% The Workshop (L'atelier) (2018) Despite its irregularity, it's a valuable approach to the difficult and controversial social reality of young contemporary France. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
79% The Day After (Geu-hu) (2018) Amovie more armed and more consistent than Claire's Camera, but is also far from its best achievements. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
80% The Killing of a Sacred Deer (2017) Lanthimos has become a posseur filmmaker, far and far less interesting than the clever Greek director of its beginnings. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
68% Happy End (2017) Another realization where the author's gaze on his characters is steeped in cruelty without the least empathy. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
76% Before We Vanish (Sanpo suru shinryakusha) (2018) The main interest of the film lies precisely in the human appearance of the already transformed beings. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
67% Napalm (2017) A huge and painful disappointment. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
92% The Meyerowitz Stories (New and Selected) (2017) A beautiful, fun and mature film that will need to be seen to in more detail. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
88% Claire's Camera (La caméra de Claire) (2018) Its light plot structure lacks inventiveness and narrative complexity. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
98% BPM (Beats Per Minute) (120 battements par minute) (2017) A radiography with remarkable vitalistic energy of the militant rebellion against the threat of a death that seemed irremediable at that time. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
100% The Venerable W (Le Vénérable W.) (2017) Well documented and passionate investigation of a filmmaker interested in reflecting on the mechanisms of evil. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
91% The King (2017) Promise Land is a strictly indispensable documentary. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
50% Godard Mon Amour (Le redoutable) (2018) Hazanavicious films all situations in a flat way. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
87% Wind River (2017) A stimulating proposal that walks with its own personality between the western codes and the thriller. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
86% Okja (2017) Nevertheless, Okja is another radically original film by Bong Joon-ho, retaining a remarkable charm in much of its development. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
84% The Square (2017) At its best, a turbulent subterranean river of uneasiness and sordidness beating under inventive and even disparate comedy records. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
91% Let the Sunshine In (Un beau soleil intérieur) (2018) A surprisingly light film, but in the background of the director's intelligent feminine and feminist look. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
99% Faces Places (Visages, villages) (2017) A film entirely based on loose brushstrokes, improvised strokes, happy intuitions and a penetrating look that goes through each and every one of its frames. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
86% Barbara (2017) A work full of happy intuitions, as brave as it is sincere and crossed by much talent in all its frames. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
47% Jupiter's Moon (Jupiter holdja) (2017) A useless film at best. Insufferably heavy and almost always erratic. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
96% Western (2018) The clean, almost entomological look of the filmmaker is the main value of a film that lacks some punch narrative and expressive density. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
67% Wonderstruck (2017) The audacity and difficulty of the structure seem almost an incentive in the hands of this great creator of forms and narrative models that is Todd Haynes. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
93% Loveless (Nelyubov) (2018) Loveless is so solid in its narrative construction and in the architecture of its metaphor that the images and dramatic dynamics of its characters barely breath. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 19, 2017
60% Les Fantômes d'Ismaël (2017) The most valuable aspects of the film are in its textures and brushstrokes and not so much in its plot. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 18, 2017
72% My King (Mon roi) (2016) A film made to showcase the acting skills of the main protagonists. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
72% Youth (2015) A nonstop and tiring collection of pretentious videos. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
39% Love (2015) The film can boast one thing: having the most idiotic and moronic dialogue in cinema history. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
73% Valley Of Love (2016) Exasperating. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
75% Chronic (2016) A film with lots of subtext and character richness that goes to waste with the terrible ending. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
93% The Little Prince (2016) A very easy to watch film that will impact its audience without problems. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
80% Macbeth (2015) An unequal and controversial work, but it gets its own place in the adaptations of the original drama. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jun 2, 2016
No Score Yet Exil (2016) A short movie but full of truth and intensity that transcend the screen. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 24, 2016
44% It's Only the End of the World (Juste la fin du monde) (2016) The experience feels like a sort of interlude or parenthesis in the filmography of the author. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
95% Gimme Danger (2016) A simple portrait of the musician. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
83% Risk (2017) There is a feeling of insecurity of knowing that you are being watched and the long tentacles of the control systems in contemporary societies. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
58% The Neon Demon (2016) Definitely confirm the null cinematic interest of a pretentious filmmaker convinced himself that is an artist (Nicolas Winding Refn). [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 20, 2016
83% Captain Fantastic (2016) Viggo Mortensen injects credibility to a film that is efficiently narrated, even if it goes to common places. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 17, 2016
80% Personal Shopper (2017) A story shot without strength, without the hability to put some mistery in the images we see, or the atmosphere or coherence that this type of story needed to work. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 17, 2016