Carlos F. Heredero

Carlos F. Heredero
Carlos F. Heredero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

T-Meter Title | Year
100% Parasite (Gisaengchung) (2019) Only a creator as free and as original as Bong Joon-ho can succed in turning out an adventure so unorthodox and as stimulating, as unpredictable and as devastating as Parasite. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
100% The Bears' Famous Invasion of Sicily (La fameuse invasion des Ours en Sicile) (2019) A small delight. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
100% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) One of the most stimulating works seen this year. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
90% Ice on Fire (2019) A film that, in reality, is nothing more than a television report. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
57% Oh Mercy! (Roubaix, une lumière) (2019) One of [Cannes'] most solid, disturbing and serious film proposals. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
53% Matthias and Maxime (2019) The staging almost never goes far beyond the rather capricious illustration of the script and the intermittent repetition of sequences with music. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
72% The Traitor (2019) [Director Marco] Bellocchio films the drama... with enormous visual force and remarkable narrative impetus. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
41% Sibyl (2019) The characters behave like the script's simple puppets. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
10% Mektoub, My Love: Intermezzo (2019) There is only here the mechanical repetition of self-absorption. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
89% It Must Be Heaven (2019) [Director Elia Suleiman's] penetrating gaze knows how to find the absurdity and surrealism that we, inhabitants of a universe that is believed to be the center of the world, almost never succeed in seeing. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
60% Homeward (Evge) (2019) Predictable. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 24, 2019
56% Nina Wu (Zhuo ren mi mi) (2019) [Nina's] fears and ghosts from the past assault her mind intermittently, allowing the film's authors to play with the triple dialectic between her real world, imaginary world and the fiction that she must interpret in the filming. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
100% Living and Knowing You are Alive (Être vivant et le savoir) (2019) A small and exciting film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
85% Zombi Child (2019) It could have been a powerful work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
No Score Yet The Cordillera of Dreams (La Cordillera de los Sueños) (2019) [Director] Patricio Guzmán returns to his native Chile... to build here a weak and somewhat capricious metaphor about his country. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
68% Little Joe (2019) It shows a remarkable rigidity, almost orthopedic, that does not benefit the strictly fantastic nature of the proposal at all. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
86% The Whistlers (2019) Perhaps the most heterogeneous, unpredictable and bizarre film [Cannes] has seen so far. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
100% Family Romance, LLC (2019) [A] movie with simple and transparent appearance, but capable of generating a background discourse on how the roles of fiction can end up invading or modifying our real affective life. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
75% Liberté (2019) Inexpressive and futilely provocative in its empty explicitness. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
85% Once Upon a Time In Hollywood (2019) One can recognize the playful nature of the celebration, as well as the director's affection for... references that were part of his cinephile formation. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
47% Joan of Arc (Jeanne) (2019) A beautiful work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
82% Port Authority (2019) A more than promising debut. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
97% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2019) Makes us continue to look forward to [director Céline Sciamma's] next works. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
88% The Wild Goose Lake (Nan fang che zhan de ju hui) (2019) A vibrant thriller. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
71% The Best Years of a Life (Les plus belles années d'une vie) (2019) Seems more like a drive to pay homage to oneself than to articulate a substantial work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
77% A Hidden Life (2019) There remains, however, the undeniable aesthetic mark of the filmmaker. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
88% Adam (2019) [The] story closes, fortunately, with an ending that leaves all the unknowns open without giving up to the easy complacency of a... happy ending. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
No Score Yet An Easy Girl (Un fille facile) (2019) A new and valuable step... in a filmography that continues to take hold. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
83% Tommaso (2019) An oddity and a possible cult film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
50% Young Ahmed (Le jeune Ahmed) (2019) 84 brief and laconic minutes are enough for the Dardennes to film a journey that, in dramatic and narrative terms, is too small... and, perhaps, excessively simplified. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
61% Frankie (2019) Confirms [director Ira Saches] as an exceptional analyst of human relationships and the emotional subtexts that feed them. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
88% Bacurau (Nighthawk) (2019) A percussive metaphor of contemporary Brazil. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 20, 2019
86% The Swallows of Kabul (Les hirondelles de Kaboul) (2019) A small work, but estimable, more sensitive and more nuanced in its forms and in its animation's in brushstrokes than in its contents, which are too obvious. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 20, 2019
91% Atlantics (Atlantique) (2019) There remains in any case the pleasant sensation of finding ourselves before a filmmaker with... an incipient style to which it will be necessary to continue paying attention. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
100% Beanpole (Dylda) (2019) A solid and absorbing film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
74% Sorry We Missed You (2019) [A] thesis film in the worst sense. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 17, 2019
76% Les Misérables (2019) Ladj Ly seems to lose the reins of his story as it walks towards an outcome to which the filmmaker does not seem to know at all how and when to arrive. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
85% Deerskin (Le daim) (2019) Silly and sloppy banality. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
89% Bull (2019) There are no explanatory dialogues, [or] cheating plot twists... and hence the honesty of the proposal. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
75% A Brother's Love (La femme de mon frère) (2019) The outcome is a shrill banality. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 16, 2019
54% The Dead Don't Die (2019) A minor work in [Jim Jarmusch's] filmography, but it exudes intelligence and healthy fun. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 15, 2019
75% Bad Times at the El Royale (2018) The rest of the plot is... at times witty and at times quite reiterative, piling on references and genres with a certain self-confidence, but with nothing really new to offer. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2018
90% A Star Is Born (2018) The result is a product formatted for fans of the Grammys and the Oscars, but it also lets us see the annoying narcissistic drive of its director and protagonist. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2018
80% Blind Spot (2018) [Blind Spot] has no great pretensions and manages to stage the tragic pain of the inexplicable with exemplary balance between the formal and the thematic. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2018
100% Between Two Waters (Entre dos aguas) (2018) In that ambivalence lies the film's greatest conquest in that it manages to extract genuine fiction from the real and valuable reality from its fiction. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 28, 2018
100% Baby (Bao bei er) (2018) It's not a bad movie, but it's difficult to find something in it that goes beyond neat staging and a sensitive female portrait. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 28, 2018
83% High Life (2019) With the unmistakable shadow of Solaris... High Life is a brave and risky foray into the territory of dystopian science fiction. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 27, 2018
96% Roma (2018) A great movie. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 27, 2018
50% Vision (2018) The result is a cocktail that borders on the most naïve kitsch... without even Naomi Kawase herself being able to convey the feeling of knowing what really want to tell. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 27, 2018
85% Quién te cantará (2018) Echoes of Persona (Bergman) and The Bitter Tears of Petra von Kant (Fassbinder) distinctly pulsate under the new feature film by Carlos Vermut. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2018