Carlos F. Heredero

Carlos F. Heredero
Carlos F. Heredero's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

T-Meter Title | Year
95% Rocks (2019) A remarkable achievement. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
50% The Burnt Orange Heresy (2019) A commercial proposal of relative consistency. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
82% Seventeen (Diecisiete) (2019) Predictable. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
53% Waiting for the Barbarians (2019) Weakened by the Manichaean simplification with which police and military are portrayed. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
42% Wasp Network (2019) A very capricious script. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
43% The Song of Names (2019) Too constrained in its forms. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
No Score Yet Pacified (Pacificado) (2019) [Director] Paxton Winters enters an explosive territory to propose a sound examination of that universe using convincing actors. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2019
No Score Yet Thalasso (2019) Cinematographically inane, a kind of self-satisfied cultural epiphenomenon. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2019
40% Patrick (2019) Unfortunately, [director Gonçalo] Waddington's images are as irregular as they are impersonal, as flat as they are bland. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2019
92% A Thief's Daughter (La hija de un ladrón) (2019) A major achievement for this year's Spanish cinema. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2019
88% And the Birds Rained Down (Il pleuvait des oiseaux) (2019) An honest work that knows how to find the inner truth of its creatures. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 24, 2019
69% The Other Lamb (2019) Brings nothing substantially new. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 24, 2019
No Score Yet Lhamo and Skalbe (La mu yu ga bei) (2019) At times aseptic in its filmic form, its images manage to capture, despite everything... authenticity that endow its characters with life and credibility. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
75% Proxima (2019) Ends up delivering a valuable feminine (and feminist) portrait in the times of #MeToo; thanks to, above all, [director] Alice Winocour's confidence in her character. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
50% Adults in the Room (2019) The most unfortunate thing of all is to find, in 2019.. half a century - of life, of cinema, of learning, of maturation and growth - had not served [the filmmaker] at all. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
63% While at War (Mientras Dure La Guerra) (2019) [Karra Elejalde's] performance is as risky as it is meritorious. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
100% Workforce (Mano de obra) (2019) A... promising and more than hopeful debut. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
80% The Audition (Das vorspiel) (2019) A remarkable film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
93% The Endless Trench (La trinchera infinita) (2019) There are other much more lucid and revulsive forays on the [fim's] theme... but much braver and, decidedly, much more stimulating. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
100% A Dark-Dark Man (2019) [Film festivals] find their raison d'être when they bet on a movie like this. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
99% Parasite (Gisaengchung) (2019) Only a creator as free and as original as Bong Joon-ho can succed in turning out an adventure so unorthodox and as stimulating, as unpredictable and as devastating as Parasite. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
100% The Bears' Famous Invasion of Sicily (La fameuse invasion des Ours en Sicile) (2019) A small delight. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 30, 2019
92% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) One of the most stimulating works seen this year. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
90% Ice on Fire (2019) A film that, in reality, is nothing more than a television report. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
60% Oh Mercy! (Roubaix, une lumière) (2019) One of [Cannes'] most solid, disturbing and serious film proposals. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
58% Matthias and Maxime (2019) The staging almost never goes far beyond the rather capricious illustration of the script and the intermittent repetition of sequences with music. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
73% The Traitor (2020) [Director Marco] Bellocchio films the drama... with enormous visual force and remarkable narrative impetus. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
52% Sibyl (2019) The characters behave like the script's simple puppets. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
10% Mektoub, My Love: Intermezzo (2019) There is only here the mechanical repetition of self-absorption. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
91% It Must Be Heaven (2019) [Director Elia Suleiman's] penetrating gaze knows how to find the absurdity and surrealism that we, inhabitants of a universe that is believed to be the center of the world, almost never succeed in seeing. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 29, 2019
60% Homeward (Evge) (2019) Predictable. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 24, 2019
56% Nina Wu (Zhuo ren mi mi) (2019) [Nina's] fears and ghosts from the past assault her mind intermittently, allowing the film's authors to play with the triple dialectic between her real world, imaginary world and the fiction that she must interpret in the filming. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
100% Living and Knowing You are Alive (Être vivant et le savoir) (2019) A small and exciting film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
85% Zombi Child (2020) It could have been a powerful work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
71% The Cordillera of Dreams (La Cordillera de los Sueños) (2019) [Director] Patricio Guzmán returns to his native Chile... to build here a weak and somewhat capricious metaphor about his country. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
65% Little Joe (2019) It shows a remarkable rigidity, almost orthopedic, that does not benefit the strictly fantastic nature of the proposal at all. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 23, 2019
86% The Whistlers (2020) Perhaps the most heterogeneous, unpredictable and bizarre film [Cannes] has seen so far. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
78% Family Romance, LLC (2019) [A] movie with simple and transparent appearance, but capable of generating a background discourse on how the roles of fiction can end up invading or modifying our real affective life. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
70% Liberté (2019) Inexpressive and futilely provocative in its empty explicitness. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
85% Once Upon a Time In Hollywood (2019) One can recognize the playful nature of the celebration, as well as the director's affection for... references that were part of his cinephile formation. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
47% Joan of Arc (Jeanne) (2019) A beautiful work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
83% Port Authority (2019) A more than promising debut. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
97% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2019) Makes us continue to look forward to [director Céline Sciamma's] next works. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
88% The Wild Goose Lake (Nan fang che zhan de ju hui) (2019) A vibrant thriller. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
75% The Best Years of a Life (Les plus belles années d'une vie) (2019) Seems more like a drive to pay homage to oneself than to articulate a substantial work. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
80% A Hidden Life (2019) There remains, however, the undeniable aesthetic mark of the filmmaker. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 22, 2019
90% Adam (2019) [The] story closes, fortunately, with an ending that leaves all the unknowns open without giving up to the easy complacency of a... happy ending. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
100% An Easy Girl (Un fille facile) (2019) A new and valuable step... in a filmography that continues to take hold. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
83% Tommaso (2019) An oddity and a possible cult film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019
50% Young Ahmed (Le jeune Ahmed) (2019) 84 brief and laconic minutes are enough for the Dardennes to film a journey that, in dramatic and narrative terms, is too small... and, perhaps, excessively simplified. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted May 21, 2019