Chad GreeneMovie Reviews & Previews - Rotten Tomatoes

Chad Greene

Chad Greene
Chad Greene's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Boxoffice Magazine,

Movie Reviews Only

Rating T-Meter Title | Year Review
3/5 69% Ben X (2007) Undeniably a high-level achievement. ‐ Boxoffice Magazine
Posted Oct 24, 2008
3/5 69% Synecdoche, New York (2008) Undeniably brilliant at times, Synecdoche, New York is also incredibly dense. ‐ Boxoffice Magazine
Posted Oct 24, 2008
2.5/5 60% Viva (2007) Trimming a quarter of the running time would have better enabled the vibrant vita of Biller's vision to amuse audiences. ‐ Boxoffice Magazine
Posted Oct 18, 2008
1.5/5 60% Turn the River (2008) Hopefully, more moviegoers will catch a performance as promising as this Turn in another rack. ‐ Boxoffice Magazine
Posted Oct 18, 2008
1.5/5 No Score Yet Mattie Fresno and the Holoflux Universe (2008) Ultimately, Mattie Fresno and the Holoflux Universe is a movie about big ideas that is simply too constrained by its theatrical staging necessitated by an apparently small budget. ‐ Boxoffice Magazine
Posted Oct 17, 2008
2.5/5 40% Callback: The Unmaking of Bloodstain (2008) A nice comedic calling card for a trio of relative unknowns who seem smart enough to make their own luck. ‐ Boxoffice Magazine
Posted Sep 30, 2008
2/5 No Score Yet Jake's Corner (2008) On a technical level, Jakeâ(TM)s Corner looks less like a theatrical release than an extended pilot for a Northern Exposure-style small-town sitcom. ‐ Boxoffice Magazine
Posted Sep 11, 2008
1.5/5 0% The House of Adam (2006) That fishy smell? Itâ(TM)s a sign that this merchandise is well past its sell-by date. ‐ Boxoffice Magazine
Posted Sep 5, 2008
3/5 88% The Spirit of the Marathon (2008) Like the majority of its subjects, this inspiring doc may not be able to hang with the big girls and boys at the front of the box office pack, but it looks to have the legs to last in the right theatres -- perhaps especially so during the Olympics. ‐ Boxoffice Magazine
Posted Aug 14, 2008
3.5/5 100% Amal (2008) However one measures success, though, Amal is unquestionably a rich cinematic experience. ‐ Boxoffice Magazine
Posted Aug 14, 2008
3.5/5 100% Man on Wire (2008) Properly promoted -- this festival fave will have crossover crowds on the edges of their seats, as well. ‐ Boxoffice Magazine
Posted Jul 25, 2008
2.5/5 31% The X-Files: I Want to Believe (The X Files 2) (2008) The true mystery of The X-Files, then, is not only whether the connection between Mulder and Scully, but also the one between the charismatic characters and their fans, would be able to withstand the resultant strain. ‐ Boxoffice Magazine
Posted Jul 25, 2008
3.5/5 64% Poultrygeist: Night of the Chicken Dead (2006) Kaufman manages to surprise with the extremes he takes his customary combination of low budget and high camp to in Poultrygeist: Night of the Chicken Dead. ‐ Boxoffice Magazine
Posted Jul 18, 2008
3.5/5 83% Medicine for Melancholy (2008) A visually stylish chronicle of an at-times amiable ramble through the streets of San Francisco. ‐ Boxoffice Magazine
Posted Jul 10, 2008
3/5 83% Prince of Broadway (2010) Baker proves himself a worthy heir to the Italian neorealists of the 40s and 50s capturing capably the desperation, and potential defeat, inherent in poverty. Arthouse audiences will be properly appreciative. ‐ Boxoffice Magazine
Posted Jul 10, 2008
3/5 79% Baghead (2008) Although it displays some mumblecore characteristics, such as a performance from Hannah Takes the Stairs star Greta Gerwig, Baghead distances itself from the movement by being well, watchable. ‐ Boxoffice Magazine
Posted Jul 9, 2008
2/5 61% Journey to the Center of the Earth (2008) Audiences' connection to this gimmicky mistranslation of a sci-fi classic is likely to be spotty. ‐ Boxoffice Magazine
Posted Jul 2, 2008
3/5 42% The Go-Getter (2008) Given proper promotion, however, one can see Merce--and The Go-Getter--getting chased down by appreciative arthouse audiences. ‐ Boxoffice Magazine
Posted Jun 6, 2008
0/4 8% Postal (2007) Boll's self-inflicted dose of Schadenfreude is the only sure shot in this miserable misfire of a satire, which aims for "campy," but hits "crappy" instead. ‐ Boxoffice Magazine
Posted May 30, 2008
3/5 78% A Jihad for Love (2008) Properly promoted, the honest humanity of this festival fave has the potential to attract crossover crowds. ‐ Boxoffice Magazine
Posted May 23, 2008
3.5/5 79% How the Garcia Girls Spent Their Summer (2008) With the Garcia Girls, Riedel will take the right audiences someplace this summer. ‐ Boxoffice Magazine
Posted May 16, 2008
2/5 39% Zombie Strippers (2008) Call it unintentional-intentional-unintentional humor: Lee presumably believes that he's satirizing the unintentional laughs inherent in no-budget genre fare, but does so in such a shoddy manner that the audience is laughing at him instead of with him. ‐ Boxoffice Magazine
Posted Apr 18, 2008
3/5 69% The First Saturday in May (2008) Audiences watching the scene in which Matz coaxes his young son into petting the powerful horse will be every bit as touched emotionally as the horse on screen is physically. ‐ Boxoffice Magazine
Posted Apr 18, 2008
0/4 77% Water Lilies (2008) Unfortunately, this is not a satire like Dr. Strangelove -- it's a documentary in which talking heads spout pseudoscientific claptrap that comes across as all wet. ‐ Boxoffice Magazine
Posted Apr 18, 2008
2/5 0% Remember the Daze (2008) Mostly, though, Remember the Daze is a set of largely plotless scenes showing teens trying to score either sex or drugs, with no particularly profound point to any of it. ‐ Boxoffice Magazine
Posted Apr 11, 2008
3.5/5 88% Young@Heart (2007) The Young@Heart Chorus has all the characters--and character--that any documentarian could ask for. ‐ Boxoffice Magazine
Posted Apr 11, 2008
3/5 8% Backseat (2005) To be sure, slapstick misadventures ensue, but there's a sweetness and vulnerability beneath the surface of the boys' sometimes-blue bantering. ‐ Boxoffice Magazine
Posted Apr 4, 2008
14% Hitman (2007) Only the deadpan delivery of Timothy Olyphant as Agent 47 enlivens the wooden dialogue of this collection of clichés masquerading as a silver-screen adaptation. ‐ Boxoffice Magazine
Posted Apr 3, 2008
78% Canvas (2007) [A] strong first feature. ‐ Boxoffice Magazine
Posted Apr 3, 2008
2.5/5 36% 21 (2008) Similar to the caper he's shooting, Legally Blonde director Robert Luketic's plan doesn't exactly go off without a hitch. ‐ Boxoffice Magazine
Posted Mar 28, 2008
3/5 80% The Hammer (2007) While this rock'em sock'em rom com about a middle-aged man's unlikely return to the world of amateur boxing doesn't quite score a knockout, it lands a respectable number of body blows -- and belly laughs. ‐ Boxoffice Magazine
Posted Mar 21, 2008
69% Last Stop for Paul (2006) Whatever comic misadventures he set out to commit to film on his shoestring budget, [director] Mandt proves again and again in Last Stop for Paul that he was ready when the time came. ‐ Boxoffice Magazine
Posted Mar 10, 2008
77% Miss Pettigrew Lives for a Day (2008) David Magee and Simon Beaufoy weave appropriate period-piece banter into their classically structured script. ‐ Boxoffice Magazine
Posted Mar 7, 2008
66% Be Kind Rewind (2008) This cute comedy is a magnetic movie that will likely attract the arthouse audiences. ‐ Boxoffice Magazine
Posted Feb 22, 2008
45% Military Intelligence and You! (2007) Often laugh-out-loud hilarious. ‐ Boxoffice Magazine
Posted Feb 8, 2008
72% Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour (2008) Not a prime example of the musical documentary genre. ‐ Boxoffice Magazine
Posted Feb 6, 2008
48% Run Fatboy Run (2007) It's as if [director David] Schwimmer managed to shoot himself in his foot with the starter's pistol. ‐ Boxoffice Magazine
Posted Jan 18, 2008
60% Look (2007) Some of this isn't easy to watch, but it's all worth a Look. ‐ Boxoffice Magazine
Posted Dec 14, 2007
66% The Kite Runner (2007) This Kite soars to rare heights. ‐ Boxoffice Magazine
Posted Dec 14, 2007
74% The Water Horse: Legend of the Deep (2007) While it might not be the best present ever, it's also one that its recipients are unlikely to return. ‐ Boxoffice Magazine
Posted Dec 12, 2007
40% The Bucket List (2007) That director Rob Reiner is often successful in eliminating the too-sweet taste of sentimentality is largely due to a pair of powerhouse performances from Freeman and Nicholson. ‐ Boxoffice Magazine
Posted Dec 12, 2007
49% Man in the Chair (2007) This genuinely moving picture, with its edgy hand-cranked camerawork, represents a remarkable reinvention for a former B-movie maven whose most notable achievement before this was directing an 18-year-old Angelina Jolie in Cyborg 2. ‐ Boxoffice Magazine
Posted Dec 7, 2007
15% The Amateurs (The Moguls) (Dirty Movie) (2005) Potential laughs are largely lost due to the one-note nature of the characters. ‐ Boxoffice Magazine
Posted Dec 7, 2007
42% The Golden Compass (2007) The action sequences are the only outstanding aspect of this less-than-golden adaptation, which is ultimately undermined by its strictly tinny storytelling. ‐ Boxoffice Magazine
Posted Dec 3, 2007
89% Joe Strummer: The Future Is Unwritten (2007) Joe Strummer may have sung 'I'm So Bored with the U.S.A.,' but American audiences will be anything but bored with music video innovator Julien Temple's coruscating celebration of the iconic Clash singer/songwriter. ‐ Boxoffice Magazine
Posted Nov 2, 2007
81% Quantum Hoops (2007) Quantum Hoops -- the debut documentary from Rick Greenwald -- is an absolute slam-dunk. ‐ Boxoffice Magazine
Posted Nov 2, 2007
31% Black Irish (2007) The problem with Black Irish is that, like those photos shifted to cover the holes, not everything is hanging in quite the right place here. ‐ Boxoffice Magazine
Posted Oct 25, 2007
33% Music Within (2007) Unfortunately, the cast and crew of Music Within don't get much of their own music out here -- at best, they hum a few bars of an off-key tune. ‐ Boxoffice Magazine
Posted Oct 25, 2007
2.5/5 74% The Price of Sugar (2007) [A] no-frills doc, which isn't done any favors by Newman's monotone narration. ‐ Boxoffice Magazine
Posted Sep 28, 2007
3.5/5 50% Then She Found Me (2007) Clearly committed to the material, Hunt extracts exquisitely subtle performances from her accomplished cast-especially Firth and Midler-in this self-assured directorial debut. ‐ Boxoffice Magazine
Posted Sep 20, 2007