Chandler Levack

Chandler Levack's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Globe and Mail
Publications:
Globe and Mail
Movie Reviews Only
T-Meter | Title | Year | Review | |
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2.5/4 | 48% | The Craft: Legacy (2020) |
Sadly, it then goes totally haywire, with a third act trading in maudlin melodrama, climaxing in a cheap and poorly directed supernatural battle between the sexes, turning what initially felt like a stone-cold classic into Twilight: Special Witch Edition. - Globe and Mail
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| Posted Oct 28, 2020
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2.5/4 | 73% | Nose to Tail (2019) |
Nose to Tail is more like Poorly Diced Carrots. - Globe and Mail
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| Posted Feb 21, 2020
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3/4 | 73% | The Lodge (2020) |
While The Lodge isn't as hearty as the horror films it desperately wants to emulate, the filmmakers have concocted a heavy stew of emotions, left on a low simmer. - Globe and Mail
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| Posted Feb 21, 2020
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2/4 | 55% | Rabid (2019) |
Rabid with a female lens isn't camp, it isn't satire. The Soska Sisters's take on Cronenberg's cannibalistic horror film is full of empty calories. - Globe and Mail
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| Posted Feb 4, 2020
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3/4 | 64% | Gretel & Hansel (2020) |
Everything about this high-concept movie feels like a male screenwriter's third-best idea at a Hollywood pitch meeting; I can't believe all the ways Perkins elevates it into art. - Globe and Mail
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| Posted Jan 29, 2020
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3.5/4 | 86% | Color Out of Space (2020) |
Sound the gong of transcendent Nicolas Cage weirdness, Color Out of Space gets 3.5 alpacas from me! - Globe and Mail
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| Posted Jan 23, 2020
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4/4 | 92% | Clemency (2019) |
While admittedly spartan in its stylistic approach, Clemency is wrenching in its performances and direction. - Globe and Mail
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| Posted Jan 16, 2020
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2.5/4 | 88% | What She Said: The Art of Pauline Kael (2019) |
While Garver's documentary isn't worthy of its subject's fascinating artistic legacy, I anxiously await the one that is. - Globe and Mail
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| Posted Jan 15, 2020
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3/4 | 89% | Cunningham (2019) |
Cunningham doesn't always work as a portrait of its enigmatic subject, who tended to downplay his success in favour of letting his work speak for itself, but when it does, your jaw drops. - Globe and Mail
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| Posted Jan 9, 2020
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.5/4 | 20% | Cats (2019) |
The worst thing about Cats - and I was forced to see two cat burglars sensually drape a string of pearls around the scruff of Hayward in the obvious foray to a cat threesome - is that it was made in the first place. - Globe and Mail
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| Posted Dec 23, 2019
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4/4 | 95% | Little Women (2019) |
Gerwig understands the indignity of being born a girl just as well as her author did. - Globe and Mail
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| Posted Dec 19, 2019
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2.5/4 | 45% | Kingsway (2018) |
Unfortunately, his film gets lost in the myopia of Matt's cuckledom, sidelining the far more interesting mother-daughter duo who can't help but keep walking in on each other's one night stands. - Globe and Mail
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| Posted Dec 12, 2019
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2/4 | 39% | Maleficent: Mistress of Evil (2019) |
Maleficent: Mistress of Evil is a misfire, despite its wonderful title, which feels plucked straight from an Elvira movie. - Globe and Mail
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| Posted Oct 17, 2019
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2.5/4 | 40% | Sweetness in the Belly (2020) |
This is a well-crafted, Bechdel-passing film that prioritizes an intersectional female friendship, yet Lilly remains nothing but our Trojan horse into the 1980s Ethiopian refugee crisis. - Globe and Mail
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| Posted Sep 7, 2019
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4/4 | 94% | The Twentieth Century (2020) |
A killer ensemble featuring Sean Cullen, Sarianne Cormier and Louis Negin rounds out this bizarrely beautiful biopic for a history lesson you'll never forget. - Globe and Mail
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| Posted Sep 7, 2019
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3.5/4 | 66% | Castle in the Ground (2019) |
This film will stay with you for a long, long time. - Globe and Mail
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| Posted Sep 7, 2019
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3.5/4 | 88% | Brittany Runs a Marathon (2019) |
Bell draws laughter and tears out of her character's indignities but also invests us greatly in her desire to change her own life. - Globe and Mail
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| Posted Aug 28, 2019
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2.5/4 | 73% | The Angry Birds Movie 2 (2019) |
Just like its mobile incarnation, The Angry Birds Movie 2 simply pelts you with loud, shrieking diversions. The filmmaking has levelled up, but you're still wasting your time. - Globe and Mail
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| Posted Aug 15, 2019
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3/4 | 64% | Child's Play (2019) |
While Child's Play is definitely new-and-improved, I'm not sure if audiences are ready for layered, psychological Chucky. Perhaps he needs his own prestige cable series. - Globe and Mail
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| Posted Jun 20, 2019
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4/4 | 96% | Booksmart (2019) |
Booksmart is a love letter for any young woman who has ever stayed home on a Friday night to watch a Ken Burns documentary. - Globe and Mail
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| Posted May 24, 2019
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2.5/4 | 35% | Poms (2019) |
Desperately wanting to look and feel like Something's Gotta Give, it settles for a septuagenarian Lifetime aesthetic. - Globe and Mail
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| Posted May 8, 2019
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0/4 | 18% | Hellboy (2019) |
Watching Hellboy is my new personal idea of hell. - Globe and Mail
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| Posted Apr 12, 2019
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2.5/4 | 58% | Pet Sematary (2019) |
Hidden within the deep recesses of Kevin Kolsch and Dennis Widmye's not-that-scary movie is a really compelling film about death, unfortunately they're tasked with a bland, way too literal script to be able to make it. - Globe and Mail
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| Posted Apr 5, 2019
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3/4 | 76% | Hotel Mumbai (2019) |
An all-out assault on the senses, Hotel Mumbai will stay with you, though it's hard to watch. - Globe and Mail
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| Posted Mar 28, 2019
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2/4 | 28% | The Aftermath (2019) |
Unfortunately, a weak screenplay co-written by Anna Waterhouse and Joe Shrapnel (what a pen name) drags everything down as the film takes a page from every illicit historical romance in history. - Globe and Mail
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| Posted Mar 21, 2019
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3.5/4 | 100% | Invisible Essence: The Little Prince (2018) |
There's a compelling mystery at the core of Invisible Essence: The Little Prince. But more than anything, it will inspire you to pick up that dog-eared copy of the novella you've had since childhood. - Globe and Mail
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| Posted Mar 7, 2019
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4/4 | 100% | What Walaa Wants (2018) |
The film is ultimately a redemptive story, but one that's been finely crafted and plainly told. - Globe and Mail
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| Posted Feb 28, 2019
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2/4 | 70% | Isn't It Romantic (2019) |
Isn't It Romantic barely gives its commanding star a plot, let alone a character arc. - Globe and Mail
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| Posted Feb 13, 2019
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3.5/4 | 89% | The Kid Who Would Be King (2019) |
There are times when one must simply quote Weird Al: The Kid Who Would Be King gets medieval on our heinies. - Globe and Mail
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| Posted Jan 18, 2019
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3/4 | 44% | Second Act (2018) |
The film feels as finely tailored to J. Lo as the booty-enhancing pencil skirts she wears throughout the movie: Second Act's Maya from Queens is our Jenny from the Block. - Globe and Mail
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| Posted Dec 21, 2018
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4/4 | 99% | They Shall Not Grow Old (2019) |
A powerful tribute to every veteran and one of the most empathetic portraits of war ever created. - Globe and Mail
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| Posted Dec 21, 2018
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15% | Robin Hood (2018) |
Hey ... it's almost as if they're stealing our money and selling it right back to us by way of another thoughtless capitalistic Robin Hood remount. - Globe and Mail
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| Posted Nov 25, 2018
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81% | Instant Family (2018) |
Instant Family has its heart in the right place within a genre that has set the bar low. - Globe and Mail
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| Posted Nov 18, 2018
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3.5/4 | 60% | Octavio Is Dead (2018) |
A love story in which the haunting complexities of sexuality and gender are treated with cinematic urgency. - Globe and Mail
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| Posted Jun 22, 2018
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1/4 | 38% | Backstabbing for Beginners (2018) |
Whatever potential was evident in Soussan's source material is wasted on empty clichés and spoiler-alert casting. - Globe and Mail
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| Posted May 4, 2018
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4/4 | 97% | The Rider (2018) |
Jandreau, acting opposite his real-life family members and friends, disappears into a role largely based on his own experiences, oozing empathy from his pores. - Globe and Mail
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| Posted Apr 27, 2018
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3.5/4 | 91% | Love, Simon (2018) |
As a consumer, it is simply your responsibility to see it, just so that many more Love, Simons can be made. - Globe and Mail
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| Posted Mar 15, 2018
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2.5/4 | 39% | Nostalgia (2018) |
Only a few of the characters are well-developed enough to sustain the movie's interest, while the rest speak in obscure, poetic dialogue that repeats the central thesis ad nauseam. - Globe and Mail
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| Posted Mar 2, 2018
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