Chris Barsanti Movie Reviews & Previews - Rotten Tomatoes

Chris Barsanti

Chris Barsanti
Chris Barsanti's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
3/10 93% Baby Driver (2017) A playlist does not a movie make.‐ PopMatters
Read More | Posted Oct 17, 2017
93% Only the Brave (2017) Knockout work from Josh Brolin and Miles Teller sturdily anchors this sometimes-wobbly firefighter saga based on the 2013 Yarnall Hill disaster.‐ Film Journal International
Read More | Posted Oct 16, 2017
8/10 98% Mudbound (2017) Mudbound is a small-budget movie with big ambitions. A broad and emotional historical melodrama of the kind we don't see too much of anymore, it very often comes close to overheating.‐ PopMatters
Read More | Posted Oct 16, 2017
B- 80% Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (2017) [a] vivid and beautifully meditative memory piece on the downtown New York art and music scene of the late 1970s and early '80s...‐ The Playlist
Read More | Posted Oct 14, 2017
92% Human Flow (2017) Human Flow is possibly the most visually resplendent piece of nonfiction cinema you will see this year. ‐ Film Journal International
Read More | Posted Oct 12, 2017
97% Columbus (2017) ...crisp and subversively emotional ‐ Medium
Read More | Posted Oct 9, 2017
B No Score Yet Voyeur (2017) The filmmakers would rather have their aged subjects talk about motivation and morality, which is ultimately far more interesting than any purportedly mind-blowing dip into the life of a man who wanted only to watch people.‐ The Playlist
Read More | Posted Oct 6, 2017
9/10 96% The Florida Project (2017) Sean Baker's rollicking movie about kids running loose in a rundown Florida hotel starts as colorful entertainment and ends up as a portrait of how people fall through the cracks in modern America.‐ PopMatters
Read More | Posted Oct 3, 2017
A- 80% No Stone Unturned (2017) It's an audacious work of journalism, the kind of potential cold-case resolution that true-crime documentarians dream of.‐ The Playlist
Read More | Posted Oct 2, 2017
8/10 76% Una (2017) What gives Una its unnerving tension is not just the skill of these two performers locked together in their unsettling combat, but the realization that no matter what she ends up doing to him, it won't fix what has already nearly destroyed her.‐ PopMatters
Read More | Posted Sep 29, 2017
43% Copwatch (2017) Big on vivid portraiture but less attuned to the issues at hand.‐ Film Journal International
Read More | Posted Sep 27, 2017
97% Lucky (2017) This spare character study of a wiry old loner facing his mortality pays occasionally surreal homage to the wiry gravitas of Harry Dean Stanton.‐ Film Journal International
Read More | Posted Sep 27, 2017
4/10 84% Battle of the Sexes (2017) When the movie finally turns to the climactic match, complete with excited volley-by-volley coverage and roaring crowd, the whiplash takes some getting used to.‐ PopMatters
Read More | Posted Sep 25, 2017
A- 100% Strong Island (2017) This is cinematic intimacy in the best manner for the worst of all reasons.‐ The Playlist
Read More | Posted Sep 14, 2017
82% The Villainess (Ak-Nyeo) (2017) Hardcore Henry meets La Femme Nikita in this blood-soaked South Korean assassin's ball. ‐ Film Journal International
Read More | Posted Aug 24, 2017
C+ 99% Whose Streets? (2017) It feels right for the movie to celebrate these activists' demands for change with such electrifying and righteous purpose. But it never manages to contextualize their efforts as part of a larger strategy and longer historical arc.‐ The Playlist
Read More | Posted Aug 9, 2017
15% The Dark Tower (2017) This campy, stripped-down summary of or sequel to Stephen King's cross-dimensional fantasy western is a late-summer bummer. ‐ Film Journal International
Read More | Posted Aug 3, 2017
82% Detroit (2017) Kathryn Bigelow's latest nerve-scraper is another journalistic war film, only this time set not in the Middle East but the race-riot-shattered streets of America, circa 1967.‐ Film Journal International
Read More | Posted Jul 31, 2017
47% Person to Person (2017) Only succeeds when it tries. And it doesn't try hard enough.‐ Film Journal International
Read More | Posted Jul 27, 2017
74% Landline (2017) Flippant anxiety romantic comedy from the team behind Obvious Child shows that you can get pretty far but not quite all the way on wink-wink 1990s references and Jenny Slate.‐ Film Journal International
Read More | Posted Jul 20, 2017
92% Dunkirk (2017) Christopher Nolan's ghostly and taut war story is his best film in years.‐ Film Journal International
Read More | Posted Jul 20, 2017
80% The Wrong Light (2017) [A] prismatic, thought-sparking documentary.‐ Film Journal International
Read More | Posted Jul 10, 2017
99% City of Ghosts (2017) Part blistering dispatch and part somber chronicle of the scars of war.‐ Film Journal International
Read More | Posted Jul 6, 2017
6/10 98% The Big Sick (2017) Kumail Nanjiani's autobiographical love story has a fantastic hook but its mild demeanor keeps the comedy from having quite the right sting.‐ PopMatters
Read More | Posted Jul 6, 2017
91% A Ghost Story (2017) A wrenching, remarkable masterpiece about love and loss, life and death, from one of America's great directors.‐ Film Journal International
Read More | Posted Jul 5, 2017
96% Solaris (1976) ... as a haunted ode to lost love, 'Solaris' has few equals in all of cinema.‐ Medium
Read More | Posted Jul 3, 2017
7/10 86% Okja (2017) Bong Joon Ho's uneven but still electrifying caper about a little girl and her giant pig on the run from villainous Tilda Swinton swirls a sharp dose of slapstick comedy into its pop satirical narrative.‐ PopMatters
Read More | Posted Jun 14, 2017
7/10 100% Nowhere To Hide (2017) The power of Ahmed's movie lies in large part with his decision to illustrate the war's symptoms with compassion and understanding.‐ PopMatters
Read More | Posted Jun 9, 2017
No Score Yet Tatara Samurai (2017) [A]n uncomfortable hybrid.‐ Film Journal International
Read More | Posted Jun 1, 2017
7/10 53% War Machine (2017) After a rough start and an unsure handle on what kind of comedy it wants to be, this Afghanistan war satire says what few have been willing to say.‐ PopMatters
Read More | Posted May 22, 2017
71% The Commune (Kollektivet) (2017) A modestly engaging broken-marriage story whose rippling tensions are muffled, rather than exacerbated, by the half-baked period drama it's submerged in.‐ Film Journal International
Read More | Posted May 17, 2017
92% Abacus: Small Enough to Jail (2017) A stunning David-and-Goliath epic.‐ Film Journal International
Read More | Posted May 17, 2017
84% Afterimage (Powidoki) (2017) Afterimage is testament to the suffering of every artist given an ultimatum by authoritarians to do as they say or face the consequences.‐ Film Journal International
Read More | Posted May 17, 2017
100% Elián (2017) Another 1990s media spectacle gets a long-overdue autopsy in this slick and riveting documentary.‐ Film Journal International
Read More | Posted May 11, 2017
66% The Fate of the Furious (2017) ...the series is vaulting from glorified drag-race soap opera into the kind of supercharged summer action franchise whose elastic take on the laws of physics and eager one-upmanship are indistinguishable from those of the DC or Marvel comic-book universe.‐ Medium
Read More | Posted May 8, 2017
82% Guardians of the Galaxy Vol. 2 (2017) ...another easy-rock-scored galaxy-saving adventure whose heavier emotional content enhances, instead of distracts from, what a blast they and the audience are having.‐ Film Journal International
Read More | Posted Apr 29, 2017
86% LA 92 (2017) ...not just a defining work on the riots and a wrenching visual essay on power, race, media, and mob violence in the modern era, but also one of the year's best documentaries.‐ The Playlist
Read More | Posted Apr 28, 2017
No Score Yet The Public Image is Rotten (2017) Blisteringly caustic as ever, John Lydon nevertheless reveals himself as an occasionally sentimental sort in Tabbert Fiiller's fitfully revelatory and charming documentary.‐ The Playlist
Read More | Posted Apr 28, 2017
100% A Gray State (2017) ...a stingingly emotional portrait of an outwardly confident and well-rounded man who was actually descending into madness.‐ The Playlist
Read More | Posted Apr 27, 2017
78% The Reagan Show (2017) ...a jokey yet wonky trip through the alternate reality of the modern era's first great political media machine.‐ The Playlist
Read More | Posted Apr 23, 2017
62% Slack Bay (Ma loute) (2017) A rather diabolically unfunny catastrophe.‐ Film Journal International
Read More | Posted Apr 19, 2017
57% Behind the White Glasses (2016) Behind the White Glasses is sketchy as biography but still a fun and jumpy ode to brazenly unbound and cross-disciplinary artistry.‐ Film Journal International
Read More | Posted Apr 19, 2017
94% Citizen Jane: Battle for the City (2017) A prickly pocket dissertation on urbanism centered on the titanic fight for New York waged by agitating writer Jane Jacobs and authoritarian city planner Robert Moses.‐ Film Journal International
Read More | Posted Apr 19, 2017
5/10 89% Win It All (2017) In Joe Swanberg's latest amiable amble of a comedy, Jake Johnson plays a broke gambling addict trying not so hard to do the right thing.‐ PopMatters
Read More | Posted Apr 12, 2017
87% The Lost City of Z (2017) Ravishingly beautiful adventure cinema at its finest.‐ Film Journal International
Read More | Posted Apr 10, 2017
C+ 88% By the Time It Gets Dark (Dao khanong) (2017) If this is satire, By the Time It Gets Dark is a mostly toothless one.‐ The Playlist
Read More | Posted Apr 5, 2017
16% Mine (2017) The clichés pile up fast in Mine, a thriller that tries trading off high-concept visuals and gritty realities for a theoretically walloping conclusion that never quite arrives‐ Film Journal International
Read More | Posted Apr 5, 2017
6/10 96% After the Storm (Umi yori mo mada fukaku) (2017) Kore-eda's mastery of the minuet of family relationships ensures that the film remains strongly entertaining drama.‐ PopMatters
Read More | Posted Mar 17, 2017
79% T2 Trainspotting (2017) The filmmakers don't pretend T2 doesn't live in the shadow of the original. Fortunately, they play on that. ‐ Film Journal International
Read More | Posted Mar 16, 2017
79% Personal Shopper (2017) A wary Kristen Stewart sidewinds through Olivier Assayas' fascinating oddity about a haunted young woman trying to connect with the spirit of her dead twin brother.‐ Film Journal International
Read More | Posted Mar 9, 2017