Chris Barton
Chris Barton's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
Los Angeles Times
| Publications: | Los Angeles Times |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| 100% | Flight of the Conchords: Live in London (2018) |
It was a playful instance where 2018 briefly caught up with the Conchords, whose special mostly offers a welcome, proudly silly respite from current affairs.‐ Los Angeles Times
Read More | Posted Oct 9, 2018
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| 71% | The Blackcoat's Daughter (February) (2017) |
The characters are too underdeveloped to leave an impression.‐ Los Angeles Times
Read More | Posted Oct 26, 2017
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| 100% | Patton Oswalt: Annihilation (2017) |
There aren't many stand-up comics with the courage to take audiences into the depths of some dark emotions and and still bring them back laughing.‐ Los Angeles Times
Read More | Posted Oct 26, 2017
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| 91% | A Ghost Story (2017) |
The film stubbornly refuses to connect with its deeper themes because of a vague, self-consciously arty structure and a pace so deliberate it approaches a stand-still.‐ Los Angeles Times
Read More | Posted Oct 21, 2017
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| 100% | Too Funny To Fail (2017) |
Not unlike the series, the documentary's secret weapons are [Stephen] Colbert and [Steve] Carell, who are interviewed separately but maintain a connection that eventually broke them for a wide audience on The Daily Show.‐ Los Angeles Times
Read More | Posted Oct 20, 2017
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| 91% | Spielberg (2017) |
... it's a testimony to Spielberg's career that a two-and-a-half-hour documentary on his life and work could both feel too long in some places and yet oddly inadequate in others.‐ Los Angeles Times
Read More | Posted Oct 9, 2017
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| 82% | Captain Fantastic (2016) |
[It] shines as a sort of wish-fulfillment fantasy for a certain outdoors-oriented mind set, which almost makes up for its over-the-top moments and underwritten characters.‐ Los Angeles Times
Read More | Posted Nov 21, 2016
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