Chris Barton

Chris Barton's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Los Angeles Times
Publications:
Los Angeles Times
Movie Reviews Only
T-Meter | Title | Year | Review | |
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89% | Rory Scovel Tries Stand-up For The First Time (2017) |
This special stands as one of the funniest of this year. - Los Angeles Times
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| Posted Aug 8, 2019
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No Score Yet | Nate Bargatze: The Tennessee Kid (2019) |
It's a strange alchemy that makes a person funny. At the intersection of calm confidence and a delivery so deadpan there seems no awareness anything being said is funny lies comic Nate Bargatze, whose latest Netflix special is a killer. - Los Angeles Times
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| Posted Jul 15, 2019
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98% | Deadwood: The Movie (2019) |
"Deadwood" seamlessly falls into step with its celebrated past. - Los Angeles Times
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| Posted May 31, 2019
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60% | Iliza Shlesinger: Elder Millennial (2018) |
Shlesinger uses a lethal, finely honed mix of energetic physical comedy and elastic voices to also examine the oddball relics of early '00s nostalgia and spins some hard-won relationship wisdom as a woman on the cusp of marriage. - Los Angeles Times
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| Posted Dec 27, 2018
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82% | W. Kamau Bell: Private School Negro (2018) |
Bell flexes the same genial, conversational style seen during his far-flung interview segments for "United Shades" and stretches out on topics from the current political climate to his perspective on race and gender relationships. - Los Angeles Times
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| Posted Dec 19, 2018
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100% | Flight of the Conchords: Live in London (2018) |
It was a playful instance where 2018 briefly caught up with the Conchords, whose special mostly offers a welcome, proudly silly respite from current affairs. - Los Angeles Times
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| Posted Oct 9, 2018
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73% | The Blackcoat's Daughter (February) (2017) |
The characters are too underdeveloped to leave an impression. - Los Angeles Times
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| Posted Oct 26, 2017
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100% | Patton Oswalt: Annihilation (2017) |
There aren't many stand-up comics with the courage to take audiences into the depths of some dark emotions and and still bring them back laughing. - Los Angeles Times
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| Posted Oct 26, 2017
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91% | A Ghost Story (2017) |
The film stubbornly refuses to connect with its deeper themes because of a vague, self-consciously arty structure and a pace so deliberate it approaches a stand-still. - Los Angeles Times
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| Posted Oct 21, 2017
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100% | Too Funny To Fail (2017) |
Not unlike the series, the documentary's secret weapons are [Stephen] Colbert and [Steve] Carell, who are interviewed separately but maintain a connection that eventually broke them for a wide audience on The Daily Show. - Los Angeles Times
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| Posted Oct 20, 2017
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92% | Spielberg (2017) |
... it's a testimony to Spielberg's career that a two-and-a-half-hour documentary on his life and work could both feel too long in some places and yet oddly inadequate in others. - Los Angeles Times
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| Posted Oct 9, 2017
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82% | Captain Fantastic (2016) |
[It] shines as a sort of wish-fulfillment fantasy for a certain outdoors-oriented mind set, which almost makes up for its over-the-top moments and underwritten characters. - Los Angeles Times
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| Posted Nov 21, 2016
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