Chris Knight Movie Reviews & Previews - Rotten Tomatoes

Chris Knight

Chris Knight
Chris Knight's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
1.5/4 66% The Fate of the Furious (2017) Certainly there's no need to spend so much time with Theron's character as she yells at her subordinates to "do something!" or whispers throatily to Dom that he has no choice but to follow her orders or else. ‐ National Post
Read More | Posted Apr 13, 2017
3/4 85% My Entire High School Sinking Into the Sea (2017) The story is a sly mix of first-rate adventure and secondary-education satire.‐ National Post
Read More | Posted Apr 11, 2017
1.5/4 45% Song to Song (2017) Malick has been accused of ever-increasing navel-gazing in his movies, and this one does nothing to rebut that charge.‐ National Post
Read More | Posted Apr 6, 2017
2.5/4 70% Gifted (2017) Gifted means well, but like little Mary, you may end up feeling smarter by half than what you're watching.‐ National Post
Read More | Posted Apr 6, 2017
3/4 46% Going in Style (2017) Going in Style may not provide a huge payoff, but its modest charms are still fun.‐ National Post
Read More | Posted Apr 6, 2017
3/4 37% Smurfs: The Lost Village (2017) The film doesn't even feature the Smurfs' la-laaaa-la-la-la-la theme song, which is one more reason to like it. ‐ National Post
Read More | Posted Apr 6, 2017
3/4 90% Frantz (2017) This remains a lovely story about acceptance and understanding, themes that never get old.‐ National Post
Read More | Posted Apr 6, 2017
3.5/4 93% Obit (2017) This is one of the more unusual tales in this fascinating story of life (and death) in the obit department of the New York Times. ‐ National Post
Read More | Posted Mar 30, 2017
2.5/4 45% Ghost in the Shell (2017) There is some food for thought in this iteration, but by the time Hanka's CEO rolls out the spider-tank (pretty much what you'd imagine), it's clear that this ambitious effort has become a shell game with too much shell and not nearly enough ghost.‐ National Post
Read More | Posted Mar 30, 2017
3/4 60% The Zookeeper's Wife (2017) Its 14A rating in Ontario means it could function as an introduction to the Holocaust for more mature children, without completely scarring them. And it remains an incredible tale of humane behaviour countering a beastly evil.‐ National Post
Read More | Posted Mar 30, 2017
2.5/4 85% Mr. Gaga: A True Story of Love and Dance (2017) Gaga [has] an emphasis on personal interpretation of the music rather than formal technique ... Director Tomer Heymann shows some startling examples of the results; I just wish we could see more of them, and in greater length.‐ National Post
Read More | Posted Mar 30, 2017
1.5/4 73% The Void (2017) I just wish they had a better sense of narrative with this one - the gore is effective and voluminous, but the story it serves is reed-thin.‐ National Post
Read More | Posted Mar 30, 2017
2.5/4 17% Chokeslam (2016) The result is a bout in which, it would seem, some holds are barred.‐ National Post
Read More | Posted Mar 23, 2017
2/4 47% Saban's Power Rangers (2017) It's just silly enough to annoy viewers, without enough crack-pottery to amuse them.‐ National Post
Read More | Posted Mar 23, 2017
2.5/4 67% Life (2017) Life is a good science-fiction horror blend, but it falls short of greatness because its fear outweighs its curiosity.‐ National Post
Read More | Posted Mar 23, 2017
2/4 46% Wilson (2017) Harrelson doesn't have enough character to ground himself in this one.‐ National Post
Read More | Posted Mar 23, 2017
2.5/4 100% The Second Time Around (2017) If you need a break from aliens, superheroes and explosions, you could do worse.‐ National Post
Read More | Posted Mar 23, 2017
3.5/4 92% Donald Cried (2017) The characters are so utterly believable. ‐ National Post
Read More | Posted Mar 23, 2017
3/4 71% Beauty and the Beast (2017) This is Belle's story, and Watson does a fine job of updating the character for a modern world, providing her with steely strength, intelligence (she invents a horse-powered washing machine!) and determination.‐ National Post
Read More | Posted Mar 16, 2017
3.5/4 78% T2 Trainspotting (2017) Being constantly in motion has served [Boyle] well, and T2 manages somehow to both wallow in nostalgia and stand back in judgment of it.‐ National Post
Read More | Posted Mar 16, 2017
3/4 91% Weirdos (2016) Kit may define himself as a weirdo, but this nostalgic, simple road trip is anything but.‐ National Post
Read More | Posted Mar 16, 2017
2.5/4 84% The Lure (Córki dancingu) (2017) If you're only going to watch a single '80s-themed musical-horror mermaid cannibal comedy this year, The Lure should be the one. And rest assured that whatever the rumoured remake of Splash offers, it won't be able to top this for sheer weirdness.‐ National Post
Read More | Posted Mar 16, 2017
3.5/4 96% After the Storm (Umi yori mo mada fukaku) (2017) Clearly, Kore-eda has been pondering the hereafter for quite some time. After the Storm makes for a worthy and powerful addition to a lifetime of thought-provoking films.‐ National Post
Read More | Posted Mar 16, 2017
3.5/4 76% Kong: Skull Island (2017) The newest Kong reboot is a rock 'em sock 'em popcorn monster movie flick, featuring the biggest Hollywood ape to date. ‐ National Post
Read More | Posted Mar 9, 2017
3.5/4 100% The Last Laugh (2017) A Jew walks into a comedy club. Is it OK for her to tell a joke about the six million who died? Can she, as Gilbert Gottfried asks, put the "Hah!" in Holocaust? This is the topic of a fascinating new documentary by Ferne Pearlstein.‐ National Post
Read More | Posted Mar 9, 2017
3/5 100% Window Horses (2016) It's lovely to watch how Fleming finds a way to express verse in animation.‐ National Post
Read More | Posted Mar 9, 2017
1.5/4 34% The Last Word (2017) Even when it does something right, The Last Word has a tendency to undermine its own success.‐ National Post
Read More | Posted Mar 9, 2017
2.5/4 21% The Shack (2017) Believers may not find enough to engage them in what amounts to a two-hour sermon about what they already know, while ye of little faith (ye know who ye are) will feel harangued.‐ National Post
Read More | Posted Mar 2, 2017
1.5/4 10% Bitter Harvest (2017) The story of the Holodomor is an important one, but Bitter Harvest plasters over the dark history with all manner of movie shortcuts.‐ National Post
Read More | Posted Mar 2, 2017
4/4 93% Logan (2017) Logan is a superhero movie like no other.‐ National Post
Read More | Posted Mar 2, 2017
3/4 67% Before I Fall (2017) Before I Fall suggests, like a lot of its cinematic cousins, that we treat every day with the same tender touch, as though anything we do might have great consequence. It's probably even right.‐ National Post
Read More | Posted Mar 2, 2017
1/4 42% A Cure For Wellness (2017) Two and a half hours of dull, aching unpleasantness.‐ National Post
Read More | Posted Feb 17, 2017
3/4 72% XX (2017) An eerie, effective mix.‐ National Post
Read More | Posted Feb 17, 2017
2.5/4 35% The Great Wall (2017) An effective monster/action picture.‐ National Post
Read More | Posted Feb 17, 2017
4/4 96% Paterson (2016) A movie shaped by the style and structure of a poem. If it is also an echo, I urge you to be its shadow, and dance with it.‐ National Post
Read More | Posted Feb 10, 2017
3/4 89% John Wick: Chapter 2 (2017) John Wick: Chapter 2 works well by letting the audience laugh at such excesses, reminding us that there is a fine line between a punch and a punchline. ‐ National Post
Read More | Posted Feb 10, 2017
3/4 90% The Lego Batman Movie (2017) Funny, frantic entertainment that zips along for 104 minutes and won't leave you humming some dreadful earworm of a song. No assembly required.‐ National Post
Read More | Posted Feb 10, 2017
1/4 25% The Comedian (2017) There are very few surprises, pleasant or otherwise, in the film's interminable two-hour running time.‐ National Post
Read More | Posted Feb 3, 2017
4/4 92% Toni Erdmann (2016) It has important things to say about how one culture can be foisted on another in the name of globalization or efficiency. ‐ National Post
Read More | Posted Jan 27, 2017
3/4 No Score Yet The River of My Dreams: A Portrait of Gordon Pinsent (2016) Between clips of him in TV's Quentin Durgens, M.P. and the made-in-Newfoundland film The Rowdyman, we see what a Renaissance man [Berman] is.‐ National Post
Read More | Posted Jan 27, 2017
3.5/4 94% The Red Turtle (La tortue rouge) (2017) This is a timeless tale that has no need to shout (or even speak) about how deliriously beautiful it is.‐ National Post
Read More | Posted Jan 27, 2017
2.5/4 40% The Skyjacker's Tale (2017) So what makes the taking of American Airlines flight 626 on New Year's Eve, 1984, worth its own documentary? Not too much, really.‐ National Post
Read More | Posted Jan 20, 2017
2/4 75% Split (2017) There are moments of fear and loathing in the story, but at just under two hours the whole production overstays its welcome, and isn't really as clever as the director would have us believe.‐ National Post
Read More | Posted Jan 20, 2017
3.5/4 84% The Founder (2017) It's Keaton... who brings the movie home. The flutter of emotions across his face at odd moments in the action happens too quickly to name them all, but the cumulative effect is beyond words.‐ National Post
Read More | Posted Jan 20, 2017
3/4 100% Searchers (Maliglutit) (2016) Kunuk has created another timeless fable of the Far North; a simple struggle played out on a vast canvas.‐ National Post
Read More | Posted Jan 12, 2017
3.5/4 89% 20th Century Women (2017) The women are drawn so fully, and so artfully, that I had to give the film a conditional pass.‐ National Post
Read More | Posted Jan 12, 2017
1.5/4 32% Monster Trucks (2017) There isn't much for parents to do other than count how many times a particular brand of pickup product-places itself before our eyes.‐ National Post
Read More | Posted Jan 12, 2017
2/4 34% Live By Night (2017) There's a lot to recommend Affleck's fourth outing as a director, including sumptuous production design.. costumes and cinematography to match; and a restrained score from Harry Gregson-Williams. What's missing is a coherent throughline. ‐ National Post
Read More | Posted Jan 12, 2017
3/4 80% Patriots Day (2017) The film surges forward with a satisfyingly staccato, police-procedural rhythm.‐ National Post
Read More | Posted Jan 12, 2017
3/4 No Score Yet California Typewriter (2016) Even though the revolution may not be typewritten, the machine has a growing legion of fans and users, some of whom were interviewed by director Doug Nichol.‐ National Post
Read More | Posted Jan 6, 2017