Chris Willman Movie Reviews & Previews - Rotten Tomatoes

Chris Willman

Chris Willman
Chris Willman's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Entertainment Weekly, Los Angeles Times, The Playlist

Movie Reviews Only

Rating T-Meter Title | Year Review
C+ 70% Bleed For This (2016) If you ever yearned to see a version of 'Million Dollar Baby" that has a completely feel-good last reel, this may be it. ‐ The Playlist
Read More | Posted Sep 3, 2016
C 73% Suffragette (2015) If only Carey Mulligan had been inspired to protest for the right to a better script for "Suffragette," an overly schematic look at the struggle for women's voting rights in Britain that almost gets by on the strength of a great lead performance.‐ The Playlist
Read More | Posted Sep 5, 2015
37% Fletch Lives (1989) In this meager sequel, as in its popular predecessor, Chevy Chase demolishes every easy target in sight with a quip of the tongue. Some of the lines are funny, but after a while you just want to smack him.‐ Los Angeles Times
Read More | Posted Jul 1, 2015
B+ 100% Tales Of The Grim Sleeper (2014) Would you prefer to be more outraged by the legacies of sexual predation or police indifference? Broomfield lets you take your pick.‐ The Playlist
Read More | Posted Dec 18, 2014
78% Bill and Ted's Excellent Adventure (1989) Make no mistake, Bill & Ted's Excellent Adventure is not a satire of mindlessness; it's unabashed glorification of dumbness for dumbness' sake.‐ Los Angeles Times
Read More | Posted Oct 22, 2014
B+ 93% A Borrowed Identity (2015) As quaint longings for a more innocent era go, "Dancing Arabs" beats getting misty over Roxette.‐ The Playlist
Read More | Posted Sep 2, 2014
B 78% The New York Review of Books: A 50 Year Argument (2014) Auteurists will be hard-pressed to find much stylization that betrays Scorsese's participation, but bless him for letting us spend an hour and a half pretending that American letters still matter in mainstream as they did in the '60s.‐ The Playlist
Read More | Posted Sep 2, 2014
C+ 53% Escobar: Paradise Lost (2015) Whatever fascination the film holds belongs solely to Del Toro and his vanity-free impression of Escobar as a titan whose potbelly and gym shorts do not put the slightest dent in a charisma that hypnotizes a nation.‐ The Playlist
Read More | Posted Sep 2, 2014
B- 77% Rosewater (2014) Not to read too much into Jon Stewart's motivations for making the film, but this figure of "Rosewater," as the unnamed torturer comes to be known, could be a stand-in for anyone who didn't get one of "the Daily Show's" jokes.‐ The Playlist
Read More | Posted Sep 2, 2014
0% Folks! (1992) Klane has written this one as less of a slow burn, going instead for obnoxiously stunt-filled, madcap farce, all the way to the high-concept-reinforcing title exclamation point.‐ Los Angeles Times
Read More | Posted May 4, 2014
83% Tom Jones (1963) It's a free-wheeling, fast-moving relic from a time when "bawdy" wasn't bad and sex comedies still celebrated sex.‐ Los Angeles Times
Read More | Posted Jan 14, 2014
B+ 36% Salinger (2013) The good news is that you don't have to be a fan of Salinger's writing to get caught up in a detective story of what makes a toast of the literary town decide to disappear from public view for the last 45 years of his life. ‐ The Playlist
Read More | Posted Sep 2, 2013
B- 76% The Invisible Woman (2013) Ralph Fiennes has rarely been better than he is as the 19th century's most celebrated novelist, with his chops on screen just about matched by what he's done behind.‐ The Playlist
Read More | Posted Sep 1, 2013
A- 96% 12 Years a Slave (2013) Amistad meets the Marquis de Sade, in the form of slavemaster Michael Fassbender, who puts his victims through more tortures than Mel Gibson ever could have imagined for Jesus.‐ The Playlist
Read More | Posted Aug 31, 2013
C 35% Labor Day (2014) A full-immersion exercise in the old-fashioned women's weepie that skews far closer to Nicholas Sparks' brand of contrivance than Diablo Cody territory.‐ The Playlist
Read More | Posted Aug 30, 2013
B+ 85% Under the Skin (2014) Picture a sister film to "The Man Who Fell to Earth." Glazer shares Nicolas Roeg's taste in elliptical storytelling and interplanetary tragedy, arriving at something you could almost call horror with a heart. ‐ The Playlist
Read More | Posted Aug 30, 2013
7% The Next Karate Kid (1994) The overt message of any Karate Kid movie: Don't fight unless you absolutely have to. The implicit message: You'll always have to. Let the smitings begin!‐ Los Angeles Times
Read More | Posted May 22, 2013
1.5/5 0% Wagons East! (1994) A typically rickety vehicle, just dumb enough that it actually submerges Candy's sweet, perky persona in what's basically a sullen, grizzled straight-man role.‐ Los Angeles Times
Read More | Posted May 22, 2013
3.5/5 38% Young Einstein (1988) Einstein has a handsome period look, even when director of photography Jeff Darling is shooting the musical montages that periodically break up the action.‐ Los Angeles Times
Read More | Posted May 21, 2013
1/5 47% Erik the Viking (1989) A stillborn comedy in which minutes sometimes mysteriously go by between even attempted gags, and in which virtually no comic scene works up to any kind of viable punch line or payoff.‐ Los Angeles Times
Read More | Posted Apr 24, 2011
C 40% Fireproof (2008) You probably can't blame pastors moonlighting as moviemakers for wanting to pack their film with multiple messages, but the conversion subplot feels shoehorned into the more crucial marital doings.‐ Entertainment Weekly
Read More | Posted Oct 1, 2008
D 72% The Midnight Meat Train (2008) We hate to side with the big bad studio, but The Midnight Meat Train -- despite a great title -- really does stink like month-old human flesh.‐ Entertainment Weekly
Read More | Posted Aug 11, 2008
D- 22% Joshua (2002) Christians sensitive to a reductionist view of their Lord as a luv-spreading Dr. Feelgood or omnipotent slacker will feel vastly more affronted than secularists, who might even praise God for delivering such an instant camp classic.‐ Entertainment Weekly
Read More | Posted Jun 12, 2002
D 10% Megiddo: The Omega Code 2 (2001) A step forward in budget and coherence from the first Omega Code ... but will still have even much of its evangelical target audience stifling unholy snickers.‐ Entertainment Weekly
Read More | Posted Oct 4, 2001
8% The Omega Code (1999) Gives 'Great Tribulation' new meaning.‐ Entertainment Weekly
Posted Jan 1, 2000