Christopher Gray Movie Reviews & Previews - Rotten Tomatoes

Christopher Gray

Christopher Gray
Christopher Gray's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Slant Magazine

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 78% Berlin Syndrome (2017) Until its hasty climax, the film is rewardingly patient and psychologically cogent. ‐ Slant Magazine
Read More | Posted May 22, 2017
2.5/4 73% The Commune (Kollektivet) (2017) The Thomas Vinterberg film's sentimentality is suspect, laced with an intriguing but vague strain of bitterness.‐ Slant Magazine
Read More | Posted May 14, 2017
3/4 100% Last Men in Aleppo (2017) The film is broadly concerned with portraying the titular Syrian city as a community of neighbors and colleagues.‐ Slant Magazine
Read More | Posted May 2, 2017
2.5/4 88% The Lovers (2017) Azazel Jacobs's film takes some shrewd steps to update the comedy of remarriage for the age of the smartphone.‐ Slant Magazine
Read More | Posted Apr 26, 2017
3/4 93% Glory (2017) Its rough-hewn naturalism belies an exquisite sense of pace and a sneaky breed of gallows humor.‐ Slant Magazine
Read More | Posted Apr 9, 2017
3/4 74% All These Sleepless Nights (2017) Director Michal Marczak's film finds a unique vitality in its densely constructed environment.‐ Slant Magazine
Read More | Posted Apr 3, 2017
2.5/4 83% God Knows Where I Am (2017) Though the film excels at subjectivity and interiority, it tends to falter in conveying more rudimentary information.‐ Slant Magazine
Read More | Posted Mar 27, 2017
2.5/4 71% I, Olga Hepnarová (Já, Olga Hepnarová) (2017) The filmmakers take few measures to engender sympathy for Olga, but their prismatic take on her life, while novel, precludes making any resonant statements about homosexuality, emotional health, or humankind's capacity for evil.‐ Slant Magazine
Read More | Posted Mar 20, 2017
2/4 78% T2 Trainspotting (2017) The heart of T2 lies in the relationship between Renton and Sick Boy, but their rocky reunion is another victim both to the wheel-spinning innate in Hodge's script and Boyle's relative lack of fresh ideas. ‐ Slant Magazine
Read More | Posted Mar 15, 2017
2/4 74% Suntan (2017) Argyris Papadimitropoulos struggles to lift his material out of a downbeat mode of cringe comedy.‐ Slant Magazine
Read More | Posted Mar 4, 2017
1/4 24% Table 19 (2017) Each of Table 19's faint glimmers of grace are overwhelmed by elements of general spatial and narrative incompetence.‐ Slant Magazine
Read More | Posted Mar 1, 2017
3/4 100% My Life as a Zucchini (Ma vie de courgette) (2017) The film circumvents bleakness with a thoroughgoing commitment to understanding and intimacy.‐ Slant Magazine
Read More | Posted Feb 20, 2017
2/4 88% Land of Mine (Under Sandet) (2017) Land of Mine's fitful jolts of suspense can't compensate for the story's wholly familiar trajectory.‐ Slant Magazine
Read More | Posted Feb 13, 2017
1/5 9% Fifty Shades Darker (2017) Fifty Shades Darker takes the Dark Knight approach to franchise maintenance, taking pains to assure you that its protagonists are serious about their passions. ‐ Slant Magazine
Read More | Posted Feb 9, 2017
1.5/4 57% Claire in Motion (2017) Throughout, writer-directors Lisa Robinson and Annie J. Howell's film buckles under the weight of its symbolism.‐ Slant Magazine
Read More | Posted Jan 9, 2017
2/4 93% La La Land (2016) Every element of La La Land is bound up in a referentiality that largely precludes the outpourings of emotion we come to musicals for.‐ Slant Magazine
Read More | Posted Dec 5, 2016
3/4 80% Patriots Day (2017) As long as Patriots Day is concerned with recreating the sense of ambient chaos among sparring investigators and an anxious community, it's immersive and thrilling.‐ Slant Magazine
Read More | Posted Nov 28, 2016
89% Jackie (2016) Pablo Larraín's film bluntly hammers home the notion that history is framed by perception rather than reality. ‐ Slant Magazine
Read More | Posted Nov 28, 2016
2/4 87% Hacksaw Ridge (2016) This is a work of defiantly simplistic, classically structured Hollywood storytelling, and Mel Gibson takes to its hokey plot points with some gusto.‐ Slant Magazine
Read More | Posted Oct 28, 2016
3/4 95% The Edge of Seventeen (2016) The smartest thing about Kelly Fremon Craig's teen dramedy is its measured take on its protagonist's theatrics.‐ Slant Magazine
Read More | Posted Oct 23, 2016
2.5/4 46% Billy Lynn's Long Halftime Walk (2016) It does astounding work animating the mind of its young soldier, but it runs into technical difficulties whenever it tries to grasp the bigger picture.‐ Slant Magazine
Read More | Posted Oct 17, 2016
2.5/4 100% Tower (2016) Broadly, filmmaker Keith Maitland's treatment of the UT Tower shooting is both taut and humane.‐ Slant Magazine
Read More | Posted Oct 9, 2016
1.5/4 44% The Girl on the Train (2016) It forgoes its promise of twisty adult thrills in favor of a grimly deadpan lecture about messy truths and false perceptions.‐ Slant Magazine
Read More | Posted Oct 4, 2016
3.5/4 92% Toni Erdmann (2016) By its end, Toni Erdmann is a work of laser-guided social critique and a comedy.‐ Slant Magazine
Read More | Posted Oct 3, 2016
3.5/4 96% Manchester by the Sea (2016) The film gradually comes to its sense of exquisitely calibrated, hardened intimacy. ‐ Slant Magazine
Read More | Posted Oct 2, 2016
92% Voyage of Time: The IMAX Experience (2016) Explicitly addressed to a child, the film can't help but feel like lovingly assembled kiddie fare, a primer for what's said to be a more ambitious and intellectually speculative vision.‐ Slant Magazine
Read More | Posted Sep 27, 2016
2/4 76% Chronic (2016) A dour and withholding character study, Michel Franco's film invites more questions than it's willing to answer. ‐ Slant Magazine
Read More | Posted Sep 19, 2016
2/4 84% Kicks (2016) It's less notable for its originality than for how dynamically it blends a few styles that ultimately prove incompatible.‐ Slant Magazine
Read More | Posted Sep 3, 2016
3/4 100% Peter and the Farm (2016) As the film progresses, Dunning's reflections become as visceral and discomfiting as his butchering of the aforementioned sheep.‐ Slant Magazine
Read More | Posted Sep 2, 2016
2.5/4 73% Disorder (Maryland) (2016) Before Disorder becomes a programmatic and somewhat sloppy home-invasion thriller, it's a particularly vivid portrait of a man warily eyeing the tumult of his homecoming.‐ Slant Magazine
Read More | Posted Aug 5, 2016
1.5/4 26% Five Nights in Maine (2016) Maris Curran never reconciles the film's impulse to interiority with its weakness for hothouse melodrama. ‐ Slant Magazine
Read More | Posted Aug 1, 2016
2/4 66% Nerve (2016) By merely transposing its generic high school clique drama onto an augmented reality platform, Nerve sacrifices most of its novelty.‐ Slant Magazine
Read More | Posted Jul 26, 2016
2/4 75% Lights Out (2016) Few horror films are as insistent about the trauma mental illness inflicts on families as Lights Out, and still fewer are so insensitive about it.‐ Slant Magazine
Read More | Posted Jul 21, 2016
2.5/4 93% Our Little Sister (Umimachi Diary) (2016) The film's reserve softens some of its more piquant observations about tradition and mortality.‐ Slant Magazine
Read More | Posted Jul 4, 2016
3/4 75% The BFG (2016) The film, full of such quietly inventive visual magic, is perfectly content to simply revel in the stuff dreams are made of.‐ Slant Magazine
Read More | Posted Jun 26, 2016
3/4 69% Swiss Army Man (2016) Even as it invites snarky ridicule, Swiss Army Man dares you to buy into its singular earnestness.‐ Slant Magazine
Read More | Posted Jun 22, 2016
3/4 94% Finding Dory (2016) Finding Dory follows its predecessor in being broadly concerned with comforting notions of home and family.‐ Slant Magazine
Read More | Posted Jun 15, 2016
2/4 80% The Conjuring 2 (2016) The Conjuring 2 attempts to fold in a few broad thematic concepts, but most of them are undercut by the film's haphazard structure.‐ Slant Magazine
Read More | Posted Jun 7, 2016
2.5/4 62% Neighbors 2: Sorority Rising (2016) The film's expected rehash of recent pop-culture totems is accompanied by a novel attention to millennial-centric debates about entitlement and identity politics.‐ Slant Magazine
Read More | Posted May 18, 2016
3/4 57% Money Monster (2016) Jodie Foster manages the interlocking tones of outrage and low humor with an unfailing rhythm and an engagingly casual cynicism.‐ Slant Magazine
Read More | Posted May 12, 2016
1.5/4 70% The Wait (L'attesa) (2016) It's bedecked with religious themes and iconography that add up to little more than gorgeous window-dressing. ‐ Slant Magazine
Read More | Posted Apr 25, 2016
1.5/4 70% A Hologram for the King (2016) Remarkably faithful, except in how it rather boldly transforms Dave Eggers's drama into a broad comedy.‐ Slant Magazine
Read More | Posted Apr 19, 2016
2/4 18% The Adderall Diaries (2016) It's too busy skipping through subplots to do much more than gloss over such heady issues as the fundamental subjectivity of truth and self-identity.‐ Slant Magazine
Read More | Posted Apr 8, 2016
2/4 52% Demolition (2016) It may be the first movie in which a character stops shaving his chest in order to express his independence.‐ Slant Magazine
Read More | Posted Apr 4, 2016
2/4 25% Kill Your Friends (2016) The film's failed satire can't help but bolster Steven's antihero charisma.‐ Slant Magazine
Read More | Posted Mar 28, 2016
2/4 28% Batman v Superman: Dawn of Justice (2016) A sequel that functions as origin story, apologia, and harbinger of a second expanded universe of overpopulated action bonanzas.‐ Slant Magazine
Read More | Posted Mar 23, 2016
2.5/4 83% Midnight Special (2016) It starts off as a dynamic parable about faith before wilting into a glum and rather disingenuous paean to the family.‐ Slant Magazine
Read More | Posted Mar 16, 2016
2/4 97% Weiner (2016) Josh Kriegman and Elyse Sternberg's film never discovers a greater purpose beyond its undeniable sideshow appeal.‐ Slant Magazine
Read More | Posted Mar 14, 2016
1/4 74% Already Tomorrow In Hong Kong (2016) The script labors to give the film a strong sense of place, but strange lapses confirm a sense that the city isn't a character here.‐ Slant Magazine
Read More | Posted Feb 7, 2016
0/4 55% 4th Man Out (2016) It's a bizarre and retrograde spectacle, as clueless and incurious about friendship as it is about the rudiments of composition and screenwriting.‐ Slant Magazine
Read More | Posted Feb 1, 2016