Craig D. Lindsey Movie Reviews & Previews - Rotten Tomatoes

Movie Reviews Only

Rating T-Meter Title | Year Review
67% Asher (2018) As obvious and rudimentary as Asher is, it's kind of forgivable when you consider that this movie is really Perlman finally getting his chance to be the sympathetic, charismatic leading man.‐ Miami New Times
Read More | Posted Dec 3, 2018
90% Maria By Callas (2018) For being a comprehensive study, Volf could've let Callas sing less -- so Maria could tell the rest of the story. ‐ Nashville Scene
Read More | Posted Nov 30, 2018
40% Blood Brother (2018) I'll be straight with you: This movie is awful.‐ L.A. Weekly
Read More | Posted Nov 28, 2018
83% Green Book (2018) Farrelly and company take their road trip and make a middlebrow, kid-gloved entertainment committed to reminding everyone that racism is bad and that getting along with people who are different than you is way easier than you think.‐ Denver Westword
Read More | Posted Nov 14, 2018
88% Bodied (2018) Lord only knew there was so much to make fun of in rap culture, which Bodied does with proudly redonkulous fervor.‐ Miami New Times
Read More | Posted Nov 1, 2018
89% Studio 54 (2018) As this nostalgic, funky and ultimately bittersweet valentine of a movie shows, Studio 54 could never have survived no matter what - mainly because it was an ideal microcosm of how our society should be. And nobody at the time was ready for that.‐ Nashville Scene
Read More | Posted Oct 25, 2018
13% Life Itself (2018) Fogelman tries to tug on the heartstrings by giving us a story full of people who go through some harrowing, emotional ordeals, but it constantly rings hollow. ‐ Nashville Scene
Read More | Posted Sep 20, 2018
82% Juliet, Naked (2018) The movie seems to consist of a lot of loose strands that go nowhere or end up being discarded. Fortunately, Juliet, Naked still gets the point across that emotionally stunted men should grow up and appreciate what they have.‐ Nashville Scene
Read More | Posted Sep 6, 2018
0% Reprisal (2018) Seeing Bruce Willis in the movies these days is damn embarrassing.‐ Village Voice
Read More | Posted Aug 29, 2018
36% Blue Iguana (2018) From the characters to the purposely perplexing plot, it's all hollow and artificial to the point of being downright grating.‐ Village Voice
Read More | Posted Aug 22, 2018
95% BlacKkKlansman (2018) Lee has once again cleverly flexed his genre-bending muscles. Much as he did with 2015's underrated farcical/musical whatzit Chi-Raq, the director melds comedy and tragedy to come up with entertaining and thought-provoking cinema.‐ Nashville Scene
Read More | Posted Aug 9, 2018
100% Night Comes On (2018) All through the film, you pray it doesn't go down the bleak routes that films like this usually go - and, most of the time, it does.‐ Village Voice
Read More | Posted Aug 1, 2018
92% No Date, No Signature (Bedoune Tarikh, Bedoune Emza) (2018) In the dog-eat-kennel times we're living in now, No Date, No Signature presents a story of flawed but generally decent people trying to put right what went so horribly wrong.‐ Village Voice
Read More | Posted Jul 31, 2018
No Score Yet Killer Bees (2018) Unfortunately, the narrative focus constantly shifts and never coalesces.‐ Village Voice
Read More | Posted Jul 25, 2018
48% Superfly (2018) For all its pulpy, genre-movie intentions, SuperFly is virtually crippled by its own ludicrousness.‐ Village Voice
Read More | Posted Jun 15, 2018
13% China Salesman (2018) China Salesman has got to be one of the most baffling, expensive pats on the back China has ever given itself.‐ Village Voice
Read More | Posted Jun 13, 2018
14% The Texture of Falling (2018) Allred's fractured storytelling seems intended to make the movie a sort of puzzle that comes together at the end (spoiler alert: it so doesn't).‐ Village Voice
Read More | Posted May 30, 2018
97% The Rider (2018) It's so quiet that at times it feels like it doesn't want to disturb any other movies playing in neighboring theaters. But you'll definitely be swept away by its beautiful spirit - if you just hold on.‐ Nashville Scene
Read More | Posted May 17, 2018
No Score Yet Born Guilty (2018) Really, this movie is just a stockpiled compendium of terrible decisions, both behind and in front of the camera.‐ Village Voice
Read More | Posted May 9, 2018
89% Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (2018) Boom makes Basquiat out to be an on-the-fringe, Zelig-like character, attempting to get his foot into a bustling arts scene where the inner-city people were beginning to mingle with the downtown folk.‐ Village Voice
Read More | Posted May 7, 2018
25% Overboard (2018) Let's be real. That premise is so jacked up it's insane that Hollywood would bank on a remake.‐ Village Voice
Read More | Posted May 4, 2018
10% Krystal (2018) Nearly everything these characters do goes beyond the realm of common sense.‐ Village Voice
Read More | Posted Apr 11, 2018
100% Personal Problems (2018) A view of African Americans that's messy, complicated, dramatic, and, most important, honest.‐ Village Voice
Read More | Posted Mar 27, 2018
96% The Death of Stalin (2018) Once again, if you know how Iannucci works, you can expect Stalin to be as hilariously foul-mouthed as his previous works.‐ Nashville Scene
Read More | Posted Mar 22, 2018
80% What We Started (2018) For a documentary that aims to be a comprehensive history of the modern dance DJ, What We Started tends to be both as enthused and unfocused about the whole scene as the average young EDM fan addled on molly.‐ Village Voice
Read More | Posted Mar 21, 2018
61% Us and Them (2018) As sleek and polished as Us and Them looks, it finds Martin not only biting from more established filmmakers, but biting off more than he can chew.‐ Village Voice
Read More | Posted Mar 14, 2018
55% The Forgiven (2018) Unfortunately, this movie has so many damn things percolating all through it that it ultimately seems unfocused and painfully earnest.‐ Village Voice
Read More | Posted Mar 6, 2018
47% Red Sparrow (2018) Although Red Sparrow succeeds at being the sort of routinely paranoid, melodramatic secret-agent yarn that used to drop back in the Reagan era, it overdoes it in the brutality department.‐ Nashville Scene
Read More | Posted Mar 1, 2018
64% The Lullaby (2018) The filmmakers do an effective job at making a clever horror show out of postpartum depression. So it's a shame the movie goes off the deep end in the final act ...‐ Village Voice
Read More | Posted Feb 28, 2018
67% The Cured (2018) Unfortunately, all of these factors fail to coalesce in the end, as the jumbled, manic finale builds to a messy implosion.‐ Village Voice
Read More | Posted Feb 21, 2018
79% Film Stars Don't Die in Liverpool (2017) Film Stars Don't Die in Liverpool is a generic, sentimental attempt to pay tribute to one of the more intriguing femmes fatales to ever grace the silver screen.‐ Nashville Scene
Read More | Posted Feb 8, 2018
0% Lies We Tell (2018) From the storyline to the score to the climactic reaction shots to the purposely head-scratching ending, Lies We Tell is crammed, histrionic, and way too damn much.‐ Village Voice
Read More | Posted Feb 4, 2018
53% Bilal: A New Breed of Hero (2018) Bilal achieves a vibrantly noble tone even when it stumbles plot-wise.‐ New Times
Read More | Posted Feb 2, 2018
92% Kickboxer: Retaliation (2018) A hysterically entertaining train wreck.‐ Village Voice
Read More | Posted Jan 25, 2018
74% Mom and Dad (2018) Think The Happening, but only parents get affected - and the movie's actually good this time around.‐ Village Voice
Read More | Posted Jan 17, 2018
78% All the Money in the World (2017) [Ridley] Scott doesn't seem to know whether to play this so-insane-it-has-to-be-true story for dark laughs or to dramatize it as another gripping, suspenseful fact-based tale.‐ Nashville Scene
Read More | Posted Dec 28, 2017
5% Hangman (2017) You may not take a single frame of this movie seriously, especially whenever Pacino is shuffling around, waving a gun and talking like he's desperately in need of a mint julep.‐ Village Voice
Read More | Posted Dec 20, 2017
57% Hollow in the Land (2017) The stench of needlessly convoluted derivativeness lingers throughout this flick.‐ Village Voice
Read More | Posted Dec 6, 2017
60% Revolt (2017) Despite its title, Revolt isn't a movie that will incite either revolution or revulsion in viewers. In fact, you might walk away from it with a serious case of whatever. ‐ L.A. Weekly
Read More | Posted Nov 30, 2017
100% No Greater Love (2017) I'm thankful No Greater Love is around to make people realize how much war heroes need our love, help, and support once they come back home.‐ Village Voice
Read More | Posted Nov 28, 2017
84% Mayhem (2017) Here comes Mayhem, with a wild mix of white-collar beatdowns and bloodshed that will indeed satisfy all the hard-working nine-to-fivers.‐ Village Voice
Read More | Posted Nov 8, 2017
4/4 90% The Great Beauty (2013) Funny and sad, poignant and profound, elegant and elegiac, ambitious and ambiguous, The Great Beauty is one of the most utterly enjoyable movies I've seen in years.‐ INDY Week
Read More | Posted Oct 25, 2017
88% The Wind Rises (2014) If The Wind Rises is indeed Miyazaki's last hurrah, he goes out on a graceful, all-encompassing note.‐ INDY Week
Read More | Posted Oct 25, 2017
3/4 98% Elaine Stritch: Shoot Me (2014) Ultimately, Elaine Stritch: Shoot Me makes you root for her even when you've had your fill of her. ‐ INDY Week
Read More | Posted Oct 25, 2017
2.5/4 65% Million Dollar Arm (2014) The movie certainly found the right screenwriter in Tom McCarthy.‐ INDY Week
Read More | Posted Oct 25, 2017
2/4 51% Magic in the Moonlight (2014) On a list of Allen's worst films, this, my friends, would rank very low.‐ INDY Week
Read More | Posted Oct 25, 2017
1/4 33% Passion (2013) As much as [De Palma] beautifies this mess-the movie's so sleek, you'll worry that the cast is gonna slip off the damn screen-it's still a mess.‐ INDY Week
Read More | Posted Oct 25, 2017
2/4 31% Hell Baby (2013) While not a lot of Hell Baby works... the movie does seem destined to be the sort of acquired-taste howler that will most likely attract people who recognize how ridiculous horror movies can be-and, of course, stoners.‐ INDY Week
Read More | Posted Oct 25, 2017
1/4 50% Thanks For Sharing (2013) As much as it wants to show how keeping it in your pants can be downright debilitating for some, Thanks for Sharing ultimately proves to be an unsatisfying, relentlessly depriving experience.‐ INDY Week
Read More | Posted Oct 25, 2017
2/4 54% Escape From Tomorrow (2013) Escape from Tomorrow often makes good on its aspiration to stick it to the man in the mouse suit, but let's not get carried away: Miley Cyrus is currently doing just that to much greater effect.‐ INDY Week
Read More | Posted Oct 24, 2017