Cristina Aparicio Movie Reviews & Previews - Rotten Tomatoes

Cristina Aparicio

Cristina Aparicio
Cristina Aparicio's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

Rating T-Meter Title | Year Review
82% Blind Spot (2018) In short, a construction that reveals the impossibility of seeing completely and of recording reality in its entirety. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Oct 1, 2018
56% Our Time (Nuestro tiempo) (2018) The exposed intimacy in which the director inserts himself... is full of his cinematic calling cards: long sequences without scripted dialogue, the wild as a symbol of the human and a slow pace that delights in the environment. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Oct 1, 2018
100% The Third Wife (2018) Through the eyes of May, the viewer sees the young woman's confrontation with the real world, an accelerated transition where sexuality, marriage and motherhood are in the same vital phase. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 28, 2018
100% Baby (Bao bei er) (2018) Without underlining or over-explaining, Baby opens a window to China's family policies, their scope and contradictions. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 28, 2018
No Score Yet Neon Heart (2018) A great visual find lost in a confusion of strange morals and contradictory perversions. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 27, 2018
100% Ash Is Purest White (2019) The protagonist of the story written and directed by Jia Zhang Ke is as unpredictable as it is captivating, a woman whose determination and courage determines her destiny. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 27, 2018
83% Quién te cantará (2018) The result is a melodramatic plot stylistically dressed as a thriller to propose a game of identities, projections, impersonation and veneration, in a disturbing space where time seems to stop. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 26, 2018
100% Girl (2018) One of the great virtues of Lukas Dhont's film is the absence of pretension to generalize such a personal conflict, particular and proper as it may be in relation to gender identity. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 26, 2018
No Score Yet Boku Wa Iesu-Sama Ga Kirai (2018) Thus, from a child's point of view, the filmmaker manages to portray with great maturity the complex relationship that presuming faith in human beings implies. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 25, 2018
No Score Yet Apuntes para una película de atracos (2018) [Director León] Siminiani divulges the mechanisms that reveal him as a filmmaker, perhaps because for him life and cinema are two parts of the same reality. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 25, 2018
93% 3 Faces (2018) Through the experience of three actresses... the filmmaker reviews not only the film history of Iran, but also that of the country itself and the situation of women. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 24, 2018
83% An Unexpected Love (El amor menos pensado) (2018) An Unexpected Love relies on few moments of formal boasting, something that's offset by way of the Darín-Morán duo's remarkable acting, whose complicity becomes another character within the film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 24, 2018
80% Alpha, The Right to Kill (2018) The causes that make a society as vulnerable as it is naive are exposed, a social portrait in which spaces to safeguard childhoods no longer exist. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 24, 2018
No Score Yet Yuli (2018) From the autobiographical novel No Way Home... the manifestation of a fractured unconscious is carried out through the most formal moments of the film, those in which dance replaces a difficult emotion or a brutal experience. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Sep 24, 2018
100% The Bar (El bar) (2017) [Director] Álex de la Iglesia finds a way to orchestrate a solid, coherent and controlled outcome, against the 'anything goes' present in some of his previous long films. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Jan 16, 2018