Cristina Aparicio

Cristina Aparicio
Cristina Aparicio's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

T-Meter Title | Year
86% Love Me Tender (2019) A magical (and painful) story of survival. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 4, 2020
No Score Yet Simon Calls (Simon Chama) (2020) The filmmaker is tremendously consistent with the reality she portrays. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 23, 2020
100% The Metamorphosis of Birds (A metamorfose dos pássaros) (2020) Poetic. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 30, 2020
62% The Salt of Tears (Le sel des larmes) (2021) Ends up falling into a discourse that is as obvious as it is problematic. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 29, 2020
92% The Trouble with Being Born (2020) Allows the filmmaker to show a fractured, cryptic and enigmatic identity. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2020
86% Los conductos (2020) Tangled. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2020
93% Herself (2021) A hopeful call for female empowerment and also a plea for sisterhood. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2020
100% The Woman Who Ran (2021) As simple as it is beautiful. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2020
57% Yellow Cat (2020) Shares some of the virtues of [Adilkhan Yerzhanov's] previous film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2020
88% The Calming (Ping Jing) (2020) A silent exercise of (personal) resistance where the beautiful and the sublime converge. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 22, 2020
77% Tragic Jungle (Selva Trágica) (2021) The way in which [director Yulene] turns the colonial drama into an enigmatic environmental plea... is captivating. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 22, 2020
94% Nomadland (2021) A hopeful portrait that raises existential questions, always granting the space and time necessary for everyone to find their own answers. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 22, 2020
100% Wife of a Spy (Supai no tsuma) (2020) Wife of a Spy is, above all, a beautiful exercise in narrative condensation where reality and fiction continually intertwine. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 21, 2020
100% Days (Rizi) (2020) The filmmaker recounts with masterful transcendence what in essence exists to be forgotten, turning the film into a timeless waiting space. - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 21, 2020
86% Fauna (2020) A brilliant metanarrative exercise. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 21, 2020
No Score Yet The Bra (2020) A sincere film whose value lies in its simplicity, its innocent and unprejudiced gaze. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jul 31, 2020
96% Marona's Fantastic Tale (L'Extraordinaire voyage de Marona) (2020) An avant-garde cocktail... that appeals through simplicity to the greatness behind unconditional love. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jun 29, 2020
92% The Wolves (Los Lobos) (2019) A beautiful exercise in shared memory. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jun 22, 2020
82% The Sharks (Los tiburones) (2019) The eighties aesthetic is... a brave formal decision that (as she herself recognizes) bears the identity of its creator. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
73% The Sleepwalkers (Los Sonámbulos) (2019) A film as bright as it is personal that demonstrates the virtuosity and skill of a great filmmaker. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
97% Rocks (2020) Honesty is the best of the fimmaker's virtues who puts realism before melodrama. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
82% Seventeen (Diecisiete) (2019) There is nothing but honesty and much humility in the story. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
50% The Giant (2019) A terrifying emotional puzzle. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
97% First Love (Hatsukoi) (2019) What could have been a delicate and tragic drama about the love of two young people, translates into a fun slapstick that flirts with all kinds of genres. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
89% Giraffe (2019) [Director] Anna Sofie Hartmann's second feature film is both a catalog of memories and an exciting reflection on the influence of space in the construction of memories. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2019
89% And the Birds Rained Down (Il pleuvait des oiseaux) (2019) A nuanced collective portrait... of its three protagonist octogenarians. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2019
78% Pacified (Pacificado) (2019) Pacified is, above all, a story about humanity that resides in the most unprotected places. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2019
86% Jordi's Letters (Las letras de jordi) (2019) A beautiful reflection. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2019
No Score Yet Sister (Sestra) (2019) A beautiful fable about family relationships. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2019
40% Patrick (2019) Slow and tedious. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2019
92% A Thief's Daughter (La hija de un ladrón) (2019) A film that shows that the only tangible thing that matters is to have someone hold your hand. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2019
100% A Dark, Dark Man (2019) Stands out for its careful staging. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 24, 2019
100% The Innocence (La inocencia) (2019) A catalogue of memories and a passionate reflection over the influence of space in the creation of memories. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 24, 2019
100% The Good Intentions (Las Buenas Intenciones) (2019) [Writer-director] Ana García Blaya's debut is a lesson in cinema. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 24, 2019
87% The Truth (La vérité) (2020) A solid script with bright touches of humor. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
79% The Audition (Das Vorspiel) (2020) A valuable representation of authoritarian pedagogy and its inevitable consequences for who receives it and for who enforces it. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
92% The Endless Trench (La trinchera infinita) (2019) Despite the abundant use of the subjective camera, there are certain sequences that stand out. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
No Score Yet Noura's Dream (Noura rêve) (2019) [The film] finds its main virtue in the courage and nonconformity of its main character. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
No Score Yet Africa (2019) A certain beauty emerges from the rejection (unwanted) of the new. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
96% Heroic Losers (La odisea de los giles) (2019) A dazzling script. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 23, 2019
80% Blind Spot (2018) In short, a construction that reveals the impossibility of seeing completely and of recording reality in its entirety. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2018
63% Our Time (Nuestro tiempo) (2019) The exposed intimacy in which the director inserts himself... is full of his cinematic calling cards: long sequences without scripted dialogue, the wild as a symbol of the human and a slow pace that delights in the environment. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Oct 1, 2018
88% The Third Wife (2019) Through the eyes of May, the viewer sees the young woman's confrontation with the real world, an accelerated transition where sexuality, marriage and motherhood are in the same vital phase. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 28, 2018
100% Baby (Bao bei er) (2018) Without underlining or over-explaining, Baby opens a window to China's family policies, their scope and contradictions. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 28, 2018
40% Neon Heart (2018) A great visual find lost in a confusion of strange morals and contradictory perversions. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 27, 2018
99% Ash Is Purest White (2019) The protagonist of the story written and directed by Jia Zhang Ke is as unpredictable as it is captivating, a woman whose determination and courage determines her destiny. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 27, 2018
85% Quién te cantará (2018) The result is a melodramatic plot stylistically dressed as a thriller to propose a game of identities, projections, impersonation and veneration, in a disturbing space where time seems to stop. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2018
84% Girl (2019) One of the great virtues of Lukas Dhont's film is the absence of pretension to generalize such a personal conflict, particular and proper as it may be in relation to gender identity. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 26, 2018
No Score Yet Boku Wa Iesu-Sama Ga Kirai (2018) Thus, from a child's point of view, the filmmaker manages to portray with great maturity the complex relationship that presuming faith in human beings implies. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2018
No Score Yet Notes for a Heist Movie (Apuntes para una película de atracos) (2018) [Director León] Siminiani divulges the mechanisms that reveal him as a filmmaker, perhaps because for him life and cinema are two parts of the same reality. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Sep 25, 2018