Danielle Burgos

Danielle Burgos
Danielle Burgos's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Screen Slate
Publications: Screen Slate

Movie Reviews Only

T-Meter Title | Year
88% Cunningham (2019) A flawed but tangible document of a passed era. - Screen Slate EDIT
Read More | Posted Sep 25, 2019
96% Atlantics (2019) Diop and the film's non-professional actors work together to build something carefully balanced. - Screen Slate EDIT
Read More | Posted Sep 25, 2019
86% Diamantino (2019) Slapping together hot-button topics into a sub-Lubischian plot, the self-consciously zany Diamantino squeaks by on charm. - Screen Slate EDIT
Read More | Posted Jun 25, 2019
93% Sorry to Bother You (2018) It's a blatantly handcrafted film that's overall obvious and muddles its message ... but skates by on its unique charm and earnest message (ultimately a more militant one, amen). - Screen Slate EDIT
Read More | Posted Mar 5, 2019
72% Relaxer (2019) Occasionally the sweet release of game footage relieved my eyes from the palpable, accumulating filth and suffocating location. - Screen Slate EDIT
Read More | Posted Mar 5, 2019
60% Dreadnaught (1981) The plot flips between genres and set pieces nimbly as any of the actors across screen. - Screen Slate EDIT
Read More | Posted Mar 5, 2019
95% If Beale Street Could Talk (2019) Jenkins performs a miracle avoiding bathos while baring raw emotion, presenting the cruelty of the world and its bitter fruit without dulling the love that makes living worthwhile. - Screen Slate EDIT
Read More | Posted Mar 2, 2019
95% Roma (2018) Stories like [Cleo's] are often erased from history, and it is a painful joy to see them told with dignity and loving detail. - Screen Slate EDIT
Read More | Posted Mar 2, 2019
97% Border (Gräns) (2018) The film's otherworldly elements never feel too fantastical, grounded by Eva Melander giving genuine heft to Tina's emotional journey. - Screen Slate EDIT
Read More | Posted Mar 2, 2019
67% The Truth About Killer Robots (2018) Is it too much to ask filmmakers to do a modicum of research on a subject before presenting their case? - Screen Slate EDIT
Read More | Posted Mar 2, 2019
100% Killing (Zan) (2018) It wouldn't be a Tsukamoto film without entangled brutality and sexuality, frustrations taken out in furtive masturbation, physical assault as lust, and other attacks on the flesh. - Screen Slate EDIT
Read More | Posted Mar 2, 2019
99% Ash Is Purest White (2019) It's like The Giving Tree of gangster films. - Screen Slate EDIT
Read More | Posted Mar 2, 2019
93% Long Day's Journey Into Night (Di qiu zui hou de ye wan) (2019) Long Day's Journey Into Night has been declared a masterpiece before most audiences have had a chance to see it, but that does disservice to Bi Gan's risk-taking in what's only his second feature. - Screen Slate EDIT
Read More | Posted Mar 2, 2019