David Armstrong Movie Reviews & Previews - Rotten Tomatoes

David Armstrong

David Armstrong
David Armstrong's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): San Francisco Examiner

Movie Reviews Only

Rating T-Meter Title | Year Review
52% Two Girls and a Guy (1998) The year's smartest and spikiest date-movie so far.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
4/4 98% When We Were Kings (1996) Ali didn't fumble often, and neither do Gast and Hackford. This is a love-match of filmmakers and subject. Together, they go the distance.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
90% October Sky (1999) A compulsively watchable, well-crafted feature...‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
50% Higher Learning (1994) Energetic, uneven but engaging.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
6% Kazaam (1996) The movie is decidedly old-fashioned, aiming to send kids and their parents out of the theater feeling good about themselves.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
71% Wilde (1998) Wilde is, laudably, not presented as a simple icon or martyr of the gay movement, but as a flawed, admirable, attractive, disappointing human being.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
3/4 100% 4 Little Girls (1997) The movie is strongest when Lee keeps his eye on the prize: the experiences of ordinary people in an extraordinary time.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
70% Frequency (2000) Quaid and Caviezel establish a firm emotional connection in moments that are by turns funny, affecting and eerie.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
93% Once Were Warriors (1994) It is an impressive first feature for its director, Lee Tamahori, and a splendid dramatic vehicle for its stars, especially Rena Owen.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
51% In the Mouth of Madness (1995) The names are big, but the payoff is small.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000
63% Clay Pigeons (1998) You can do a lot with black comedy: show dead bodies, show naked bodies, juxtapose irony and fear, strike cultural poses, tell jokes -- and you don't need a big budget. You just need attitude. And, hopefully, skill.‐ San Francisco Examiner
Read More | Posted Jan 1, 2000