Agrees with the Tomatometer 76% of the time.
A love of films. A love of the written word. What better way to combine them? I started this little movie reviewing gig on the 'net back in 1998 when I was just 17. At the time, the idea wasn't exactly a developed one on my part (I never even fathomed the concept until it was suggested to me by a high school instructor), but once it began, it was as if I was physically incapable of stopping. For that year and the next, film criticism was life. On a personal level, it was also a visceral experience, something that I and I alone could do without having my work comprimised by some kind of looming superior (I guess school gives you that mentality naturally). For a time following the whole K-12 thing (and even a bit into college), I wanted this to be a career. Unfortunately, time and dedication, especially in isolation, tends to build walls around your ego -- thus, I was put off by the impending notion that I couldn't have complete control over my own material in a paid profession, so the idea went from being a career goal to a recreational hobby rather quickly. Thankfully, I wasn't as defensive about my other Journalistic talents, so I didn't give up on the vocation entirely. I currently freelance for publications whose primary audiences are those that thrive on information-gathering, and the prospect of objective and thorough reporting is an art in itself. But one doesn't write just for the sake of writing, either; it has to be something engaging on a personal level, otherwise your wasting your time. Though movie reviewing has taken a back-burner in recent years to other things, it has nonetheless lived on in some capacity -- and for the sake of staying up with the times, that simple old free Geocities site I opened in the summer of '98 was moved to its own fully-paid server in early 2004. Cinemaphile.org is the culmination of all that work, and I'm proud that I am able to keep up this little hobby in a way that doesn't seem easily disposable. I love the movies and I love writing about them, and I intend on keeping the hobby under my belt as long as people are still willing to hear what I have to say.
Ingmar Bergman's "Wild Strawberries" John Boorman's "Excalibur" Tim Burton's "Ed Wood" Joel Coen's "Fargo" Jonathan Demme's "Beloved" William Friedkin's "The Exorcist" Christophe Gans' "Brotherhood of the Wolf" Mary Harron's "American Psycho" Werner Herzog's "Aguirre: The Wrath of God" Alfred Hitchcock's "Strangers on a Train" Peter Jackson's "The Lord of the Rings" trilogy Stanley Kubrick's "The Shining" Akira Kurosawa's "Throne of Blood" Meyno Meyjes' "Max" Bill Paxton's "Frailty" Roman Polanski's "Chinatown" Alex Proyas' "Dark City" Ridley Scott's "Alien" Quentin Tarrantino's "Pulp Fiction" The Wachowski Brothers' "The Matrix" Robert Wiene's "The Cabinet of Dr. Caligari"
|Publications:||David Keyes' Cinema 2000, Cinemaphile.org|
|Critics' Group:||Online Film Critics Society,|