Dennis Harvey Movie Reviews & Previews - Rotten Tomatoes

Dennis Harvey

Dennis Harvey
Dennis Harvey's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
89% Never Here (2017) Though it drifts off into the ozone at the end, for most of its running time, "Never Here" is a low-key but effective psychological thriller which flirts with that looming issue of the social-media age: privacy, and the invasion thereof.‐ Variety
Read More | Posted Oct 20, 2017
80% Haze (2017) A somewhat pulpy drama, but it's effective nonetheless.‐ Variety
Read More | Posted Oct 12, 2017
57% Blood Money (2017) It eventually summons up enough seriocomic neo-noir perversity to comprise a fun, semi-guilt-free ride.‐ Variety
Read More | Posted Oct 11, 2017
71% Cold Moon (2017) An eccentric mix of veteran actors, Southern Gothicism and neo-noir lends "Cold Moon" a certain charm as a ghostly revenge thriller.‐ Variety
Read More | Posted Oct 4, 2017
No Score Yet Eric Clapton: A Life in 12 Bars (2017) The first 90 minutes or so here are gold ... even if fans might wish for more detail on the dizzying number of fabled bands Clapton formed and/or played with over a 10-year span.‐ Variety
Read More | Posted Sep 27, 2017
77% Realive (2017) ... "Realive" ultimately aims to be all about matters of the heart, and in that realm [writer/director Mateo] Gil's imagination proves disappointingly limited.‐ Variety
Read More | Posted Sep 25, 2017
33% Leatherface (2017) An earnest and well-crafted attempt at course-correction, straying from stock slasher recyclage to provide a different story that actually connects a few dots in the very tangled cinematic "Chainsaw" universe to date.‐ Variety
Read More | Posted Sep 24, 2017
No Score Yet Omertà (2017) Mehta's freely imagined biopic provides a fascinating Rorschach of a figure who is, unfortunately, truly a man for our times.‐ Variety
Read More | Posted Sep 22, 2017
No Score Yet Soldiers. A Story from Ferentari (Soldatii. Poveste din Ferentari) (2017) A likably ramshackle, seemingly semi-improvised "free adaptation" of co-scenarist/star Adrian Schiop's semi-autobiographical novel about his experiences in Bucharest's Roma slum.‐ Variety
Read More | Posted Sep 22, 2017
No Score Yet The Journey (2017) Packing a lot into a short narrative time span without seeming overstuffed, "The Journey" comes close to mawkish contrivance now and then but always stops short.‐ Variety
Read More | Posted Sep 21, 2017
No Score Yet The Motive (El autor) (2017) Cuena's neutral tone does little to maximize the black comedy or suspense in the story, making for a film with a great hook that plays as just a mildly outré divertissement.‐ Variety
Read More | Posted Sep 21, 2017
89% Journey's End (2018) Few stage staples from 90 years ago would easily translate to the screen today, yet R.C. Sherriff's once near-ubiquitous "Journey's End" proves potent as ever in this sturdy new adaptation ...‐ Variety
Read More | Posted Sep 20, 2017
100% Jane (2017) Goodall remains an unassuming character whose apparent rock-steadiness ... underlines the conviction of her hard-won knowledge.‐ Variety
Read More | Posted Sep 19, 2017
100% Psychonauts, the Forgotten Children (Psiconautas, los ninos olvidados)(Psiconautas) (2015) Though at first glance this ironically-sweet-and-very-sour mix might seem unappetizing, even repellent, it soon becomes fascinating in its oddball complexity‐ Variety
Read More | Posted Sep 18, 2017
43% The Lodgers (2017) As a ripe chunk of pure baroque atmosphere, this lushly staged costume chiller is a fragrant beauty indeed.‐ Variety
Read More | Posted Sep 16, 2017
83% Sheikh Jackson (2017) Dangles something fun, only to deliver something sober, neither angle well-realized enough to make a satisfying whole.‐ Variety
Read More | Posted Sep 16, 2017
No Score Yet Breath (2017) There have been plenty of good surfing documentaries, but very few good dramas about the sport - a short list on which "Breath" instantly earns a prominent spot.‐ Variety
Read More | Posted Sep 15, 2017
No Score Yet Mary Goes Round (2017) "Mary Goes Around" handles its story beats with a canny mixture of rueful humor, warmth and realism.‐ Variety
Read More | Posted Sep 15, 2017
33% Wetlands (2017) Apparently moviemaking keeps getting easier while writing keeps getting harder - "Wetlands" being yet another example of a film whose surface technical polish can only do so much to gloss over the coarse, clumsy screenplay that flummoxes its cast.‐ Variety
Read More | Posted Sep 15, 2017
No Score Yet Public Schooled (2017) Greer proves a resourceful comedienne, as usual, and a colorful array of supporting characters are nicely turned. The film's biggest single asset, however, is newcomer Doheny ...‐ Variety
Read More | Posted Sep 14, 2017
92% Let the Corpses Tan (Laissez bronzer les cadavres!) (2017) This is a fetishistically precise recreation of a dead retro style, with no substance on the menu beyond the second-hand or accidental.‐ Variety
Read More | Posted Sep 14, 2017
40% You Disappear (Du forsvinder) (2017) An initially absorbing, increasingly exasperating study of a family man whose actions grow inexplicable and indefensible after it's discovered he has a brain tumor.‐ Variety
Read More | Posted Sep 13, 2017
56% The Cured (2017) Mostly it plays as a somber drama about grief, guilt and self-loathing, with both lead figures shell-shocked in their way.‐ Variety
Read More | Posted Sep 13, 2017
No Score Yet Hochelaga, Land of Souls (Hochelaga terre des âmes) (2017) "Hochelaga" is trickily structured and flamboyantly staged almost to a self-conscious fault, but nonetheless likewise rewards with a rich cinematic banquet.‐ Variety
Read More | Posted Sep 12, 2017
88% Euthanizer (Armomurhaaja) (2017) Practically every character is an argument for mercy killing in this bilious tale, which holds attention despite its somewhat rough-hewn assembly.‐ Variety
Read More | Posted Sep 12, 2017
73% The Ritual (2017) Surely the best Yank-directed horror movie about English blokes terrorized by monsters in Romania-posing-as-Sweden that you'll see this year.‐ Variety
Read More | Posted Sep 11, 2017
80% Mom & Dad (2017) Tanscends mere bad-taste humor to become one of the great jet-black comedies about suburbia, destined for the same cult-classic status accorded "The Stepford Wives," "Parents" and "Heathers."‐ Variety
Read More | Posted Sep 11, 2017
No Score Yet 55 Steps (2017) Fails to elicit memorable work from any of its principal collaborators.‐ Variety
Read More | Posted Sep 9, 2017
100% My Days of Mercy (2017) Produced as a vehicle for co-starring friends Ellen Page and Kate Mara, "Mercy" serves them both well, with critical support likely to help the film find an audience despite its challenging themes.‐ Variety
Read More | Posted Sep 9, 2017
75% Outside In (2017) Shelton and Duplass lend every significant character a sense of uncontrived evolution, leading to a finale that is stirring precisely for being so tentative and reserved.‐ Variety
Read More | Posted Sep 9, 2017
63% Papillon (2017) What matters most is that the principally unchanged story of survival in colonial French Guiana remains a compelling one ...‐ Variety
Read More | Posted Sep 8, 2017
67% The Challenge (2017) At first glance the film makes a knockout impression, at once showy and enigmatic. But as it proceeds, dishing up more idiosyncratic imagery but absolutely no insight, the spell may begin to pall for many viewers.‐ Variety
Read More | Posted Sep 5, 2017
42% Goon: Last of the Enforcers (2017) "Goon" was a keeper. The perhaps prophetically named "Last" isn't exactly 101 minutes in the penalty box, but it's a disappointing throwaway.‐ Variety
Read More | Posted Sep 1, 2017
77% Dave Made a Maze (2017) An episodic endeavor enlivened only so much by decent comedy talent dealing with absurdist situations in a hip deadpan that grows monotonous, with dialogue that too often sounds less-than-inspirationally improvised.‐ Variety
Read More | Posted Aug 17, 2017
No Score Yet Going to Brazil (2017) An intellectually untaxing guilty pleasure that's skillfully enough made to stir up little guilt.‐ Variety
Read More | Posted Aug 14, 2017
62% The Ice Cream Truck (2017) ''Ice Cream Truck" goes down rather easy, the clashing tactics holding a perverse charm when the pacing or story focus seems to drift for minutes at a time.‐ Variety
Read More | Posted Aug 11, 2017
No Score Yet Ron Goossens, Low Budget Stuntman (2017) Those susceptible to off-kilter yet accessible humor in the general "Napoleon Dynamite" realm will ... find plenty to enjoy in this brightly produced tale of one very dim, alcoholic, blithely self-destructive amateur daredevil.‐ Variety
Read More | Posted Aug 10, 2017
100% Fashionista (2016) [A] twisty, compelling psychological study in thriller guise ...‐ Variety
Read More | Posted Aug 8, 2017
No Score Yet Tilt (2017) Cross is very good at nuancing the hidden depths of a character whose precise "problem" is purposefully kept elusive in Farahani and Jason O'Leary's intelligent script.‐ Variety
Read More | Posted Aug 8, 2017
No Score Yet The Road Movie (2016) Somewhere between "Jackass" and "Faces of Death" lies the queasy allure of "The Road Movie." Dmitrii Kalashnikov's feature is a found-footage compilation of clips shot by Russian dashboard cameras, then posted online.‐ Variety
Read More | Posted Aug 1, 2017
92% Some Freaks (2017) Playwright Ian MacAllister-McDonald's debut feature is a refreshingly grounded, unsentimental yet empathetic slice of D-list teenage life that goes a bit overboard in its final act.‐ Variety
Read More | Posted Jul 31, 2017
58% It Stains the Sands Red (2017) Watchable if never really scary or funny enough to leave a memorable impression, this middling endeavor should nonetheless pull in a fair number of home-viewing horror fans with its offbeat theme and lurid title.‐ Variety
Read More | Posted Jul 27, 2017
No Score Yet Awaken the Shadowman (2017) "Awaken" is fine so long as it keeps us anticipating more. But when things wrap up too quickly, leaving too many dangling threads, there's a sense of letdown.‐ Variety
Read More | Posted Jul 21, 2017
0% The Gracefield Incident (2017) [A] feeble, somewhat amateurish if enthusiastic retread.‐ Variety
Read More | Posted Jul 20, 2017
16% Blind (2017) A watchable, albeit unsatisfying, vehicle for two stars who've now made a pair of movies together in which their skills constitute the main attraction, yet who aren't particularly well-served by either film.‐ Variety
Read More | Posted Jul 14, 2017
No Score Yet The Fabulous Allan Carr (2017) Garishly colorful, packed with stars, legendary parties, and a wide streak of pathos, it's a singular life story entertainingly recounted in "The Fabulous Allan Carr."‐ Variety
Read More | Posted Jul 3, 2017
No Score Yet Becks (2017) "Becks" is the kind of modest, non-earthshaking indie enterprise that ends up being so satisfying mostly because it's about a character type familiar from real life but all too under-represented at the movies.‐ Variety
Read More | Posted Jun 29, 2017
No Score Yet A Beginner's Guide to Snuff (2017) The problem is that this watchable indie isn't all that funny, clever or surprising despite its outré premise.‐ Variety
Read More | Posted Jun 23, 2017
No Score Yet The Feels (2017) As a comedy, "The Feels" has considerable sprightly appeal, although it could have used slightly more assertive visual packaging.‐ Variety
Read More | Posted Jun 22, 2017
83% Midnighters (2017) The intersection between crime thriller and horror is an interesting place to be, even if it doesn't fully pay off in Midnighters.‐ Variety
Read More | Posted Jun 21, 2017