Diego Batlle Movie Reviews & Previews - Rotten Tomatoes

Diego Batlle

Diego Batlle
Diego Batlle's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina), Otroscines.com

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/5 99% Selma (2015) An important and necessary film. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 4, 2018
No Score Yet Sangre Blanca (2018) Tense. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
2/5 25% Mile 22 (2018) Perhaps with a more developed script the virtues of form would have more solid foundations to build on. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
4/5 No Score Yet A Twelve-Year Night (La noche de 12 años) (2018) The performances are very credible. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
3/5 No Score Yet Soledad (2018) An exceptional story that, as a film, becomes at times quite conventional, but acts as a good cover letter for the director. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
3/5 No Score Yet Princesita (2017) The final balance is as valuable as it is disturbing. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
2.5/5 33% The Predator (2018) The class B movie cult that refuses to die. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
3/5 85% The Wife (2018) The good moments of dark humor and the excellent performances make The Wife an attractive proposal. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
3.5/5 88% The Accused (Acusada) (2018) Impeccable from a technical standpoint. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
4/5 80% Theatre of War (Teatro de guerra) (2018) A film that won't leave anyone indifferent. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
3/5 61% Everybody Knows (Todos lo saben) (2019) Whether Farhadi -- who doesn't speak Spanish -- could get credible dialogues and performances was unclear... the result is more than satisfactory. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
3/5 71% Adrift (2018) Adrift won't be a big name in the history of cinema, but it is well made entertainment with an inspiring message. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
3/5 49% The Spy Who Dumped Me (2018) The film maintains a certain elegance, fluidity, and interest. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
4/5 No Score Yet Piazzolla: los años del tiburón (2018) It's the directors gaze that turns this into an intense, powerful, fascinating experience. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
3/5 45% The Quietude (La quietud) (2018) Uncomfortable, provocative, and audacious. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 1, 2018
No Score Yet La educacion del Rey (2018) One of the most stimulating debuts of an Argentine filmmaker that. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Aug 26, 2018
51% Equalizer 2 (2018) Equalizer 2 is more than a worthwhile proposal. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 26, 2018
3/5 98% The Cakemaker (2018) A small film, sensitive and, in its own way, quite effective. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 26, 2018
No Score Yet Mi obra maestra (2018) A nice, and attractive comedy that is at times strangely resolves into something more forceful, sharp and incisive. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Aug 26, 2018
45% The Meg (2018) The attractions are there, but the result is less convince and stimulating than promised. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Aug 26, 2018
83% Sweet Bean (An) (2016) In short, the essence of a director's cinema with its own label and universe, such as Naomi Kawase. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 9, 2018
3.5/5 83% Sweet Bean (An) (2016) Prolific Japanese director, Naomi Kawase, constructs a beautiful and sensible tragicomedy that reaches a limited, but welcome experience. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 9, 2018
4/5 87% El Angel (El ángel) (2018) It is a narrative and captivating visual experience that recreates pure stylization and power the brief but devastating criminal raid of the then young carlos Eduardo oak puch at the beginning of the '70s. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 7, 2018
2.5/5 17% The Darkest Minds (2018) Without any creative and obviously setting up for a long franchise, The Darkest Minds looks like a bad pilot for a series. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 7, 2018
94% The Red Turtle (La tortue rouge) (2017) Animation, handmade, is highly creative and, above all, functional to the story that is told. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
94% Loveless (Nelyubov) (2018) Consummate formalist, brilliant esthete, rigorous filmmaker able to build captivating planes and breathtaking climates, Zvyagintsev offers in Loveless. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
91% Certain Women (2016) Filmed in 16mm, this beautiful film produced by Todd Haynes deserves to be seen in as large enough a screen as possible. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
85% Disobedience (2018) From a rigorous narration and remarkable performances of the leading trio, Disobedience is a film as questioning as it is noble. Another finding of a director with a successful present and a bright future. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Aug 7, 2018
2.5/5 17% The Darkest Minds (2018) The Darkest Minds looks like a pilot for a series. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Aug 2, 2018
4/5 100% My Own Place (Casa propia) (2018) The magic of cinema: there's no need for surprising revelations, visual effects, narrative pyrotechnics or superheroes when you have this kind of flesh and depth in everyday characters. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Aug 2, 2018
3/5 No Score Yet Ata tu arado a una estrella (2017) A record as simple as it is emotional. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 2, 2018
3.5/5 83% An Unexpected Love (El amor menos pensado) (2018) The "chemistry" between them is great and easily the films greatest asset. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Aug 2, 2018
Muy Buena 97% Mission: Impossible - Fallout (2018) Mission Impossible has been able not only to reinvent itself for these times but do so with amazing power, conviction, and vitality. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 26, 2018
3/5 63% Every Day (2018) An attractive mix of collegiate comedy and romantic drama. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 26, 2018
2.5/5 46% Marrowbone (2018) The screenwriter of various hits with from Spanish director J.A. Bayona makes his directorial debut with a film as diffuse as it is artificial. [Full review in Spanish]‐ Otroscines.com
Read More | Posted Jul 23, 2018
3.5/5 No Score Yet Paisaje (2018) An auspicious debut. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jul 20, 2018
3.5/5 88% Ant-Man and the Wasp (2018) The chemistry between Rudd and Lily is more than worthy. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jul 20, 2018
4/5 No Score Yet Liberami (2016) Di Giacomo's camera patiently followed Cataldo for several years in his various interactions with the community, some of which are more terrifying (and credible) than any horror film. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jul 20, 2018
3/5 46% Skyscraper (2018) Elementary, but ultimately effective. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jul 20, 2018
2.5/5 No Score Yet the Dread (El espanto) (2017) They end up being a bit humiliated on camera. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jul 20, 2018
2.5/5 46% Marrowbone (2018) An exercise in style without much risk or surprise. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Jul 20, 2018
2.5/5 40% Stories of Love That Cannot Belong to This World (Amori che non sanno stare al mondo) (2017) The final result is quite disappointing. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jul 20, 2018
3/5 80% Mamma Mia! Here We Go Again (2018) Mama Mia! Here We Go Again is a film that delivers exactly what it promises. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Jul 20, 2018
4/5 100% The Omission (La omisión) (2018) Disconcerting, even uncomfortable at times, where the characters nuances are revealed little by little. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jul 16, 2018
3.5/5 100% Wajib (2017) An interesting and valuable approach. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jul 16, 2018
2.5/5 No Score Yet The Scourge (El Azote) (2017) There are several unconvincing performances... you get the feeling that many of the actors are just reciting their dialogue without believing what they are saying. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jul 16, 2018
3/5 59% Hotel Transylvania 3: Summer Vacation (2018) While the saga continues to give good returns, the Hotel Transylvania series, like Dracula, somehow resists death. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Jul 16, 2018
3/5 55% Tag (2018) An enjoyable comedy. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jul 2, 2018
3/5 48% Jurassic World: Fallen Kingdom (2018) Bayona swings between a certain Speilbergian spirit and passages of Gothic terror. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jun 26, 2018
4/5 No Score Yet Dry Martina (2018) Equal parts playful and heartbreaking, Dry Martina presents us with a renewed [Che] Sandoval... bold, visceral and provocative. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Jun 21, 2018