Diego Batlle
Diego Batlle's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
La Nación (Argentina),
Otroscines.com
| Publications: | La Nación (Argentina), Otroscines.com |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| 2/5 | 34% | Glass (2019) |
The sequel to Unbreakable and Split ratifies and underlines the limits and the excess of Shyamalan. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jan 14, 2019
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| 4/5 | 100% | Florianópolis Dream (Sueño Florianópolis) (2018) |
The film has an inevitable nostalgic bias, but the melancholic gaze is never underlined, overloaded or interfered with by the intimist portrait, with the most sensitive facets of history. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jan 14, 2019
|
| 26% | Mortal Engines (2018) |
There is very little the cast could do with roles so superficial and without cores. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 10, 2019
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| 4.5/5 | 97% | Spider-Man: Into the Spider-Verse (2018) |
A film made with grace, ingeniousness, and charisma that takes you on a visual flight to one of the best expressions of cinema in animation. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Jan 8, 2019
|
| 88% | Ralph Breaks the Internet (2018) |
Thus, with an extraordinary visual display, Ralph Breaks the Internet is entertainment without shrillness, but built with indelible sympathy and nobility. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Jan 3, 2019
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| 4/5 | 95% | 3 Faces (2018) |
Jafar Panahi winds up deep in a village in Iran in search of a mystery and winds up exposing the conservatism and sexism of that society. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 27, 2018
|
| 96% | Roma (2018) |
Roma is an exciting look at family dynamics, a fascinating record of a convulsive time, an exploration of class differences, prevailing sexism, and contained violence. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 13, 2018
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|
| 64% | Aquaman (2018) |
However, beyond the exuberant visual display to give life to the civilization of Atlantis and to develop the spectacular underwater battles, [James Wan's] contribution in Aquaman is disappointing. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 13, 2018
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|
| 4/5 | 95% | The Heiresses (Las Herederas) (2019) |
An uncomfortable film, provocative without low blows, and decidedly fascinating. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 11, 2018
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| 4/5 | No Score Yet | Volver a Boedo (2018) |
The director reconstructs the epic of the long-awaited return of San Lorenzo to the Avenida La Plata site with extraordinary results. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 11, 2018
|
| 3.5/5 | No Score Yet | Packing Heavy (Mochila de plomo) (2018) |
A sensible look into the discontinuation of childhood. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 11, 2018
|
| 87% | Colette (2018) |
Far from the solemnity of the academic cinema, the story flows with lightness, humor, charm and, at the same time, with fury when it comes to exposing the effects of patriarchy. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 7, 2018
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|
| No Score Yet | La Boya (2018) |
A meaning and intimate work of personal inquiry, a history of reunions, a reflection on the different paths chosen in life. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Dec 7, 2018
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|
| 2/5 | 17% | The Possession of Hannah Grace (2018) |
Shay Mitchell is the troubled protagonist of a horror film that has no particularly remarkable side, much less surprising. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 5, 2018
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| 3.5/5 | 94% | Our Little Sister (Umimachi Diary) (2016) |
Without reaching the heights of the filmography of the remarkable Japanese director, it is a beautiful, sensitive and enjoyable work. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Dec 4, 2018
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| 88% | First Man (2018) |
Chazelle allows us to feel the terror of space and right there is where the main attraction for the film is and it's a small step in his career, but is not far from being a giant leap for cinema. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 29, 2018
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|
| No Score Yet | Julia and the Fox (Julia y el zorro) (2018) |
Julia and the Fox is a film with different moods, built with patience, sensibility and determination. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 29, 2018
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| 2/5 | 86% | Black Tide (Fleuve noir) (2018) |
Too much effort, too much suffering to know the truth and the multiple revelations. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 27, 2018
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| 99% | The Missing Picture (2014) |
A visceral, intimate, and devastating film about ideological manipulation and dehumanization. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 26, 2018
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| 40% | The Girl in the Spider's Web (2018) |
The decision to abandon the psychological thriller to turn the film into a sort of female version of James Bond, squanders the essence of a saga and today is nothing more than a mediocre exponent genre cinema. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 26, 2018
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| 3.5/5 | 90% | Widows (2018) |
[Widows] is a hybrid, a mixture, a pendulum constant between the feminine drama and the genre film that offers more findings than lacks. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 21, 2018
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| 4/5 | 100% | The Bed (La cama) (2018) |
A fascinating degree of concentration, minimalism and austerity of this anguishing first film by Monica Lairana. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 21, 2018
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| 2.5/5 | 38% | Fantastic Beasts: The Crimes of Grindelwald (2018) |
Hopefully the third installment of this saga can find a better path and take flight. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 20, 2018
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| 82% | The Image Book (Le livre d'image) (2019) |
A dialectic, aesthetic and ideological battle with irreconcilable factions at this point. [Full review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 15, 2018
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| 4.5/5 | 95% | BlacKkKlansman (2018) |
An authentic masterpiece where genre film and political filmmaking combine to perfection. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 13, 2018
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| No Score Yet | Scarves of History (Pañuelos para la Historia) (2015) |
With a simple and direct record, the film exposes the emotional connection that breaks down the language barriers established between the authentic fighters. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 8, 2018
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| 4/5 | No Score Yet | Viva el palndromo! (2018) |
A nice, endearing and playful documentary about the fanatics of the symmetries of the words. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 8, 2018
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| 3/5 | No Score Yet | Calabria (2016) |
A film that's modest, austere, minimalist and with a little bit of Carlos Sorin, but that manages to tune in to the state of contemporary Europe. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Nov 6, 2018
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| No Score Yet | Aire (2018) |
Beyond some of its shortcomings, the film is a noble and accomplished story built in and about the interior of Argentina. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 5, 2018
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| 62% | Bohemian Rhapsody (2018) |
Find the theater with the biggest screen with the best sound to enjoy this epic musical. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Nov 5, 2018
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| 2/5 | 34% | The Nutcracker and the Four Realms (2018) |
The film fits the terms of pastiche, but they never work and are never enhanced. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 31, 2018
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| 4/5 | 93% | Cold War (Zimna wojna) (2018) |
In Cold War, every frame contains a moving beauty and intensity. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 30, 2018
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| 3/5 | 67% | Champions (Campeones) (2018) |
A typical sports epic of well-intentioned spirit, but built without falling into paternalistic excesses. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 30, 2018
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| 79% | Alpha (2018) |
A film at times fascinating and always inspiring. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 26, 2018
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| 3.5/5 | 83% | Juliet, Naked (2018) |
Jesse Peretz delivers a film with sufficient humor, sensibility and sympathy. Fascinating and seductive. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 24, 2018
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| No Score Yet | All inclusive (2018) |
The gags and comedic timing don't always work, but the film wins you over in its second half with its emotional intensity. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 24, 2018
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| 79% | Halloween (2018) |
David Gordon Green performs with absolute efficiency the double game of respecting and at the same time modernizing the classic Carpenter with a wise generation of suspense followed by an explosion of sadistic violence. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 24, 2018
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| 41% | Gauguin: Voyage to Tahiti (2018) |
Neat and neat is the best thing you can say about this biographical drama. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 24, 2018
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| 3.5/5 | 99% | Selma (2015) |
An important and necessary film. [Full Review in Spanish]‐ Otroscines.com
Read More | Posted Oct 4, 2018
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| No Score Yet | White Blood (Sangre Blanca) (2018) |
Tense. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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| 2/5 | 23% | Mile 22 (2018) |
Perhaps with a more developed script the virtues of form would have more solid foundations to build on. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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| 4/5 | 90% | A Twelve-Year Night (La noche de 12 años) (2018) |
The performances are very credible. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
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| 3/5 | No Score Yet | Soledad (2018) |
An exceptional story that, as a film, becomes at times quite conventional, but acts as a good cover letter for the director. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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| 3/5 | No Score Yet | Princesita (2017) |
The final balance is as valuable as it is disturbing. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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| 2.5/5 | 32% | The Predator (2018) |
The class B movie cult that refuses to die. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
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| 3/5 | 84% | The Wife (2018) |
The good moments of dark humor and the excellent performances make The Wife an attractive proposal. [Full Review in Spanish] ‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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| 3.5/5 | 90% | The Accused (Acusada) (2018) |
Impeccable from a technical standpoint. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
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| 4/5 | 83% | Theatre of War (Teatro de guerra) (2018) |
A film that won't leave anyone indifferent. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
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| 3/5 | 64% | Everybody Knows (Todos lo saben) (2019) |
Whether Farhadi -- who doesn't speak Spanish -- could get credible dialogues and performances was unclear... the result is more than satisfactory. [Full Review in Spanish] ‐ Otroscines.com
Read More | Posted Oct 1, 2018
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| 3/5 | 70% | Adrift (2018) |
Adrift won't be a big name in the history of cinema, but it is well made entertainment with an inspiring message. [Full Review in Spanish]‐ La Nación (Argentina)
Read More | Posted Oct 1, 2018
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