Diego Batlle

Diego Batlle's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina) Otroscines.com

Publications: La Nación (Argentina), Otroscines.com

Movie Reviews Only

Movies

	T-Meter	Title \| Year	Review
2.5/5	No Score Yet	The Weeping (El llanto) (2018)	The film is rigorous and precise in its search, but there aren't any new findings or surprises in a film that is as much a routine as its protagonist's life is. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 15, 2019
3/5	No Score Yet	Heroic Losers (La odisea de los giles) (2019)	With a combination of literary and cinematic talent as well as a great cast, the film is a great bet for Argentinian cinema. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 15, 2019
3/5	67%	Fast & Furious Presents: Hobbs & Shaw (2019)	Fun, entertaining, and spectacular only at moments. This first spin-off of the "Fast" franchise doesn't manage to squeeze all of the juice from its stellar lead protagonists. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 14, 2019
2.5/5	22%	The Kitchen (2019)	Despite its feminist themes, this comic book adaptation doesn't have much going for it. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 14, 2019
4/5	100%	Santiago, Italia (2018)	With a classic and simple structure, Santiago, Italia grows its emotional dimension in the accumulation of diversity and the richness of those voices. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 14, 2019
4/5	No Score Yet	Livingston: The Man and the Method (Método Livingston) (2019)	A movie with an attentive, sensitive, and respectful look that captures the multiple facets of an endearing and extraordinary character. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 9, 2019
3.5/5	82%	Dogman (2019)	Dogman returns Matteo Garrone to the areas of moral dilemmas, social tragicomedy, and genre cinema that he manages so well, where he is able to construct unique and fascinating worlds. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 9, 2019
3.5/5	No Score Yet	La Casa de Wannsee (2019)	The film is personal in its details as well as universal in its reach. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 9, 2019
1.5/5	34%	Poms (2019)	A product constructed based on formulas and stereotypes. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Aug 9, 2019
	43%	The Art of Racing in the Rain (2019)	The adaptation of Garth Stein's literary hit is a melodrama that tugs at one's heartstrings. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 8, 2019
	22%	The Kitchen (2019)	Andrea Berloff doesn't manage to provide her first feature film an esthetic, setting, suspense, or narrative tension that would have made it into something particularly creative and attractive... It's a wasted opportunity. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 8, 2019
	No Score Yet	Tara's Footprint (La huella de Tara) (2018)	Honest, respectful, and sensitive, Tara's Footprint is an authentic oddity in the current context of Argentine documentaries. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 1, 2019
	67%	Fast & Furious Presents: Hobbs & Shaw (2019)	The movie doesn't often reach the audacity, power, spectacle, and sense of humor of the best moments of the Fast and the Furious franchise. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Aug 1, 2019
	81%	Crawl (2019)	[Alexandre] Aja achieves a story that is as impressive in its display of computer generated visual effects as it is effective in its basic dramatic framework. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jul 25, 2019
	53%	The Lion King (2019)	The 2019 version of The Lion King ends up being a movie to admire but not so much to feel. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jul 19, 2019
4/5	99%	Ash Is Purest White (2019)	Another valuable film with a true Jiang Zhang-Ke seal. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jul 17, 2019
4/5	100%	Anima (2019)	A hallucinatory and intoxicating 15-minute musical. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jul 16, 2019
	59%	The Secret Life of Pets 2 (2019)	The best of this sequel is that it sustained the sympathy of the characters and the multicolored beauty of the scenes, although the script by Brian Lynch is not exactly original. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jul 4, 2019
3.5/5	No Score Yet	Ama-San (2016)	A beautiful documentary. [Full review in Spanish] - Otroscines.com EDIT Read More \| Posted Jul 2, 2019
2.5/5	No Score Yet	No soy tu mami (2019)	No soy tu mami pretends to subvert expectations, but instead winds up being very conventional and not convincing. [Full review in Spanish] - Otroscines.com EDIT Read More \| Posted Jul 2, 2019
4/5	89%	MATANGI/MAYA/M.I.A. (2018)	This documentary reveals, from an excellent use of hundreds of hours of intimate archive material, the multiple artistic and political facets of the talented and provocative singer-songwriter M.I.A. [Full review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 26, 2019
	No Score Yet	Astrogauchos (2019)	The film has an impeccable visual flare, a precise era reconstruction and some great moments of dark humor that echo Ethan and Joel Coen. [Full review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jun 25, 2019
3/5	63%	The Emperor of Paris (L'Empereur de Paris) (2018)	The film accomplishes the minimum, but it doesn't mean much. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 19, 2019
2.5/5	No Score Yet	El diablo blanco (2019)	Rogers tries to give a local stamp to some fundamental elements of the horror genre, but the result is not convincing. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 18, 2019
2/5	22%	Men in Black International (2019)	A disappointing return to the iconic franchise with a spinoff that does not have many findings. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 17, 2019
	89%	Arctic (2019)	The Arctic is an overwhelming, anguishing and at the same time fascinating survival story. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jun 14, 2019
3.5/5	100%	An Impossible Love (Un amour impossible) (2018)	The performances in the film allow for a proper dissection and look at feminine intimacy. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 12, 2019
3/5	No Score Yet	La visita (2019)	Colás transports us to a very distinct yet fascinating world. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 10, 2019
	No Score Yet	La visita (2019)	Colás as always is committed to a rigorous and respectful registry of pain. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jun 9, 2019
	23%	Dark Phoenix (2019)	An entertaining return for the mutants. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jun 9, 2019
3.5/5	No Score Yet	Again Once Again (2019)	Again Once Again accepts its limitations to concentrate on what best suits it: the most pure, crystal clear and honest record possible. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted Jun 7, 2019
	89%	Rocketman (2019)	Rocketman is a crowd pleaser in all sense of the word. [Full Review in Spanish] - La Nación (Argentina) EDIT Read More \| Posted Jun 3, 2019
2.5/5	54%	Ma (2019)	Ma is a step back in the horror genre. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 31, 2019
4/5	95%	The Wild Pear Tree (Ahlat agaci) (2019)	Ceylan does not cede to the temptations of having a crowd-pleasing film and delivers an endearing film. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 31, 2019
3/5	No Score Yet	Once in Trubchevsk (Odnazhdy v Trubchevske) (2019)	The film is endearing about the lives of women who try to manage their destiny, their independence and their desires in small and conservative towns. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
2.5/5	17%	Summer of Changsha (Liu yu tian) (2019)	Little by little this film degrades, disintegrating, derailing and in its second half directly loses the axis and the compass. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
2.5/5	56%	Nina Wu (Zhuo Ren Mi Mi) (2019)	The film has a fairly acceptable first half and good visual passages, but then it becomes derivative, dense, unattractive. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3/5	82%	Port Authority (2019)	Port Authority is a bit predictable in its dramatic structure, but is saved by its wonderful characters. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
4/5	89%	Bull (2019)	Silverstein combines the documentary and the fictional with striking elegance, coherence, ductility, fluidity and sensitivity. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3.5/5	47%	Joan of Arc (Jeanne) (2019)	Jeanne winds up generating a smaller impact and fascination than the first turn, but remains a radical cinema that can be enjoyed and celebrated. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3/5	75%	A Brother's Love (La femme de mon frère) (2019)	With an untied tone, but not lacking in charm, this emotional triangle finds some good passages. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3.5/5	67%	Liberté (2019)	This is Albert Serra at his purest. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
4/5	100%	A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019)	An essay on melancholy, pain and loss that reaches moments of sublime beauty. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3.5/5	100%	Beanpole (Dylda) (2019)	Despite some excesses, Balagov is a talent to follow. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3/5	100%	The Invisible Life of Eurídice Gusmão (A vida invisível de Eurídice Gusmão) (2019)	The film sins by moments of melodramatic bombast, gloating in suffering and a certain lack of subtlety, but it never ceases to be a powerful portrait of female empowerment. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 28, 2019
3.5/5	65%	Frankie (2019)	An enjoyable time. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 27, 2019
1.5/5	10%	Mektoub, My Love: Intermezzo (2019)	A monotonous and never ending exploitation. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 27, 2019
4/5	100%	Parasite (Gisaengchung) (2019)	The film has a power, a vertigo, a virtuosity, a disgrace and an uncomfortable picardy that make the Korean filmmaker one of the most impious observers of the deep inequalities that wild capitalism generates. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 27, 2019
4.5/5	98%	The Lighthouse (2019)	A radical and fascinating film. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 27, 2019
4.5/5	79%	The Traitor (2019)	Epic, operatic, The Traitor exposes an important chapter of the history of its country without concessions, without contemplations and with a narrative classicism that is enjoyed and appreciated. [Full Review in Spanish] - Otroscines.com EDIT Read More \| Posted May 27, 2019