Doris Toumarkine
Doris Toumarkine's reviews only count toward the Tomatometer when
published at the following Tomatometer-approved publication(s):
Film Journal International,
Hollywood Reporter,
Hollywood.com
| Publications: | Film Journal International, Hollywood Reporter, Hollywood.com |
Movie Reviews Only
| Rating | T-Meter | Title | Year | Review |
|---|---|---|---|
| 89% | Hitler's Hollywood (2018) |
A fascinating but often pummeling blitzkrieg of clips, commentary, fleeting names and film titles.‐ Film Journal International
Read More | Posted Apr 11, 2018
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| 71% | Back to Burgundy (Ce qui nous lie) (2018) |
Satisfying, eye-pleasing French drama about three thirty-something siblings forced by circumstance to reunite on the family's wine-producing homestead to decide its fate.‐ Film Journal International
Read More | Posted Mar 23, 2018
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| 16% | Midnight Sun (2018) |
Slick, familiar but affecting romantic tearjerker.‐ Film Journal International
Read More | Posted Mar 23, 2018
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| 92% | Journey's End (2018) |
Exemplary art-house fare.‐ Film Journal International
Read More | Posted Mar 15, 2018
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| 71% | Permission (2018) |
Eye-pleasing, intelligent dive into the relationship dilemmas of some upscale Brooklyn Millennials stays afloat with impressive cast and some will they/won't they tension.‐ Film Journal International
Read More | Posted Feb 6, 2018
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| 92% | Saturday Church (2018) |
An audience pleaser for viewers of all persuasions who value honesty and a job well done.‐ Film Journal International
Read More | Posted Jan 12, 2018
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| 89% | The Insult (L'insulte) (2018) |
Another powerful, superbly performed contemporary drama from Ziad Doueiri.‐ Film Journal International
Read More | Posted Jan 11, 2018
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| 100% | The Two of Us (Le vieil homme et l'enfant) (1967) |
Delivers simple pleasures amidst wartime realities.‐ Film Journal International
Read More | Posted Dec 21, 2017
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| 90% | I, Tonya (2018) |
[A] dazzling cinematic tour de force.‐ Film Journal International
Read More | Posted Dec 5, 2017
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| 91% | The Other Side of Hope (Toivon tuolla puolen) (2017) |
As quirky as it is charming.‐ Film Journal International
Read More | Posted Nov 28, 2017
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| 45% | The Star (2017) |
[P]arents will appreciate the film's many strong points and spirit while getting immense pleasure from just watching their kids' pleasure.‐ Film Journal International
Read More | Posted Nov 16, 2017
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| 52% | Roman J. Israel, Esq. (2017) |
[Director Dan] Gilroy goes bigger and better with a film deserving a long life at the box office.‐ Film Journal International
Read More | Posted Nov 16, 2017
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| 94% | 1945 (2017) |
A perfect film of its kind.‐ Film Journal International
Read More | Posted Nov 1, 2017
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| 76% | Last Flag Flying (2017) |
Quality-seeking recruits also out for old-fashioned movie entertainment will get in line.‐ Film Journal International
Read More | Posted Oct 31, 2017
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| 54% | LBJ (2017) |
Hits career high points for both star Woody Harrelson and director Rob Reiner.‐ Film Journal International
Read More | Posted Oct 31, 2017
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| 86% | The Divine Order (Die göttliche Ordnung) (2017) |
The Divine Order is intelligent fun but functions on another level.‐ Film Journal International
Read More | Posted Oct 27, 2017
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| 33% | The Stray (2017) |
Offered as a warm-hearted dog yarn, this gentle but tendentious fact-based family drama goes astray into agitprop for family and Christian values. ‐ Film Journal International
Read More | Posted Oct 5, 2017
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| No Score Yet | Winning (2017) |
Should prove a winner among sports fans and all those who value excellence and achievement.‐ Film Journal International
Read More | Posted Sep 7, 2017
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| 32% | Home Again (2017) |
So determined to please, it does. ‐ Film Journal International
Read More | Posted Sep 6, 2017
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| 76% | 13 Minutes (Elser) (2017) |
Superb performances, authentic settings and effective story structure all heighten involvement.‐ Film Journal International
Read More | Posted Jun 28, 2017
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| 20% | The Book of Henry (2017) |
Preposterous genre stew with wacky plot spasms and underdeveloped characters populating a family yarn of sorts about an 11-year-old genius' mother-driven vengeance plan. ‐ Film Journal International
Read More | Posted Jun 15, 2017
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| 49% | Churchill (2017) |
A worthy addition to the considerable canon of films about the great statesman.‐ Film Journal International
Read More | Posted Jun 1, 2017
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| 69% | The Journey (2017) |
The Journey looms a best-bet package for a predictable slice among serious filmgoers. ‐ Film Journal International
Read More | Posted Jun 1, 2017
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| 45% | The Dinner (2017) |
Solid work and gripping drama are expected and again delivered with writer-director Oren Moverman's latest.‐ Film Journal International
Read More | Posted May 3, 2017
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| 83% | Jeremiah Tower: The Last Magnificent (2017) |
This chef profile is magnificent in both style and substance and perfectly suits its subject, now living reclusively in Mexico after reigning atop the food world for decades.‐ Film Journal International
Read More | Posted Apr 21, 2017
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| 91% | A Quiet Passion (2017) |
Like Dickinson's poetry, is alive, accessible and urgent.‐ Film Journal International
Read More | Posted Apr 13, 2017
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| 90% | Frantz (2017) |
Another major achievement from François Ozon.‐ Film Journal International
Read More | Posted Mar 15, 2017
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| 100% | Ben-Gurion, Epilogue (2016) |
Throws little light on the endless Israeli-Palestinian conflict but stuns as a contrast to today's shrill leaders.‐ Film Journal International
Read More | Posted Mar 7, 2017
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| 100% | Keep Quiet (2017) |
Has special relevance in today's lying times.‐ Film Journal International
Read More | Posted Feb 17, 2017
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| 35% | The Great Wall (2017) |
So Chinese that American fans of the action genre may resist.‐ Film Journal International
Read More | Posted Feb 16, 2017
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| 91% | Land of Mine (Under Sandet) (2017) |
This well-made drama borrows a little-known sliver of history concerning Denmark's post-war mistreatment of young German POWs forced to defuse and extract land mines.‐ Film Journal International
Read More | Posted Feb 10, 2017
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| 33% | A Dog's Purpose (2017) |
Warm, emotionally effective film for dog lovers of all ages traces the many lives of one canine on its soul's journey through different bodies, breeds, generations and owners.‐ Film Journal International
Read More | Posted Jan 26, 2017
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| 96% | The Salesman (Forushande) (2017) |
A classic whodunit with Asghar Farhadi's characteristically impeccable plotting and buildup of suspense.‐ Film Journal International
Read More | Posted Jan 23, 2017
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| 42% | Gold (2017) |
Suspenseful zigzagging adventure drama has a top-of-his-game Matthew McConaughey as a wired 1980s Reno mining company dreamer salivating for and maybe getting the big strike.‐ Film Journal International
Read More | Posted Jan 23, 2017
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| 83% | Julieta (2016) |
[P]art Sirkian melodrama, part Hitchcock-lite [...] a career high for Spanish maestro Pedro Almodóvar.‐ Film Journal International
Read More | Posted Dec 19, 2016
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| 83% | The Founder (2017) |
This only-in-America tale is a cinematic Big Mac of classy, easily digestible entertainment, topped by Michael Keaton's thrilling performance.‐ Film Journal International
Read More | Posted Dec 9, 2016
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| 45% | Billy Lynn's Long Halftime Walk (2016) |
Scores on the all-important war, home and entertainment fronts, while garnering extra points for the new technology involved.‐ Film Journal International
Read More | Posted Nov 11, 2016
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| 43% | Ovation! (2016) |
With its story of backstage dramas going haywire, Ovation, yet another light comedy trifle from [the] notably prolific... Henry Jaglom, won't get one from this seat.‐ Film Journal International
Read More | Posted Oct 6, 2016
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| 91% | A Man Called Ove (En man som heter Ove) (2016) |
Sour-turned-sweet comedy-drama about a sour-turned-almost-sweet retired curmudgeon in terminal grief over his deceased wife blossoms into an unexpected cinematic gem.‐ Film Journal International
Read More | Posted Sep 30, 2016
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| 83% | Denial (2016) |
It's impossible to imagine how Denial could have been better cast, written or fortuitously blessed with such potent subjects as anti-Semitism and the Holocaust.‐ Film Journal International
Read More | Posted Sep 29, 2016
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| 60% | Generation Startup (2016) |
This inspiring doc, shot through a rose-colored lens of optimism, provides a lightweight insiders' look at six recent college grads, most newly arrived in Detroit to work at rising startups or grow their own.‐ Film Journal International
Read More | Posted Sep 23, 2016
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| 61% | Snowden (2016) |
[Oliver Stone] combin[es] skill and provocation with a passion to entertain in this riveting portrait of young American fugitive Edward Snowden.‐ Film Journal International
Read More | Posted Sep 12, 2016
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| 94% | Lo and Behold, Reveries of the Connected World (2016) |
Werner Herzog brings his considerable strengths of wry humor, unbounded curiosity, taste for the morbid and gift for drama to [Lo and Behold].‐ Film Journal International
Read More | Posted Aug 19, 2016
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| 85% | The People vs. Fritz Bauer (Der Staat Gegen Fritz Bauer) (2016) |
The film, requiring a lot of attention, is ultimately highly satisfying.‐ Film Journal International
Read More | Posted Aug 17, 2016
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| 87% | Pete's Dragon (2016) |
A comforting throwback to the studio's days of dependable family fare.‐ Film Journal International
Read More | Posted Aug 9, 2016
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| 75% | Ants on a Shrimp (2016) |
Falls short of a four-star cinematic experience.‐ Film Journal International
Read More | Posted Jul 28, 2016
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| 82% | Indignation (2016) |
Has an authentic exterior but too little beneath the surface.‐ Film Journal International
Read More | Posted Jul 27, 2016
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| 91% | Summertime (La Belle Saison) (2016) |
Bold, beautiful and entirely engaging fictional love story.‐ Film Journal International
Read More | Posted Jul 22, 2016
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| 98% | Don't Think Twice (2016) |
Don't Think Twice is a smart, engaging, hugely entertaining ride that rewards indie fans appreciative of solid comedy and fine craftsmanship.‐ Film Journal International
Read More | Posted Jul 18, 2016
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| 69% | The Infiltrator (2016) |
An unfortunate mash-up of ambiguities, inauthenticity and ill-conceived performances is the real crime in this true-crime-based exposé.‐ Film Journal International
Read More | Posted Jul 13, 2016
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