Edward ChampionMovie Reviews & Previews - Rotten Tomatoes

Edward Champion

Edward Champion
Edward Champion's reviews do not count toward the Tomatometer. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.

Movie Reviews Only

Rating T-Meter Title | Year Review
86% The Blair Witch Project (1999) All that's needed is a voiceover from John Larroquette. ‐ 24 Frames Per Second
Posted Mar 19, 2001
5/10 32% All the Pretty Horses (2000) The editors have assembled it as if they were attempting to create a soufflĂ© using a Cuisinart. ‐ 24 Frames Per Second
Posted Feb 7, 2001
6/10 57% The Gift (2000) Raimi fails to deliver a snappy visual worthy of the outlandish angles that hallmarked his early efforts. ‐ 24 Frames Per Second
Posted Feb 7, 2001
13% Book of Shadows - Blair Witch 2 (2000) Suggests that the words 'A Joe Berlinger Film' should be uttered in the same context as mass murderers, neo-Nazis and born again Christians. ‐ 24 Frames Per Second
Posted Feb 7, 2001
9/10 57% Dr. T and the Women (2000) Altman has demonstrated that he is a master of tailoring a star's persona to fit within his vision as neatly as a locomotive jetting through a tunnel. ‐ 24 Frames Per Second
Posted Feb 7, 2001
5/10 63% The Broken Hearts Club (2000) A wooden (though somewhat entertaining) endurance test of a movie. ‐ 24 Frames Per Second
Posted Feb 7, 2001
8/10 95% Best in Show (2000) Has enough laughs to offset its slow spots. ‐ 24 Frames Per Second
Posted Feb 7, 2001
7/10 88% Exorcist: The Version You've Never Seen (2000) Friedkin ... could not decide whether The Exorcist was an artistic film that explored the cosmic yin-yang of humanity or simply a two-bit horror film. ‐ 24 Frames Per Second
Posted Feb 7, 2001
3/4 75% Nixon (1995) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
6/10 19% The Beach (2000) Too few cinematic bon mots scattered about to give this film even a dubious cult audience. ‐ 24 Frames Per Second
Posted Jan 1, 2000
3.5/4 97% Good Will Hunting (1997) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
43% Flawless (1999) A sin for which Schumacher can never be forgiven. ‐ 24 Frames Per Second
Posted Jan 1, 2000
No Score Yet Les Bonnes Femmes (The Good Girls) (1960) Claude Chabrol is the French New Wave director that got away. ‐ 24 Frames Per Second
Posted Jan 1, 2000
48% Detroit Rock City (1999) Seems just as fascinated with irresponsibility and rampant destruction as the savages who destroyed the Great Library of Alexandria. ‐ 24 Frames Per Second
Posted Jan 1, 2000
74% Eyes Wide Shut (1999) A Voltairean parable of circumstance disguised as a commercial film. ‐ 24 Frames Per Second
Posted Jan 1, 2000
8/10 67% Sleepy Hollow (1999) Quote not available. ‐ 24 Frames Per Second
Posted Jan 1, 2000
4/10 41% Agnes Browne (1999) Ah, aintcha charmin' now, Missie Angelica Houston, getting a bit of that ol' Irish spirit. ‐ 24 Frames Per Second
Posted Jan 1, 2000
1.5/4 39% Fear (1996) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
3/4 14% Canadian Bacon (1995) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
6/10 22% The General's Daughter (1999) The film is weighed down by such ludicrous moments as a major character committing suicide to (yet again) Carl Orff's Carmina Burana. ‐ 24 Frames Per Second
Posted Jan 1, 2000
81% Bowfinger (1999) Consider the other side of comedy's quick descent into the mire -- top talents compromising their comedic strengths to appeal to the broadest possible audience. ‐ 24 Frames Per Second
Posted Jan 1, 2000
28% Drive Me Crazy (1999) Four score and ten minutes was the length of the flick. ‐ 24 Frames Per Second
Posted Jan 1, 2000
93% The Dreamlife of Angels (1998) Reminiscent of The 400 Blows in the way that it captures a specific feeling at a specific age. ‐ 24 Frames Per Second
Posted Jan 1, 2000
5/10 57% Deep Blue Sea (1999) It is not only implausible ... but it is mega-stupid. ‐ 24 Frames Per Second
Posted Jan 1, 2000
1/4 67% The Devil's Advocate (1997) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
63% EDtv (1999) A far cry from the elaborate fictional universe suggested by The Truman Show. ‐ 24 Frames Per Second
Posted Jan 1, 2000
71% Get Bruce (1999) Plays more like an aloof paean to the comedy writer than a penetrating documentary. ‐ 24 Frames Per Second
Posted Jan 1, 2000
4/10 46% Deterrence (2000) The ending is as ridiculously conceived as the Pet Rock, securing this film's place in movie history as the politically-themed heir apparent to Def-Con 4. ‐ 24 Frames Per Second
Posted Jan 1, 2000
58% Blast From the Past (1999) Wilson and co-writer Bill Kelly, after serving you a collection of lies, ask you to take the premise of this movie seriously. ‐ 24 Frames Per Second
Posted Jan 1, 2000
71% Enemy of the State (1998) An action movie with a message, even if the message itself is about as profound as a plate of lima beans. ‐ 24 Frames Per Second
Posted Jan 1, 2000
46% For Love of the Game (1999) Dear Mr. Raimi: ‐ 24 Frames Per Second
Posted Jan 1, 2000
3/4 88% Titanic (1997) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
81% The Emperor and the Assassin (Jing Ke ci Qin Wang) (1998) A torrid sensory experience that eludes the mind but pleases every other body part. ‐ 24 Frames Per Second
Posted Jan 1, 2000
9/10 71% Man of the Century (1999) Quote not available. ‐ 24 Frames Per Second
Posted Jan 1, 2000
6/10 76% Gladiator (2000) Editing that looks as if the film had been handed to a demented butcher in post-production. ‐ 24 Frames Per Second
Posted Jan 1, 2000
8/10 81% Better Living Through Circuitry (2000) A earnest little movie that covers its ground succinctly and refreshingly without the clueless flavor-of-the-month approach one would expect from a one-hour MTV special. ‐ 24 Frames Per Second
Posted Jan 1, 2000
9/10 67% The End of the Affair (1999) An enchanting Chinese box. ‐ 24 Frames Per Second
Posted Jan 1, 2000
3.5/4 88% Twelve Monkeys (12 Monkeys) (1995) Quote not available. ‐ rec.arts.movies.reviews
Posted Jan 1, 2000
8/10 67% Small Time Crooks (2000) Woody Allen set out to make a funny movie with Small Time Crooks, and nothing more. And he succeeded. ‐ 24 Frames Per Second
Posted Jan 1, 2000
4/10 26% Diamonds (1999) Represents the closest approximation of the moviegoing experience with a charitable donation. ‐ 24 Frames Per Second
Posted Jan 1, 2000
5/10 73% Snatch (2001) Quote not available. ‐ 24 Frames Per Second
Posted Jan 1, 2000
26% Breakfast of Champions (1999) Too obsessed with circumventing the ideas that could have made it a esoteric delight. ‐ 24 Frames Per Second
Posted Jan 1, 2000
88% Fantastic Planet (1973) Jonathan Swift would be proud of the Oms. ‐ 24 Frames Per Second
Posted Jan 1, 2000
41% Celebrity (1998) There's only so much that can be done with the stock characters and situations that Woody continues to employ. ‐ 24 Frames Per Second
Posted Jan 1, 2000
67% Broken Vessels (1998) Works in large part because of the novelty of the script. ‐ 24 Frames Per Second
Posted Jan 1, 2000
9/10 89% 42 Up (1999) Now that his subjects have gone through a significant portion of their lives, the cinematic result is more poignant than ever. ‐ 24 Frames Per Second
Posted Jan 1, 2000
67% Dogma (1999) Smith seems to prefer standing on his own dogmatic soapbox rather than co-existing in the underground trenches that his characters inhabit. ‐ 24 Frames Per Second
Posted Jan 1, 2000
36% Dog Park (1998) That not-so-rare movie in which an alleged comic prodigy ... is given a blank check by a studio to allow his so-called comic magic to run rampant. ‐ 24 Frames Per Second
Posted Jan 1, 2000
6/10 82% Fantasia 2000 (2000) The magic was being forced on me in a tight commercial package, almost as if a subliminal message was chanting 'The Mouse is God! The Mouse is God!' as I was watching it. ‐ 24 Frames Per Second
Posted Jan 1, 2000
45% Forces of Nature (1999) An endless barrage of unfunny jokes about the horrors of marriage. ‐ 24 Frames Per Second
Posted Jan 1, 2000