Enric Albero

Enric Albero
Enric Albero's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

T-Meter Title | Year
No Score Yet Nine Sevilles (Nueve Sevillas) (2020) Could be seen as a filmographic update of the seminal Vivir en Sevilla (1978). [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 16, 2020
No Score Yet Name Above Title (Um Fio de Baba Escarlate) (2020) A captivating film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 16, 2020
100% If It Were Love (Si c'était de L'amour) (2020) Austrian director Patric Chiha makes the camera melt with the piece's rhythms. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 13, 2020
100% Kill It and Leave This Town (Zabij to i wyjedz z tego miasta) (2020) A sincere, heartbreaking exorcism. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 13, 2020
No Score Yet An Unusual Summer (2020) [Makes] a domestic recording reach, at times, the heights of the most refined melodrama. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 12, 2020
No Score Yet Nación (2020) Many other women... will see themselves in this film. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 11, 2020
No Score Yet For the Time Being (2020) [The scenes] confirm the delicate culmination of acclimatization. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 11, 2020
No Score Yet Dear Werner (Walking on Cinema) (2020) A heartfelt tribute. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 10, 2020
No Score Yet Downstream to Kinshasa (En Route pour le Milliard) (2020) Becomes epic at times. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 9, 2020
100% Welcome to Chechnya (2020) David France's documentary is like an emergency heart surgery. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 9, 2020
100% Little Girl (Petite fille) (2020) The most admirable thing about this film... is the access to family intimacy that [filmmaker Sébastien] Lifshitz achieves and the respect with which he treats all members. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 9, 2020
No Score Yet Time of Moulting (Fellwechselzeit) (2020) Disturbing and captivating. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 9, 2020
99% Night of the Kings (La Nuit des Rois) (2020) [Philippe] Lacôte vindicates culture as an instrument of salvation even in the most cruel environment. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Nov 9, 2020
No Score Yet The Good Demons (Los buenos demonios) (2018) The staging in a bright and colorful Cuba, fleeing from clichés and in opposition to the darkness of the characters,... is insufficient to compensate for a routine camera exercise. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 24, 2018
100% Casi 40 (2018) The director demonstrates an unlimited trust in his actors... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 24, 2018
75% Invisible (2017) This short evolution of a logically distressed character means that [director Pablo] Giorgelli's second feature film... does not end up taking off... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 23, 2018
100% Los Adioses (2017) Even if it were only to rise as a pedagogical discovery, Los Adioses is worth the viewing. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 23, 2018
No Score Yet Sin Fin (2018) The mixture of referents is as disparate as its protagonists... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 19, 2018
94% Loveling (Benzinho) (2018) Benzinho is much more than a family melodrama... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 19, 2018
No Score Yet Mi querida cofradía (2018) Neither the soundness of its actors nor any lucky gag disguises the confusion of a proposal that wants to challenge the heteropatriarchal conventions... but that uses a syntax as archaic as the principles it aims to combat. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 19, 2018
88% Les distàncies (2018) The second feature film by [director] Elena Trapé is a lucid generational diagnosis that stands out from everything seen so far in this 21st edition of the Malaga Festival. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 19, 2018
No Score Yet El Mundo Es Suyo (2018) In the running to take the title of the worst film not only of the festival but of the year... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 18, 2018
No Score Yet Wood Eyes (Ojos de madera) (2017) Each image seems to have passed through the filter of the traumatized mind of a child... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 18, 2018
No Score Yet Memoirs of A Man in Pajamas (Memorias de un hombre en pijama) (2018) The images of [director] Carlos Fernández de Vigo's film tells little or nothing. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 17, 2018
80% Ana by Day (Ana de día) (2018) Like Ana, the film goes astray within itself... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 17, 2018
86% Formentera Lady (2018) Like Sergio & Serguéi (Ernesto Daranas, 2017), Formentera Lady is a friendly short-range fable that shuns sentimentality... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 17, 2018
46% The Laws of Thermodynamics (Las Leyes de la Termodinámica) (2018) [Director Mateo Gil's] quantum romance is not unforgettable, but neither is it torture; let's say it orbits between relative satisfaction and failed resolution. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 16, 2018
71% The Queen of Fear (2018) The film starts with hesitation as if, like its protagonist, it wanders between laughter and tears, between seriousness and the comic wink. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 16, 2018
50% You Shall Not Sleep (No dormirás) (2018) The third film by Gustavo Hernández is part of a line of productions that justify the arbitrariness of the script from the altered mental state of its protagonists... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 16, 2018
No Score Yet Violeta al fin (2017) [Director Hilda Hidalgo] plays, in a very elementary way, with the architecture of the home... to express the feeling of confinement of a protagonist who seeks to emancipate herself. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Apr 16, 2018
No Score Yet Nobody (Nadie) (2017) Although the latest documentary by Miguel Coyula can be seen as a... simple almost seventy minute interview of the poet Rafael Alcides, it is much more than that... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jan 17, 2018
No Score Yet No Quiero Perderte Nunca (2017) ... the excess of explanatory dialogues tarnish an interesting and unusual proposal in the national cinematographic panorama. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jan 17, 2018
63% Black Snow (Nieve negra) (2017) ... suffers from a lack of tension... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jan 16, 2018
No Score Yet Selfie (2017) Selfie is a lucid slap on the face of the current political class. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Jan 16, 2018
No Score Yet The Other Side Of The Wall (Al Otro Lado del Muro) (2017) This documentary avoids sentimentality, shows modesty when it comes to showing the emotions of others... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 12, 2017
No Score Yet Whirlpool (Redemoinha) (2016) ... the whole film points to [director José Luiz] Villmarím as a filmmaker from whom important things must be expected. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 12, 2017
No Score Yet Mist & the Maiden (La niebla y la doncella) (2017) The camera moves unmotivated to record either a conversation or a persecution and the participation of the island government in the project translates into beautiful postcards of the island shot by drone. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Amar (2017) Everything is forced, the cheesy dialogues are piled up... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet The Lost Brother (El otro hermano) (2017) ... dry, truculent and touched work of nihilism... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
89% Donkeyote (2017) Chico Pereira uses the clear photography of Julian Schwanitz to follow the adventures of this peculiar type, between lone ranger and troubadour, whose way of life... seems to be in danger of extinction... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Me casé con un boludo (2016) The best thing about Me Casé con un Boludo is to see how... the acting talent of Valeria Bertuccelli manages to overcome, in a couple of lucky moments, the generalized histrionics. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
72% You're Killing Me Susana (Me estás matando Susana) (2017) ... works best when it strives to subvert generic roles... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Can't Say Goodbye (No sé decir adiós) (2017) Magnificent. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Llueven vacas (2017) Everything is cumbersome, obvious and imposed... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
100% La Chana (2016) Very moving. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet El candidato (2016) ... monotone tone, gray as the candidate under construction... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet The Animal's Wife (La mujer del animal) (2017) ... 120 minutes of physical and psychological abuse in a wild environment... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Brava (2017) ... visual patina strongly reminds one of a TV movie... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
100% Júlia ist (2017) Although her conversations by Skype remember 10,000 km (Carlos Marqués-Marcet, 2014), Júlia Ist flies free, reveals an amazing interpretative naturalness... [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017
No Score Yet Gilda, no me arrepiento de este amor (2016) ... a vindication of popular music from popular cinema. [Full review in Spanish] - Caimán Cuadernos de Cine EDIT
Read More | Posted Dec 11, 2017