Erika Hernandez Movie Reviews & Previews - Rotten Tomatoes

Erika Hernandez

Erika Hernandez
Erika Hernandez's reviews do not count toward the Tomatometer. This is not a Tomatometer-approved critic, and this critic's reviews are not published on a Tomatometer-approved publication.

Movie Reviews Only

Rating T-Meter Title | Year Review
C+ 54% P.S. (2004) The greatest thing about p.s. is the onscreen match of Linney and Grace.‐
Read More | Posted Oct 19, 2004
D+ 36% The Final Cut (2004) The Final Cut's plot goes in multiple directions, while its exciting premise lays there like a forsaken jewel.‐
Read More | Posted Oct 19, 2004
B 53% A Dirty Shame (2004) Takes this country's Puritanical-hypocritical fixation on what we should and should not do with our body parts, and sublimely violates it.‐
Read More | Posted Sep 25, 2004
D- 13% L.A. Twister (2004) A ham-fisted tour through its own postmodern mechanics... No heart, no resonance, and no real message.‐
Read More | Posted Aug 6, 2004
B- 42% Zhou Yu's Train (2004) Director Zhou wants you to sit up and work for some meaning in every shot-and work HARD.‐
Read More | Posted Jul 16, 2004
A 97% Maria Full of Grace (2004) Marston doesn't cheat by sensationalizing his subject matter, and the result is a sensational piece of work. ‐
Read More | Posted Jul 16, 2004
B- 43% The Clearing (2004) Th[e] exchange[s are] played so gracefully by Redford and Dafoe, you want them to keep talking, and forget that one of them is being held against his will.‐
Read More | Posted Jul 10, 2004
A 79% The Saddest Music in the World (2004) Maddin's masterpiece artfully reinforces that that our moments of true sadness should be as intimate as our most joyous moments of ecstasy.‐
Read More | Posted May 18, 2004
D 29% The Punisher (2004) We get Superflawedmen, not flawed men pushed by dire circumstances.‐
Read More | Posted Apr 16, 2004
C- 39% The Reckoning (2004) [McGuigan] crams both story and theme down the viewer's throat. There is no room for interpretation, a pursuit vital to both the Morality play and the narrative film.‐
Read More | Posted Mar 10, 2004
A- 94% Touching the Void (2004) In an era obsessed with ways to capture "reality," MacDonald rightly uses documentary to reinforce larger truths and ironies.‐
Read More | Posted Feb 3, 2004
C- 24% The Statement (2003) Although The Statement deals with an intriguing historical phenomenon generally dismissed as a footnote, it is obscured by the film's unceasing chase.‐
Read More | Posted Jan 5, 2004
A 72% Girl With a Pearl Earring (2004) The most impressive feature of the film, however, is its use of metaphor and suggestion to advance Vermeer and Griet's forbidden attraction.‐
Read More | Posted Dec 12, 2003
A- 85% Kill Bill: Volume 1 (2003) Sentimental and lyrical from beginning to end, Tarantino's Kill Bill Vol. 1 is an ode to movies and moviegoing.‐
Read More | Posted Nov 15, 2003
C+ 42% The Human Stain (2003) When viewing a film, you should not be scanning your mental bank for a more suitable actor for the title role.‐
Read More | Posted Oct 31, 2003
B+ 33% Wonderland (2003) When the youngest student ever admitted to the Drama department at Julliard (Kilmer) plays a derailed porn god...YOU SEE IT.‐
Read More | Posted Oct 10, 2003
D 51% Dopamine (2003) The "LOVE IS REAL! NO, IT'S NOT!" banter kills the film's core issue rather than underscoring it.‐
Read More | Posted Oct 10, 2003
D+ 46% The Other Side of the Bed (2003) What can one say when the latest film to sweep both Spanish audiences and critics is essentially a Latin Bob & Carol & Ted & Alice ON ICE?‐
Read More | Posted Aug 28, 2003
B- 57% Northfork (2003) With Northfork, the Brothers Polish clearly choose to fly brilliantly and high on universal concepts, while spitting on universal appeal.‐
Read More | Posted Aug 8, 2003
B- 94% Manito (2003) A solid effort... however, the dissonance between Manito as "realistic urban ethnography" and "high ghetto drama" is just too apparent to reconcile.‐
Read More | Posted Jun 16, 2003