Gary Goldstein Movie Reviews & Previews - Rotten Tomatoes

Gary Goldstein

Gary Goldstein
Gary Goldstein's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Baltimore Sun, Chicago Tribune, Los Angeles Times, Reel.com

Movie Reviews Only

Rating T-Meter Title | Year Review
86% Finding Oscar (2017) A twisty, protracted fight for justice is deftly traced in "Finding Oscar," an absorbing, if grim, documentary ...‐ Los Angeles Times
Read More | Posted Apr 20, 2017
84% David Lynch: The Art Life (2017) No one else weighs in on Lynch here - it's all him, all the time. And, although chatty, he's not the warmest or most engaging presence. Still, Lynch devotees should dig this respectful, offbeat portrait.‐ Los Angeles Times
Read More | Posted Apr 13, 2017
18% Mine (2017) The film is often a marvel of visual and narrative resourcefulness.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
50% Speech & Debate (2017) Although the story, which feels a tad past its expiration date, never digs too deeply into its central issues (hypocrisy, loneliness, censorship, finding one's voice), Dan Harris' peppy direction and nimble turns by the film's young leads prevail.‐ Los Angeles Times
Read More | Posted Apr 6, 2017
No Score Yet bwoy (2017) A profoundly sensitive look at love, loss and loneliness.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
90% In Search of Israeli Cuisine (2017) Sherman and Solomonov buoyantly capture the art and joy of preparing and savoring Israel's raft of gastronomic choices, largely drawn from localized ingredients with a concentration on lemon, olive oil, vegetables, lamb and fish.‐ Los Angeles Times
Read More | Posted Mar 30, 2017
No Score Yet Diamond Cartel (2017) Perhaps most disheartening about the disjointed mess "Diamond Cartel" is that it will go down as the late, great Peter O'Toole's final screen appearance.‐ Los Angeles Times
Read More | Posted Mar 23, 2017
55% Suntan (2017) Whatever director Argyris Papadimitropoulos and his co-writer, Syllas Tzoumerkas, had in mind, a full rethink was in order.‐ Los Angeles Times
Read More | Posted Mar 16, 2017
100% Betting on Zero (2017) It all adds up to a timely, provocative and absorbing tale of money, power and a search for the truth.‐ Los Angeles Times
Read More | Posted Mar 16, 2017
100% Love & Taxes (2017) The movie's wryly optimistic tone, Woody Allen-esque flights of fancy and enjoyable cast ... make for a fun concoction.‐ Los Angeles Times
Read More | Posted Mar 9, 2017
21% The Ottoman Lieutenant (2017) There's sweep and gloss to "The Ottoman Lieutenant," but this well-intentioned, sumptuously shot tale of love and war, directed by Joseph Ruben, lacks the emotional depth and romantic grandeur to fulfill its epic ambitions.‐ Los Angeles Times
Read More | Posted Mar 9, 2017
No Score Yet Fair Haven (2017) It's a testament to Jack Bryant's lovely script and Kerstin Karlhuber's thoughtful direction that this controversial concept is handled with such even-handedness and grace.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
No Score Yet The Institute (2017) The main achievement of "The Institute" is that its cast kept straight faces long enough to shoot this risible gothic chiller.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
100% Cries From Syria (2017) Harrowing footage of innocent Syrians fleeing their native land and their grueling journey to find a new home proves the undeniable need for global compassion.‐ Los Angeles Times
Read More | Posted Mar 2, 2017
91% Punching Henry (2017) The knowing satire "Punching Henry" may not amount to a lot in the end, but getting there is lots of fun.‐ Los Angeles Times
Read More | Posted Feb 23, 2017
27% Fist Fight (2017) For much of its fast-paced running time, the film ... is just amusing enough to make up for its sheer preposterousness; it operates in such a seemingly far-fetched world that logic is out the window at pretty much hello.‐ Los Angeles Times
Read More | Posted Feb 16, 2017
No Score Yet The Great & the Small (2017) Though it's often too quirky for its own good and its bumpy narrative structure can be jarring, the film sneaks in quite a bit of depth and emotional punch.‐ Los Angeles Times
Read More | Posted Feb 16, 2017
0% Sex Doll (2017) Tighter pacing, more dimensional and compelling characters, and twistier consequences could have helped better propel this dark, semi-intriguing tale.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
75% Growing Up Smith (Good Ol' Boy) (2017) A strained cross between broad, culture-clash comedy and wistful coming-of-age tale, "Growing Up Smith" is a well-intentioned fizzle that misses what should have been an easily reachable mark.‐ Los Angeles Times
Read More | Posted Feb 9, 2017
56% Wheeler (2017) A terrific film that deserves far more attention than its low-profile release is likely to receive.‐ Los Angeles Times
Read More | Posted Feb 2, 2017
40% Fall (2014) Murphy's quietly precise performance ultimately can't overcome the film's chilly gravity and unsatisfying finale.‐ Los Angeles Times
Read More | Posted Jan 26, 2017
63% Worlds Apart (Enas Allos Kosmos) (2017) It's an often tender, affecting film that slowly creeps up on you - then completely takes hold.‐ Los Angeles Times
Read More | Posted Jan 19, 2017
92% Antarctica: Ice & Sky (La glace et le ciel) (2017) The visuals and concepts presented here may be compelling and vital, but director Luc Jacquet weaves them together with too little urgency, propulsion and, ultimately, unique sense of purpose.‐ Los Angeles Times
Read More | Posted Jan 19, 2017
No Score Yet Sea of Hope: America's Underwater Treasures (2017) Lovely and vital, if decidedly brief ...‐ Los Angeles Times
Read More | Posted Jan 14, 2017
40% 100 Streets (2017) It's six or so characters in search of a meaningful movie.‐ Los Angeles Times
Read More | Posted Jan 12, 2017
No Score Yet Retake (2017) A potentially precious and maudlin conceit gets an absorbing and intriguing treatment in "Retake," an impressive road drama about a middle-aged gay man who hires a young hustler to join him on a life-changing ride to the Grand Canyon.‐ Los Angeles Times
Read More | Posted Jan 5, 2017
No Score Yet Lost & Found (2017) Filled with too many broad strokes, faux close calls, plot conveniences and questionable story points to feel fully baked. Still, parents seeking a harmless diversion for their kids could do worse.‐ Los Angeles Times
Read More | Posted Jan 5, 2017
No Score Yet The Boatman (2016) Exists in a world of its very own making, lending it a compellingly elusive sense of time and place.‐ Los Angeles Times
Read More | Posted Dec 15, 2016
No Score Yet Boy 23: The Forgotten Boys of Brazil (Menino 23: Infâncias Perdidas no Brasil) (2016) [A] resonant, not untimely portrait of a dark and frightening chapter in Brazil's past.‐ Los Angeles Times
Read More | Posted Dec 15, 2016
No Score Yet 808 (2015) Everything you ever wanted to know - or perhaps never knew you wanted to know - about the wildly influential Roland TR-808 drum machine is laid out with entertaining, if exhaustive, brio in the documentary "808."‐ Los Angeles Times
Read More | Posted Dec 8, 2016
80% Best and Most Beautiful Things (2016) Rarely feels unique, insightful or engaging enough to fully justify our attention.‐ Los Angeles Times
Read More | Posted Dec 8, 2016
39% All We Had (2016) Although well-acted and well-intended, offers little that's new, exciting or meaty enough to warrant revisiting that subgenre of movies involving flighty single moms on the move with their steadier daughters.‐ Los Angeles Times
Read More | Posted Dec 8, 2016
No Score Yet The Earthquake (Zemletryasenie) (2016) What the film lacks in high-octane disaster-movie thrills it makes up for with its focus on personal relationships, acts of heroism and a capable visual sense.‐ Los Angeles Times
Read More | Posted Dec 7, 2016
No Score Yet Evan's Crime (2016) As a loaded look at overzealous drug-offense sentencing, the film makes a mark.‐ Los Angeles Times
Read More | Posted Dec 1, 2016
46% The Duelist (Duelyant) (2016) Dazzles and provokes as it makes little real sense beyond the confines of its hermetic milieu.‐ Los Angeles Times
Read More | Posted Dec 1, 2016
No Score Yet 77 Minutes (2016) A gritty, no frills, at times sensationalistic immersion into grim criminal territory.‐ Los Angeles Times
Read More | Posted Dec 1, 2016
94% Best Worst Thing That Ever Could Have Happened... (2016) Covers a rich swath of emotional and creative ground as it tracks the unexpected failure of theater gods Stephen Sondheim and Hal Prince's hugely anticipated 1981 Broadway collaboration "Merrily We Roll Along."‐ Los Angeles Times
Read More | Posted Nov 24, 2016
No Score Yet Po (2016) An earnest drama that could have used a subtler, less didactic approach to its tender subject matter.‐ Los Angeles Times
Read More | Posted Nov 24, 2016
100% Disturbing The Peace (2016) Well-chosen news and archival clips, footage from CFP's provocative rallies, plus a series of skillful and useful reenactments help flesh out this inspiring portrait.‐ Los Angeles Times
Read More | Posted Nov 17, 2016
100% Esteros (2016) A lovely, lyrical drama that follows the reunion of two young men who shared their sexual awakening as boyhood friends.‐ Los Angeles Times
Read More | Posted Nov 17, 2016
No Score Yet Love Is All You Need? (2016) Better to revisit such related films as "Boys Don't Cry" or TV's "The Matthew Shepard Story" for a more persuasive look at a topic that demands clarity more than gimmickry.‐ Los Angeles Times
Read More | Posted Nov 16, 2016
94% Hunter Gatherer (2016) "Hunter Gatherer" is a warmly eccentric little indie that's amusing, authentic and works against expectation.‐ Los Angeles Times
Read More | Posted Nov 15, 2016
No Score Yet Don't Look Down (2016) [An] enjoyable, if oddly non-propulsive, documentary ...‐ Los Angeles Times
Read More | Posted Nov 10, 2016
67% Come And Find Me (2016) This remains a taut, haunting ride thanks to solid writing and directing by Zack Whedon (Joss and Jed's younger brother) and a strong, sympathetic performance by Paul.‐ Los Angeles Times
Read More | Posted Nov 9, 2016
No Score Yet The David Dance (2016) Logy, stagey and overlong.‐ Los Angeles Times
Read More | Posted Nov 3, 2016
40% New Life (2016) Although it aspires to be a kind of latter-day "Love Story," the rote, overly earnest drama "New Life" exists largely on the surface.‐ Los Angeles Times
Read More | Posted Oct 27, 2016
No Score Yet USS Indianapolis: The Legacy (2016) Director Sara Vladic, who also co-edited, does a masterful job assembling, in what emerges as a kind of verbal relay race, the recollections of countless interview subjects, including many of the survivors of the fateful incident.‐ Los Angeles Times
Read More | Posted Oct 27, 2016
96% Little Sister (2016) [A] fine, darkly poignant tale of a conflicted young nun-in-training facing her own version of "hope and change."‐ Los Angeles Times
Read More | Posted Oct 27, 2016
No Score Yet The Remake (2016) Lynne Alana Delaney should have simply taken story credit for "The Remake" and handed over her roles as writer, director and star to more competent folks.‐ Los Angeles Times
Read More | Posted Oct 20, 2016
60% It Had to Be You (2016) A memorable romantic comedy that stands to bring back the genre's good name, "It Had to Be You" is as funny, endearing and enjoyably off-kilter as its adorable star, Cristin Milioti.‐ Los Angeles Times
Read More | Posted Oct 20, 2016