Ginette VincendeauMovie Reviews & Previews - Rotten Tomatoes

Ginette Vincendeau

Ginette Vincendeau
Ginette Vincendeau's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Sight and Sound

Movie Reviews Only

Rating T-Meter Title | Year Review
91% The Measure of a Man (La loi du marché) (2016) Brizé has cleverly cast people with an extraordinary confidence in front of the camera, which means that Lindon's customary minimalist yet charismatic performance style blends wonderfully with the rest of the cast. ‐ Sight and Sound
Posted Jun 2, 2016
76% Bicycling with Moliere (2014) Cycling with Molière gives us both a French-language fest and acting fireworks. ‐ Sight and Sound
Posted Jul 7, 2014
73% Gainsbourg: A Heroic Life (2011) In conjoining Jewish heritage and classic French chanson, Gainsbourg celebrates the hybridity of contemporary French culture, while its combination of realist narrative and poetic animation make it both a touching biopic and an inspired musical. ‐ Sight and Sound
Posted Jun 18, 2012
61% The Dreamers (2004) By far the most engaging aspect of the film is its celebration of cinema. ‐ Sight and Sound
Posted Feb 3, 2004
92% The Man on the Train (2003) The contrast between old-fogeyish Manesquier and dangerous 'man with no name' Milan, between loquacious, actorly Rochefort and silent 'natural' Hallyday, is initially droll, although it wears thin after a while. ‐ Sight and Sound
Posted Apr 1, 2003
79% 8 Women (8 Femmes) (2002) Each performance is beautifully controlled, notably Huppert's devastating comic turn as Augustine, and integrated into a seamless ensemble. ‐ Sight and Sound
Posted Dec 3, 2002
97% Human Resources (1999) Generous, sensitive and innovative. It is a film in which, in the widest possible sense, the personal is political. ‐ Sight and Sound
Posted Dec 2, 2002
No Score Yet Hasards ou coïncidences (Chance or Coincidence) (1998) The fact that Lelouch mobilises massive cinematic means for an old-fashioned melodrama is fine. The problem is his penchant for overlaying this with a thick layer of 'serious' themes. ‐ Sight and Sound
Posted Mar 7, 2002
86% Va Savoir (2001) Rivette manages the complex choreography of his characters with virtuoso comic timing. ‐ Sight and Sound
Posted Jan 1, 2002
94% Sous le sable (Under the Sand) (2001) Marie increasingly appears like the beach in the film: beautiful but vacant. ‐ Sight and Sound
Posted Apr 13, 2001
54% The Golden Bowl (2000) Like its eponymous artefact, The Golden Bowl is flawed -- yet it remains an object of great beauty and elegance. ‐ Sight and Sound
Posted Apr 13, 2001