Haleigh Foutch

Haleigh Foutch
Haleigh Foutch's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Collider
Publications: Collider

movie Reviews Only

T-Meter Title | Year Review
B+ 100% Luz (2019) It's a sensual, hellish vision of demonic obsession that's ambiguous and artsy without ever forgetting to be entertaining. - Collider EDIT
Read More | Posted Nov 12, 2018
B 85% Knuckleball (2018) Knuckleball isn't looking to reinvent the wheel, and it doesn't have to. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ No Score Yet Level 16 (2019) Level 16 is a sharp little sci-fi thriller that does dystopia right, and like all the best bleak visions of a future world, it offers commentary worth sinking your teeth into. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ 100% Keep an Eye Out (Au Poste!) (2018) By the time the film's end rolls around, Dupieux fully unleashes his zany absurdism and turns the tables on the audience entirely, creating a certifiably insane ending that's not much of an ending at all, actually. - Collider EDIT
Read More | Posted Nov 12, 2018
C- 33% Between Worlds (2018) There's so much to like about Between Worlds, and on paper it sounds like exactly the right movie to channel Cage's late-career mayhem, but in practice it's flat and flimsy. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 62% You Might Be the Killer (2018) You Might Be the Killer can't quite match the greatness of Cabin in the Woods or the heart of The Final Girls, but it's a solid if slight piece of slasher comedy that's made with love, for the people who love the genre. - Collider EDIT
Read More | Posted Nov 12, 2018
A- 71% Piercing (2019) Piercing is a propulsive, intricately crafted thriller that plays like the twisted lovechild of American Psycho and Phantom Thread. Slick and sick, sometimes sexy, and surprisingly sweet. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 60% Profile (2018) Screenlife format isn't just a gimmick, it's an effective and unconventional cinematic method that allows you to step straight into the mind of the character and put you through the ringer right with them. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 66% Puppet Master: The Littlest Reich (2018) The Littlest Reich reboots the long-running franchise with a thin but handsomely produced little splatter film that demands nothing from its audience but a strong stomach. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 74% The Man Who Killed Hitler and Then The Bigfoot (2019) The Man Who Killed Hitler and Then the Bigfoot is a fascinating experiment; a dark drama that treats pulp genre with the earnest emotional weight of an awards contender. - Collider EDIT
Read More | Posted Nov 12, 2018
C+ 58% Unfriended: Dark Web (2018) If Dark Web is a technical accomplishment and gripping experience, it is also far too cruel and mean-spirited to be half as fun as the original. - Collider EDIT
Read More | Posted Nov 12, 2018
B+ 89% Boiled Angels: The Trial of Mike Diana (2018) Boiled Angels is a must watch for American citizens who take their free speech for granted, and for artists who may not know that their wildest, most abhorrent creations could feasibly put them on the wrong side of the law. - Collider EDIT
Read More | Posted Nov 12, 2018
B- 15% Blumhouse's Truth or Dare (2018) [Truth or Dare] has its own brand of soapy, giggling thrills to deliver, even if it sometimes has you wondering if you're laughing at the movie or with it. - Collider EDIT
Read More | Posted Nov 12, 2018
78% Apostle (2018) It'll make you groan and grimace through the torment, but it will get your heart racing in all the right ways, even when it occasionally stumbles over its own ambition. - Collider EDIT
Read More | Posted Oct 3, 2018
A- 75% Bad Times at the El Royale (2018) A propulsive, cinematic rush. - Collider EDIT
Read More | Posted Oct 1, 2018
B- 81% What Keeps You Alive (2018) The film could be sharper and tighter - ten minutes and at least four endings shorter - but the moments of success in What Keeps You Alive out-weigh the film's faults. - Collider EDIT
Read More | Posted Sep 28, 2018
A+ 65% Suspiria (2018) Suspiria is a film brimming with dense material that demands and encourages interpretation. - Collider EDIT
Read More | Posted Sep 25, 2018
B 80% Overlord (2018) For a movie about Nazi mutants, Overlord admirably has something to say. - Collider EDIT
Read More | Posted Sep 24, 2018
B 94% CAM (2018) The set-up is primed for rich psychological thrills, and Cam by-and-large delivers, following a commanding performance from Brewer. - Collider EDIT
Read More | Posted Aug 8, 2018
B- 88% Nightmare Cinema (2018) A stronger-than-average anthology with some good-to-great material worth checking out... - Collider EDIT
Read More | Posted Jul 23, 2018
B+ 90% Lowlife (2018) Lowlife is one of those exciting feature debuts that announces the arrival of a filmmaker who instantly has your attention. - Collider EDIT
Read More | Posted Apr 8, 2018
B+ 95% A Quiet Place (2018) The concept is pure and perfectly suited to the genre, and it's a brilliant conceit because it makes you a part of the experience. When you watch A Quiet Place, you'll sit glued to your seat in a theater so quiet you can hear a pin drop. - Collider EDIT
Read More | Posted Apr 8, 2018
C+ 40% The Strangers: Prey At Night (2018) Roberts has built a playground of horror homages... It might feel like a hell of a long wait to finally get to the attractions, but once you do, the ride sure is fun. - Collider EDIT
Read More | Posted Mar 28, 2018
A- 88% Annihilation (2018) Wildly ambitious, occasionally alienating, and consummately perplexing; an irritant to the mind and spirit that demands self-reflection. - Collider EDIT
Read More | Posted Mar 28, 2018
B- 83% Mohawk (2018) [A] brutal, angry revenge thriller that takes a familiar format in new directions while wearing its wounded, political heart on its sleeve. - Collider EDIT
Read More | Posted Mar 28, 2018
B+ 89% Cold Hell (Die Hölle) (2017) Running a lean 91 minutes, Cold Hell is all muscle; hurtling through one brutal, kinetic set-piece after the next. - Collider EDIT
Read More | Posted Mar 28, 2018
B- 67% The Cured (2018) The Cured isn't quite the best from this new crop of post-traditional zombie movies, mostly because it choses to play it all so traditional in the end, but it is an engaging, thoughtful addition to the growing subgenre. - Collider EDIT
Read More | Posted Feb 23, 2018
A- 86% Thoroughbreds (2018) "[An] effed up tale of friendship for the ages." - Collider EDIT
Read More | Posted Feb 19, 2018
C 50% Hellraiser: Judgment (2018) The Hellraiser movies have been soulless for so long - and what's the point of a Cenobite without a soul to tear apart? At least Judgement gives them a little something to chew on. It's not a great movie, but it's a better than average Hellraiser sequel. - Collider EDIT
Read More | Posted Feb 13, 2018
A- 97% Black Panther (2018) Production design, costumes, and of course, visual effects are all on point, and newly minted Oscar-nominee Rachel Morrison shoots every frame to embrace the sumptuous detail. - Collider EDIT
Read More | Posted Feb 6, 2018
C+ 32% Insidious: The Last Key (2018) "The Last Key is a mixed bag... at its worst when it indulges in the reliable franchise tropes and at its best when it strains at the boundaries of what you expect from an Insidious film." - Collider EDIT
Read More | Posted Jan 5, 2018
B 82% Tragedy Girls (2017) It's been a long time since we've had a meat and potatoes slasher, especially one as quick-witted and good-looking as Tragedy Girls - Collider EDIT
Read More | Posted Oct 25, 2017
B 71% Happy Death Day (2017) "An energetic and engaging piece of poppy PG-13 horror, made with a clear knowledge and affection for the genre." - Collider EDIT
Read More | Posted Oct 20, 2017
B+ 90% Gerald's Game (2017) [Gerald's Game] is an embrace of female strength, outright, and it's as moving as it is consummately thrilling. - Collider EDIT
Read More | Posted Sep 27, 2017
A- 88% Mary and The Witch's Flower (2018) A whimsical, winsome world of invention, gorgeously translated on screen by the animation team. - Collider EDIT
Read More | Posted Sep 27, 2017
B- 85% Blade of the Immortal (Mugen no jûnin) (2017) [Blade of the Immortal] is chaotic, utterly insane and ultimately a blast, even if it is a bit of a meaningless mess. - Collider EDIT
Read More | Posted Sep 27, 2017
B 87% 1922 (2017) Atmospheric and sparing, 1922 is one of King's subtle nightmares, but it packs a punch by inspecting the familiar terrors of masculine pride gone wrong and the sinking spiritual punishment of a man who chooses his own damnation. - Collider EDIT
Read More | Posted Sep 27, 2017
B+ 77% Anna and the Apocalypse (2018) Slick and stylish, with moments of gore that are played for gross-out and laughs in equal measure. You will hum along, you will tap your toes, if you're a big softy like me, you'll cry, but you will definitely have a great time. - Collider EDIT
Read More | Posted Sep 26, 2017
B+ 92% Thelma (2017) Thelma is a fascinating investigation into the effects of oppression and the fearsome, phenomenal power in uncovering your personal truths. - Collider EDIT
Read More | Posted Sep 25, 2017
B- 75% Killing Ground (2017) It's unusually unnerving and disturbing, not for high-concept visions of a world gone bad or fantastical on-screen depictions of horror and violence, but for the imposing awareness that this could all actually happen to anybody, anywhere, at any time. - Collider EDIT
Read More | Posted Aug 1, 2017
4.5/5 98% The Survivalist (2017) Fingleton makes a meal out of complex character drama, raking his audience over the coals with piano-wire tension that leaves you jittery long after the credits roll. - Collider EDIT
Read More | Posted May 22, 2017
4/5 100% Lake Bodom (Bodom) (2016) While 'Lake Bodom' may run into a few snags along the way, Mustonen has crafted a rare breed these days: a compelling, propulsive slasher film. - Collider EDIT
Read More | Posted May 18, 2017
4/5 88% Hounds of Love (2017) Young is more interested in the abused than the abuser, and the result is an ambitious, tough-to-swallow drama fuelled by fearless performances and extraordinary empathy. - Collider EDIT
Read More | Posted May 12, 2017
3.5/5 62% Another Evil (2017) Another Evil absolutely offers an original, odd spin on the haunted house yarn, which is always refreshing and welcome in such an overstuffed genre. - Collider EDIT
Read More | Posted May 8, 2017
3/5 66% Alien: Covenant (2017) Whether you want a Prometheus sequel or an Alien movie, you want a movie that feels cohesive, and there's no denying Covenant is a structurally challenged film that feels more like two movies slapped together in the name of audience appeal. - Collider EDIT
Read More | Posted May 7, 2017
3.5/5 100% Sweet, Sweet Lonely Girl (2016) The final misstep doesn't undermine Calvo's eye for framing moments of tension or his enticing exploration of how temptation leads even the purest of us astray. - Collider EDIT
Read More | Posted May 4, 2017
3.5/5 91% A Dark Song (2017) You have never seen a resolution like this one. You've never seen a film like this one. - Collider EDIT
Read More | Posted Apr 28, 2017
4/5 84% Guardians of the Galaxy Vol. 2 (2017) Ultimately, Vol. 2 can't quite live up to the legacy of the first film, but it's got everything you could want from a big superhero spectacle and then some. - Collider EDIT
Read More | Posted Apr 24, 2017
2.5/5 68% The Fate of the Furious (2017) If you've spent the last sixteen years investing in the family and their ragtag tapestry, you might find yourself a little disappointed. - Collider EDIT
Read More | Posted Apr 10, 2017
4/5 85% The Transfiguration (2017) The Transfiguration is a chilly, somber spin on vampire lore that sets roots in reality and blossoms into a bittersweet coming of age character piece. - Collider EDIT
Read More | Posted Apr 7, 2017