Indra Arriaga Movie Reviews & Previews - Rotten Tomatoes

Indra Arriaga

Indra Arriaga
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Rating T-Meter Title | Year Review
100% Leave No Trace (2018) Leave No Trace beautifully takes viewers on different but parallel journeys, those of the father and the daughter as one can't veer off his path and the other one must.‐ Anchorage Press
Read More | Posted Jul 13, 2018
85% Let the Sunshine In (Un beau soleil intérieur) (2018) [Director Claire] Denis' dexterous lens is experienced and fearless, often positioning itself to reveal intimacy and the characters' vulnerabilities.‐ Anchorage Press
Read More | Posted Jun 27, 2018
67% Ocean's 8 (2018) The summer heist movie is cool and collected but for the most part stays safely within the genre and does not deviate from the well-established formula; the "t's" are crossed, and the "i's" are dotted.‐ Anchorage Press
Read More | Posted Jun 15, 2018
79% Philadelphia (1993) Philadelphia, apart from having talented actors delivering remarkable performances, is a piece of history that anyone with a heart and a sense of justice can understand.‐ Anchorage Press
Read More | Posted Jun 8, 2018
87% You Were Never Really Here (2018) [Lynne] has an ability to bring out the best in her actors and create rich and seamless narratives her sensibility is built into the details, down to the soundtrack and the intimacy created by moments of tender normalcy that find their way into the script‐ Anchorage Press
Read More | Posted Jun 1, 2018
91% The Most Unknown (2018) The interactions between the scientists are eye-opening for them and for the viewers and reminds one of the importance of curiosity as integral to living a meaningful life.‐ Anchorage Press
Read More | Posted Jun 1, 2018
28% Pelé: Birth of a Legend (2016) The film is beautiful and entertaining even though it has some limitations, particularly in the oversimplification of the economic and racial dynamics surrounding places and events.‐ Anchorage Press
Read More | Posted May 25, 2018
87% Tully (2018) [Charlize] Theron is at her best! She is beautifully engaging and delivers the character with her entire Being.‐ Anchorage Press
Read More | Posted May 17, 2018
80% Film Stars Don't Die in Liverpool (2017) Has all the raw and refined talent in the world, magical sets, transcontinental charm, a diamond in the rough when it comes to source material, and a love story to boot, and yet, it falls short. ‐ Anchorage Press
Read More | Posted May 10, 2018
91% Phantom Thread (2018) Phantom Thread is a delicate story that is tight and unpredictable because the relationships are complex, and Anderson has developed characters that are, like real human beings, many things at once.‐ Anchorage Press
Read More | Posted Apr 27, 2018
50% Flower (2018) Flower depicts the idea of what sexual empowerment for a teenage girl looks and feels like from the perspective of three dudes.‐ Anchorage Press
Read More | Posted Apr 5, 2018
85% Darkest Hour (2017) Nevertheless, Darkest Hour is entertaining and beautiful to watch.‐ Anchorage Press
Read More | Posted Mar 30, 2018
40% A Wrinkle in Time (2018) The stellar cast and promises made by technology only adds to the layers of disappointment. ‐ Anchorage Press
Read More | Posted Mar 28, 2018
91% The Disaster Artist (2017) The Disaster Artist is an incredibly entertaining movie, and Franco delivers a rendition of Tommy Wiseau that is award worthy.‐ Anchorage Press
Read More | Posted Mar 8, 2018
100% Watu Wote (All of Us) (2017) Watu Wote (All of Us) is a beautiful film showing the tragic devolution of religion as a set of guiding principles. ‐ Anchorage Press
Read More | Posted Feb 23, 2018
100% The Silent Child (2017) The film reflects the biases faced by deaf people simply for being different and to the urgent need for change to give them equitable access to the world.‐ Anchorage Press
Read More | Posted Feb 23, 2018
91% DeKalb Elementary (2017) The characters are complex and the acting superb. ‐ Anchorage Press
Read More | Posted Feb 23, 2018
77% In the Fade (Aus dem Nichts) (2017) The great acting, and thoughtful design were only a couple of reasons why In The Fade was selected to compete at the Cannes Film Festival where Kruger won for Best Actress.‐ Anchorage Press
Read More | Posted Feb 9, 2018
38% Permanent (2017) Permanent has permanently missed the boat.‐ Anchorage Press
Read More | Posted Feb 2, 2018
88% In Search of Fellini (2017) In Search of Fellini is not trying to hide its source material and inspiration, or replace Fellini's works, it's simply adoring of his work, an in this regard, the film is in reverence of the rich and magical world that Fellini creates.‐ Anchorage Press
Read More | Posted Jan 26, 2018
74% The Lost Boys (1987) The Lost Boys is a nice balance of the genres, thus appealing to wide tastes. The film is fun, and not too frightening, and delivers lines with impeccable timing. ‐ Anchorage Press
Read More | Posted Jan 19, 2018
83% Marshall (2017) Marshall misses opportunity after opportunity to be truthful and relevant in the world today because while, it looks good, and the story unfolds pretty flawlessly, it has blinders on that disregard the depths of the circumstances and impacts of the case. ‐ Anchorage Press
Read More | Posted Jan 12, 2018
76% Manifesto (2017) Manifesto creates a philosophical narrative about art and its role in society using dozens of manifestos written by thinkers, artists, philosophers, architects, dancers, and filmmakers.‐ Anchorage Press
Read More | Posted Dec 29, 2017
74% Beatriz at Dinner (2017) Arteta's brilliant direction sets up the dynamics beautifully and subtly...‐ Anchorage Press
Read More | Posted Dec 29, 2017
91% Human Flow (2017) Human Flow reflects the world as human beings have created it, but when truth is combined with Ai Weiwei's aesthetic sensibility, the result is an examination of the current crisis of hope.‐ Anchorage Press
Read More | Posted Nov 30, 2017
84% Loving Vincent (2017) The storyline is mediocre and uneventful, and the film is just a tad too long, but the reason to see the film is for its sheer visual merit and innovation.‐ Anchorage Press
Read More | Posted Nov 22, 2017
93% School Life (2017) School Life provides a rare glimpse of a system of teaching and nurturing that seems to be a rarity this year, one in which an institution fulfills the multiple roles of a surrogate family.‐ Anchorage Press
Read More | Posted Oct 20, 2017
100% Dawson City: Frozen Time (2017) There is something that inspires curiosity in seeing art forms in a state of emergence and decay, Dawson City: Frozen Time provides a glimpse into the past, the art of decay, and the hope of restoration. ‐ Anchorage Press
Read More | Posted Oct 6, 2017
74% The Exception (The Kaiser's Last Kiss) (2017) The Exception treats the horrific historical realities of the Holocaust as mere suggestions of contextual plot, thus minimizing the horror, inhumanity, and affront to human dignity.‐ Anchorage Press
Read More | Posted Aug 25, 2017
4/5 96% A Taxi Driver (2017) Jang Hoon's vision is focused and his delivery is compelling. While the story praises the courage of Peter to tell the story of a massacre that would have otherwise been swept under the rug, the heart of the story is in Mr. Kim's personal transformation.‐ Anchorage Press
Read More | Posted Aug 11, 2017
5/5 86% Band Aid (2017) In her new film, Band Aid, Zoe Lister-Jones lays it all on the line and wins. Sally Potter: eat your heart out.‐ Anchorage Press
Read More | Posted Jul 30, 2017
83% The Founder (2017) Kroc, as delivered by Keaton and Hancock, is a blueprint for the type of a super-sized person that by 2016 could easily be elected President of the United States. ‐ Anchorage Press
Read More | Posted Jul 21, 2017
5/5 75% Wakefield (2017) Wakefield illustrates what white privilege is all about - the ability to step out of one's own life, abdicate responsibility, and still one's loved ones are OK, their safety, livelihoods, and overall quality of life remains intact.‐ Anchorage Press
Read More | Posted Jul 14, 2017
5/5 86% Paint It Black (2017) When Michael's countenance is on full display, it is in a state of transformation between the three characters; just like in Bergman's Persona, it is the exchange between characters that defines them.‐ Anchorage Press
Read More | Posted Jul 8, 2017
3/5 88% 20th Century Women (2017) The narrative is fully under the director's control, but in this case this isn't a good thing because he controls the past, present, and future, thus the character development is linear and banal. ‐ Anchorage Press
Read More | Posted Jun 30, 2017
4/5 83% Kiki (2017) For those of viewers who have never kikied, they should not miss this documentary; for those who have, Kiki offers a refreshing and melancholic look at how far we've come.‐ Anchorage Press
Read More | Posted Jun 24, 2017
73% A Hologram for the King (2016) At about an hour in, A Hologram for the King pivots in a wonderful direction; what develops from that point on is worth the wait.‐ Anchorage Press
Read More | Posted Jun 21, 2017
92% SEED: The Untold Story (2016) SEED: The Untold Story is well-structured, paralleling the holdings of the major corporations with the geographical path of the narrative.‐ Anchorage Press
Read More | Posted Jun 21, 2017
82% Tale of Tales (Il racconto dei racconti) (2016) Tale of Tales is deliciously dark and filled with symbolism.‐ Anchorage Press
Read More | Posted Jun 21, 2017
88% The Lobster (2016) The Lobster is not perfect film and there are some holes in the narrative, but then again, it doesn't really matter because its heart is intact, and there are so many rich details that one can examine the film through multiple lenses.‐ Anchorage Press
Read More | Posted Jun 21, 2017
73% Trumbo (2015) All the Hollywood stars in the world cannot make up for a watered-down, squeaky clean and formulaic script and production-and this is the unfortunate reason that the real Trumbo is turning, like a rotisserie chicken, in his grave.‐ Anchorage Press
Read More | Posted Jun 21, 2017
85% Francofonia (2016) Francofonia is beautiful to see, and the big ideas still tug at the heart of viewers and remind contemporary audiences of their place in the world.‐ Anchorage Press
Read More | Posted Jun 21, 2017
79% SOMM (2013) Perhaps one of the best messages in SOMM: Into the Bottle is that wine's ultimate raison d'être is to be enjoyed, so viewers can feel good about their evolving tastes and just drink it.‐ Anchorage Press
Read More | Posted Jun 21, 2017
80% The Other Side (Louisiana) (2016) The Other Side is meant to be a documentary but sometimes feels like a well-crafted melodrama.‐ Anchorage Press
Read More | Posted Jun 21, 2017
96% Embrace Of The Serpent (El Abrazo De La Serpiente) (2016) Embrace of the Serpent is simply poetic.‐ Anchorage Press
Read More | Posted Jun 21, 2017
44% Moonwalkers (2016) If viewers disarm themselves of expectations but keep in mind references to decades past, then Moonwalkers will provide entertainment and few LOL moments.‐ Anchorage Press
Read More | Posted Jun 21, 2017
No Score Yet Defiant Requiem (2012) Defiant Requiem weaves a compelling account of Terezín with interviews, facts and figures to venerate the undying spirit of Jews in the Holocaust and their unyielding love for life.‐ Anchorage Press
Read More | Posted Jun 21, 2017
77% Band Of Robbers (2016) Forget the plot, forget the moral lessons, the acting is reason enough to see Band of Robbers.‐ Anchorage Press
Read More | Posted Jun 21, 2017
80% Macbeth (2015) The most crucial flaw in Kurzel's Macbeth is that he surgically removes the strength, presence, and importance of the female characters found in the real Macbeth.‐ Anchorage Press
Read More | Posted Jun 21, 2017
92% Twinsters (2015) For the all things that Twinsters does right, like the technical delivery that is well done, the flawless editing, the consistent voice that runs through it, and a somewhat compelling story, there is still something that is seriously missing.‐ Anchorage Press
Read More | Posted Jun 21, 2017