Javier Ocaña Movie Reviews & Previews - Rotten Tomatoes

Javier Ocaña

Javier Ocaña
Javier Ocaña's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Pais (Spain)

Movie Reviews Only

Rating T-Meter Title | Year Review
46% The Dinner (2017) ... a challenge with so much to tell and with so little to waste. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 21, 2017
79% The Killing of a Sacred Deer (2017) Desolately beautiful. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Dec 4, 2017
100% Directions (Posoki) (2017) Directions presents a panorama of widespread corruption. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Dec 4, 2017
85% Wonder (2017) [An] ideal movie for the whole family. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Dec 4, 2017
40% The Racer and the Jailbird (Le Fidèle) (2017) The biggest problem with the film is that...it is very simple. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 27, 2017
60% Anchor and Hope (2017) The film is too high all the time, in its joy and its sadness. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 27, 2017
62% 6 Days (2017) Boring and flat. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 27, 2017
No Score Yet Gold (Oro) (2017) A hardened and unbalanced film. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 13, 2017
No Score Yet Muse (2017) Barely reaches a superficial layer. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 13, 2017
100% La Chana (2016) A calm, tender and open film, elegant and sober. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Nov 13, 2017
91% A Ghost Story (2017) Lowery's film shows an exquisite taste for framing. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 6, 2017
86% Battle of the Sexes (2017) The Battle of the Sexes wanted to be too many things at the same time. [Full Review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 6, 2017
33% Deep (2017) ... requires an effort of creativity and originality greater than that which those responsible are offering here. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2017
5% Flatliners (2017) ... more of the same without the nostalgia component. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Nov 3, 2017
33% Marrowbone (2018) Unequivocally Sanchez. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Oct 31, 2017
20% The Hatton Garden Job (2017) Neither funny nor comical nor dramatic nor metaphorical. It's little; it's almost nothing. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Oct 31, 2017
92% Thor: Ragnarok (2017) The third [movie] has hit the nail on the head. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Oct 31, 2017
64% Back to Burgundy (Ce qui nous lie) (2018) [Back to Burgandy] ends up achieving what was proposed: the portrait of how each day can always be new or the same, depending on our inner dignity. [Full Review in Spanish] ‐ El Pais (Spain)
Read More | Posted Oct 31, 2017
No Score Yet Cold Skin (2017) ... an adventure of terror as neat as it is impersonal. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2017
No Score Yet The Network of Freedom (Red de libertad) (2017) ... continually underlines the religious message, verbalizes subtexts... and seeks comfort through discourse. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 20, 2017
71% Handia (2017) ... exquisite visual taste, with a formidable formal display of photography... [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 19, 2017
60% April's Daughter (Las hijas de Abril) (2017) ... lacks rotundity, both visual and narrative. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 19, 2017
33% The Only Living Boy in New York (2017) ... tackles a fascinating love triangle that faces two areas as contradictory as the bohemian and intellectual. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 13, 2017
No Score Yet Back To Stay (Abrir Puertas Y Ventanas) (2011) ... a rare show that is completed with the expressiveness of the actresses and the remarkable cadence of information. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 13, 2017
69% Annabelle: Creation (2017) ... the film knows how to create a physical space with a true power for restlessness... [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 12, 2017
13% The Nut Job 2: Nutty by Nature (2017) So the arrival of Operation Peanut 2 comes accompanied by three surprises. First, its mere existence... [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 12, 2017
41% The Mountain Between Us (2017) ... never transports you the vital despair and yearning for survival, much less the romantic rush of runaway love in extreme conditions. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Oct 6, 2017
50% Mr. Stein Goes Online (Un profil pour deux) (2017) The film strives to truffle out of entanglement without too much grace or rhythm a series of powerful situations that, tied to the weight of insight, would have aspired to impact. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 29, 2017
87% The Lost City of Z (2017) A coherent, transcendent and rocky work. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Sep 28, 2017
77% Atomic Blonde (2017) At the end dominates only the facade. Inside, there's just an empty set. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 29, 2017
No Score Yet Living and Other Fictions (Vivir y otras ficciones) (2016) This film challenges you as a spectator and as a human being, and places you as a privileged situations in which it's very likely that you prefer to look sideways. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 23, 2017
No Score Yet Can't Say Goodbye (No sé decir adiós) (2017) A film about what is really essential, about what touches your stomach and brain, about the day to day that comes down. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 23, 2017
16% The Dark Tower (2017) When the film turns to the usually whimsical laws of fantasy, collapses. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 22, 2017
100% My Journey Through French Cinema (Voyage À Travers Le Cinéma Français) (2017) A joy of three hours and ten minutes, more settled in the transfer of emotion than in historiography. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 22, 2017
No Score Yet The Healer (Lo que de verdad importa) (2017) Good for the social cause but a horror as a film. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 15, 2017
98% In This Corner of the World (Kono sekai no katasumi ni) (2017) Perhaps too long in terms of footage, but with a remarkable medium level, the film, of course, will remain in the retina for the courage of an eternal moment. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
No Score Yet The Invisible Guardian (El guardián invisible) (2017) In spite of his youth, there's much effort, control, narrative and visual wisdom from the director Fernando González Molina. But there's no brilliance. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
No Score Yet Uncertain Glory (Incerta glòria) (2017) A staging of symbolic sense of the lyric, unforgettable prints of a black widow that is nothing but Spain itself, striking frontal shots to highlight the battles, has composed a great film about the Civil War. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
No Score Yet It's for Your Own Good (Es por tu bien) (2017) At this point, it seems impossible that Spanish commercial comedy stays away from what everyone is supposed to like. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
No Score Yet Belle dormant (2016) There is no rhythm, no technique, no brilliance. Just the presumption of doing something big. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
No Score Yet Plants (Las plantas) (2015) A debut film that, to its daily description and absolutely realistic, adds supernatural elements with influence of comics. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 8, 2017
45% Paris Can Wait (Bonjour Anne) (2017) Eleanor has gone hand in hand with the culinary travel guide, instead of delving into the entrails of a character. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 2, 2017
46% Sweet Dreams (Fai bei sogni) (2016) A film about the anguish that is seen through bursts without a hint of sentimentality, of ups and downs of spirit, depressive until wanting to leave everything as a last chance. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Aug 2, 2017
85% Afterimage (Powidoki) (2017) A conventional film in its structure, analysis of characters and form, but invaluable epilogue to a fundamental career in the history of cinema. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 26, 2017
93% Glory (2017) At some point it threatens with becoming a plausible odyssey between villains and heroes but in its final part, with critics for all sectors avoiding the thick stroke with a devastating outcome. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 14, 2017
57% On the Milky Road (2016) The Serbian filmmaker returns to his wandering bands of music and explosions of animality, of lyrical violence and dark humor, to his goats and wars, to marriages of convenience, to his cinema. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 14, 2017
93% War for the Planet of the Apes (2017) An impeccable film of risky dramatic range, taking into account its commercial ambitions, and unquestionable political message. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 14, 2017
95% Graduation (Bacalaureat) (2017) Without a musical soundtrack and through elongated fixed planes full of internal rhythm, the film is the perfect weapon against the apostles of moral superiority. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jul 6, 2017
29% The Queen of Spain (La reina de España) (2017) The script of Trueba doesn't just plait the union between the adventures of the Americans of shooting in Spain and the imprisonment of one of the personages in Cuelgamuros. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 19, 2017
No Score Yet Money (2017) An effective, solvent and very professional thriller around the B series, with excellent management of the means at its disposal, by directors turned over time into classics of film noir and intrigue. [Full review in Spanish]‐ El Pais (Spain)
Read More | Posted Jun 13, 2017