Javier Perez

Javier Perez
Javier Perez's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Cine Premiere
Publications: Cine Premiere

Movie Reviews Only

T-Meter Title | Year
3/5 74% Richard Jewell (2019) Far from being one of Eastwood's best films, Richard Jewell, however, maintains his precision in telling a good story. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 3, 2020
3.5/5 89% The Two Popes (2019) Even though the scenes that feature the encounters between the two popes could come across as implausible, in the hands of Hopkins and Pryce they end up being eloquent, convincing, and entertaining. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 27, 2019
3/5 84% The Vanishing (2019) The Vanishing leaves several loose ends that end up making the story not completely rounded. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 10, 2019
3.5/5 97% Border (Gräns) (2018) The ending, surprising for its particular hopeful message, is one of the strong elements of this wild movie. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 10, 2019
3.5/5 80% The Lodge (2020) Although the plot twists are obvious, they are interesting and surprising. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 10, 2019
0.5/5 19% The Haunting of Sharon Tate (2019) An execution of poor resources with poor performances. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 10, 2019
2.5/5 77% Doctor Sleep (2019) Despite some quite well executed moments, Doctor Sleep lengthens unnecessarily because Flanagan fails to combine the elements from the 80's film with the new ones. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 8, 2019
2.5/5 No Score Yet Un Papá Pirata (2019) The message about the value of friendship, of the family beyond consanguinity, of love, of trust, of the construction of fatherhood and self-respect is emphasized again and again in the dialogue. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 5, 2019
3.5/5 81% Light of My life (2019) Affleck manages to deliver a film that abound primarily with two actors who succeed in their performances. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 5, 2019
3/5 No Score Yet Day of the Dead (Día de muertos) (2019) The traditions' theme is approached as the central point of a plot that is intriguing, that has action, suspense, and of an animation that stands out. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 5, 2019
2/5 44% After the Wedding (2019) After the Wedding renounces the moral intensity to lean towards a predictable melodrama. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Oct 20, 2019
2.5/5 49% Where'd You Go, Bernadette (2019) A film that only barely manages to connect because of Cate Blanchett's performance, but it is far from being one of Linklater's best. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Oct 20, 2019
2.5/5 27% Rambo: Last Blood (2019) Rambo: Last Blood disappoints expectations. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Sep 22, 2019
1.5/5 39% Angel Has Fallen (2019) Another forgettable film. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Aug 31, 2019
2/5 59% The Secret Life of Pets 2 (2019) The movie seems more like an attempt to return to the success of the first installment, rather than giving the opportunity to grow as a franchise. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Aug 9, 2019
1/5 No Score Yet Love Me Not (2017) The film tries to make an observation about the depravity of the human condition, but winds up making a case for it being an over the top telenovela. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jul 30, 2019
2/5 55% Extremely Wicked, Shockingly Evil and Vile (2019) Zac Efron's charisma can't save this film from being any less empty. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jul 30, 2019
4/5 81% Sorry Angel (Plaire, aimer et courir vite) (2019) An endearing and loving story, which avoids the melodramatic recesses in which the film could have stayed. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Jul 13, 2019
2.5/5 80% Angelo (2018) In the third act of the film, Schleinzer points out in his sociocultural commentary a dark idea that is gripped by a story too focused on showing itself as an auteur's film. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 26, 2019
2/5 27% The Aftermath (2019) The film is far from being remembered as a post-war historical drama and also as a story of love, redemption and betrayal. James Kent was unable to tighten the narrative. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 19, 2019
3/5 88% What They Had (2018) What They Had fully supports its narrative weight in the performances. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 19, 2019
2/5 43% He's Out There (2017) He's Out There is an entertainment for a leisure time, done with trade, but with too many cliches and common places of the genre. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 11, 2019
2/5 60% Botero (2018) The film comes off more as a news story rather than a documentary on such an important figure. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 5, 2019
3.5/5 81% Mid90s (2018) Its depictions are raw and never stop being profound. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted May 5, 2019
1.5/5 61% Breakthrough (2019) The film is flat, with an openly religious look and insists at all costs to leave an edifying and unquestionable message in an era in which the lack of questioning is a major evil that afflicts society. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Apr 17, 2019
3/5 57% Pet Sematary (2019) A solid entry. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Apr 5, 2019
3.5/5 63% Mary Queen of Scots (2018) An entertaining costume drama with a brilliant performance from Saoirse Ronan. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Apr 3, 2019
1.5/5 50% Heilstatten (2018) Heilstatten joins the ranks of a overdone subgenre that doesn't aport anything. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Apr 3, 2019
3.5/5 84% The Quake (Skjelvet) (2018) The Quake is a magnificent example of how to make a sequel not only to exploit the success of the first, but with the ambition that their characters evolve without losing their essence. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Mar 22, 2019
4.5/5 93% Araby (Arábia) (2018) The Brazilian Araby is an example of this Latin American cinema that is looking at the sociocultural interior of its idiosyncrasy without prejudices or folklore. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Mar 1, 2019
2/5 42% The Prodigy (2019) Nicholas McCarthy needed to transcend the conventions to successfully mix genres. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Feb 22, 2019
3/5 100% Lola Pater (2017) Lola Pater transcends beyond an interesting anecdote that feeds an interesting film resolved with neatness and efficiency. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Feb 11, 2019
3/5 84% Pyewacket (2018) A solid genre film that leans too much on obvious symbolism. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Feb 2, 2019
2/5 17% Look Away (2018) A risky and ambitious film that unfortunately loses its way and ends up turning into a forgettable film. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 18, 2019
3/5 75% Belzebuth (2018) Emilio Portes presents a film about possessions and exorcisms that has narrative solvency and manages to associate the sinister about human behavior with the sinister of the paranormal. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 11, 2019
2/5 45% Second Act (2018) A functional comedy that doesn't ask for more from its cast or the audience. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 11, 2019
3/5 74% Destroyer (2018) A film with a confusing narrative that stays afloat thanks to an extraordinary performance from Nicole Kidman. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 2, 2019
2/5 27% Mortal Engines (2018) Although he is not directing it, Peter Jackson presents a post-apocalyptic world that never manages to take off due to a lack of narrative clarity. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Jan 2, 2019
2.5/5 61% Unfriended: Dark Web (2018) Despite counting on a style that seems overdone, this thriller about the dangers of the internet works. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 14, 2018
1/5 5% 211 (2018) 211 is a film that's loaded with improbably situations with a Nicolas Cage on autopilot. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 14, 2018
1.5/5 41% Hell Fest (2018) Hell Fest is a horror movie that contributes very little in terms of narrative, scares or imagination. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Dec 9, 2018
2/5 79% Return of the Hero (Le Retour du Héros) (2018) The only reasons this French comedy is even tolerable is because of the charisma of its two leads: Jean Dujardin and Melanie Laurent. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 16, 2018
2/5 36% Hunter Killer (2018) Hunter Killer is a thriller with a great cast that's completely misused and a story that could have been more. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 5, 2018
4/5 95% Custody (Jusqu'à la garde) (2018) Tense, brutal and painful. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Nov 2, 2018
3/5 72% The Apparition (L'apparition) (2018) [A] film of religious theme that's not militant and delves into questions of faith and manipulation of beliefs. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Oct 29, 2018
1.5/5 9% Replicas (2019) Replicas is an insane tale directed without a fixed direction that is more comical than tragic, intelligent or, already less, interesting. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Oct 26, 2018
4/5 96% The Death of Stalin (2018) Iannucci is a born narrator for political comedy. [Full review in Spanish] - Cine Premiere EDIT
Read More | Posted Oct 12, 2018
2/5 23% Mile 22 (2018) Although it has some remarkable action sequences, in the new film by Mark Wahlberg reigns the implausibility in a confused plot. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Aug 31, 2018
1/5 7% Slender Man (2018) A horror film that tries to be a critic to the "YouTube era", but that is very far from achieving it. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Aug 24, 2018
2.5/5 46% Cold Skin (2018) Although Cold Skin is entertaining, it has an excessively contained direction that does not take it anywhere. [Full Review in Spanish] - Cine Premiere EDIT
Read More | Posted Aug 3, 2018