Javier Porta Fouz

Javier Porta Fouz
Javier Porta Fouz's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): La Nación (Argentina)
Publications: La Nación (Argentina)

Movie Reviews Only

T-Meter Title | Year
63% Yesterday (2019) A hollow, dull, and opportunistic movie that renounces all logic. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 12, 2019
83% High Life (2019) High Life is impressive and moving. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 5, 2019
78% A Faithful Man (L'homme fidèle) (2019) A Faithful Man is a vital offer. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Sep 5, 2019
60% Greta (2019) After the violence and suspense have been strained, the movie advances with elegance, but accumulates some blunders towards the end, just like the 90s thrillers that we miss a little today. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 29, 2019
55% Extremely Wicked, Shockingly Evil and Vile (2019) The series of "recreated" facts are expounded with apathy, opportunism, and a strict absence of suspense. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 29, 2019
100% Santiago, Italia (2018) Nanni Moretti narrates and listens, and he narrates and thinks, and he narrates and moves us with some of the most noble and enduring weapons of cinema. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 15, 2019
83% Dogman (2019) The story is framed, staged, illuminated, and acted with that kind of esthetic conviction, narrative force, and passion for intensity that has allowed Italian cinema to fascinate so many times throughout history. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 1, 2019
31% Red Joan (2019) What one perceives in this movie is a particular passivity and several errors in the development of suspense, melodrama, and almost any appeal related to the spy film, or even the biographical film. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 25, 2019
81% Mid90s (2018) Mid90s is one of those debuts that signals the beginning of a great directing career for Jonah Hill. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 19, 2019
64% Child's Play (2019) Child's Play takes what is convenient to it from the past, but creates something different. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 19, 2019
100% Real Love (C'est ça l'amour) (2018) It reminds us of a true cinema, honest, and probably old fashioned. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 4, 2019
77% Hotel Mumbai (2019) The heart of Hotel Mumbai is with its staff, those professional and proud workers that decided to be heroes. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 25, 2019
No Score Yet Quiet Comes the Dawn (Rassvet) (2019) Extreme audiovisual illiteracy and it's not even laughable. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 16, 2019
88% Mia and the White Lion (2019) The film reminds us of some of the great dimensions of cinema. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 9, 2019
95% Pain and Glory (Dolor y gloria) (2019) Banderas accomplishes an extremely difficult performance. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 9, 2019
54% Ma (2019) Fortunately, Ma is a strange thriller (in a good way) throughout most of its 99 minutes. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jun 3, 2019
77% Leto (2019) Leto is a film about those interstices in which oppressive obtuse was fought something like dreams that the film reproduces with visual and musical trances loaded with audacity and charm. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 26, 2019
51% The Sun Is Also a Star (2019) The film lacks sophistication, but it has a very assertive narrative that works. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 20, 2019
51% A Dog's Journey (2019) We are facing a film of emotional crassness. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 20, 2019
68% Pokémon Detective Pikachu (2019) There is a lack of tension and intelligibility. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 11, 2019
82% Ben is Back (2018) It has a "movie of the week" flavor to it. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted May 11, 2019
92% Belmonte (2018) Veiroj shows that his cinema has personality, nothing less: security and stylistic aplomb to evidence doubts, narrative fluidity to develop characters in the midst of obstacles and impossibilities. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Apr 8, 2019
20% Serenity (2019) Serenity could have been a celebration of the genre, but instead it just tries to pull off twist after twist. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 28, 2019
34% King of Thieves (2019) Michael Cane is precise, convincing and the best part of this film. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 28, 2019
100% A Wedding (2016) A Wedding successfully develops its thematic nucleus in the comparisons between Zahira's family and her friend Aurore's. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Feb 25, 2019
99% Shoplifters (Manbiki kazoku) (2018) Koreeda especially knows how to film the child's clear cut point of view about the outside world. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 24, 2019
97% Spider-Man: Into the Spider-Verse (2018) A harmless coating that simulates telling a lot, but actually narrate very little. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 10, 2019
70% The Mule (2018) Eastwood, once again, offers the spectators of his indelible art the emotions of cinema in the form of cinema. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 3, 2019
98% 3 Faces (2019) This film does not try to eliminate any harshness and harnesses the art of knowing when to show and when not to. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jan 2, 2019
76% Don't Worry, He Won't Get Far on Foot (2018) It accumulates simplistic conceptual repetitions, other grossly emotional ones, unworthy music and some super impressions that, again, make us doubt about who the real Van Sant is. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 20, 2018
30% The Midnight Man (2018) There is a lot of blood spilled, negotiated and sprinkled that does not at any time raise the blood of this tedious narrative. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 29, 2018
91% Black Tide (Fleuve noir) (2018) Cassel is at risk of intensity all the time, but most of the time he remains on the side of conviction - perhaps moving - and confidence in the traditions of the genre. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 27, 2018
No Score Yet Malicious (2018) As the film ends, it's clear that a cohesive narrative was never created to help peak interest in anything in the film. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 26, 2018
96% BlacKkKlansman (2018) Blackkklansma is one of those films that effectively channel energy, exhibit conviction and even excess in some passages and Lee presents this story in an intensely seductive manner. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 15, 2018
No Score Yet Anna's Life (2016) By the end, nothing is cohesive and it becomes very clear that this is just a false, cruel and futile program. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 8, 2018
No Score Yet Calabria (2016) Their conversations, reflections and especially their songs are the pillars of this film that exhibits a modest wisdom to observe vital and uprooted paths and endow them, at times, with a certain placid poetry. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 8, 2018
75% Champions (Campeones) (2018) Abrupt narratives that cut in a film that's already more than two hours lower the dignity of the emotions in this film. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 5, 2018
94% Transit (2019) With Transit, Petzold reaffirms that he is one of the most unavoidable contemporary auteurs that has perfected the teachings of classic American cinema to tell stories about Europe that are so near and far. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 25, 2018
83% Juliet, Naked (2018) Rose Byrne, Chris O'Dowd and Ethan Hawke shine like the stars of before. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 24, 2018
20% Like Mother, Like Daughter (Telle mère, telle fille) (2017) An exercise in overacting. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 9, 2018
40% Stories of Love That Cannot Belong to This World (Amori che non sanno stare al mondo) (2017) A base material with which great directors and screenwriters could have made acid comedies or secret and subtle contemporary melodramas. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 23, 2018
85% Battle of the Sexes (2017) We want King to triumph, not only for these reasons, but because we love Emma Stone in her shoes. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Dec 4, 2017
No Score Yet Bad Cat (Kötü Kedi Serafettin) (2017) Violence and insults are sustained and, at times, effective. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 27, 2017
96% Paterson (2016) ... Jarmusch offers an admirable cinema, impeccable, accessible for empathy... [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 10, 2017
86% American Made (2017) Tom Cruise [is] in a restored state of grace. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Nov 3, 2017
79% The Beguiled (2017) Coppola makes the film mellifluous, insipid and languid, which annihilates the idea of narrative progression for the sake of atmosphere. [Full Review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 31, 2017
16% Geostorm (2017) ... this is cinema as an immediate spectacle, pure surface. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 20, 2017
84% Lover For A Day (L'amant d'un jour) (2018) ... this is a cinema of feelings, of passions, of men and women who love each other, although not always in unison... [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Oct 16, 2017
92% Sieranevada (2016) An electrifying family reunion that becomes evil and bilious dance. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Aug 16, 2017
92% Dunkirk (2017) A dedicated work in the extra lacerating sound of bullets, explosions, torpedoes and music almost without a break. [Full review in Spanish] - La Nación (Argentina) EDIT
Read More | Posted Jul 27, 2017