JJ Negrete Movie Reviews & Previews - Rotten Tomatoes

JJ Negrete

JJ Negrete
JJ Negrete's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Butaca Ancha

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet Prototype (2016) The use of depth of field, negative spaces and the free flow of images... create, at times, a sensation of astonishment and optical novelty similar to what Lumiere's first short films provoked in his audience. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 28, 2017
No Score Yet Ruins Your Realm (Ruinas Tu Reino) (2016) There are many layers and textures in this work... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 28, 2017
90% Zama (2017) The film is an impressionistic landscape of sounds, images and sharp dialogues -recognized from the original novel- that manage to leave the impression that we are not watching a film, but reading it. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 27, 2017
75% The Day After (Geu-hu) (2017) As in other Hong [Sang-Soo] movies, time is malleable and capricious... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 27, 2017
86% Nocturama (2017) ... these young people love as much as they despise the world they live in, one of sophisticated materialism, an oppressive system so meticulously designed that it can only be destroyed, completely, by itself. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 27, 2017
86% Buzzard (2015) The leisure culture presented by [director Joel] Potrykus is endemic and responds to radical changes in social and labor paradigms, not only in the United States, but in the world... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 27, 2017
70% I, Olga Hepnarová (Já, Olga Hepnarová) (2017) The film does not provide a visual background of how Olga arrived at the state in which we find her, does not seek to justify her act or condemn it. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 17, 2017
No Score Yet Oso Polar (2016) ... the freshness of the format expires quickly before the slight formal inventiveness. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Nov 1, 2017
No Score Yet Ayer Maravilla Fui (2017) ... [director Gabriel] Mariño's film is delicate and modest in its beauty, rigorously structured and with an outstanding performance by Sonia Franco... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 30, 2017
No Score Yet The Drawer Boy (2017) The film manages to maintain a rhythmic and consistent rhythm in the unveiling of mysteries and the integration of its characters... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 30, 2017
90% The Workshop (L'atelier) (2017) ... an intelligent and skillful narrative exercise... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 30, 2017
100% Faces Places (Visages, villages) (2017) The large rural areas, houses, containers and farmers become titanic photographs that make the human face a landscape as admirable as any other work of nature or art. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 30, 2017
91% The Other Side of Hope (Toivon tuolla puolen) (2017) As an antidote to cynicism and the toxic wave of nationalism that sweeps across the European metropolis, Kaurismäki creates a film balm that is easily identifiable and true to its style... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 27, 2017
94% Lover For A Day (L'amant d'un jour) (2018) ... subtle but devastating... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 27, 2017
No Score Yet Omar & Gloria (2017) The material that Gloria has recorded is commented on by herself and her son with joyful and joyous nostalgia... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 26, 2017
No Score Yet Witkin & witkin (2017) ... documentary filmmaker Trisha Ziff seems more inclined towords the curatorial approach, placing particular emphasis on works, how they are produced and their influences... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 26, 2017
92% Let the Sun Shine In (Un beau soleil intérieur) (2017) What [director Claire] Denis seeks is to capture the interstices of love, the conversations in which intimacy is filtered, not by exposing them, but by hiding them. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 24, 2017
73% Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2017) Some will say that [director Bruno] Dumont has completely lost his mind, but perhaps he has found enough sanity to understand that artistic freedom involves a radical challenge to the convention... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 24, 2017
87% Blade Runner 2049 (2017) A visual display of sordid elegance and sublime beauty of dystopian nature. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 6, 2017
68% mother! (2017) A film that is overwhelmed by its own ambitions, behind which is a filmmaker drowned in a whirlwind of ego torrential swirl. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 3, 2017
No Score Yet Combat d'amour en songe (Love Torn in Dream) (2000) The lack of control and narrative anarchy of Combat d' amour en songe is such that it seems to come to life by itself. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Oct 3, 2017
No Score Yet Casa Roshell (2017) Donoso presents the machinery of the transformation of bodies through "packages of transformation" and the use of clothing as a configurator of personal identity. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Aug 16, 2017
49% Valerian and the City of a Thousand Planets (2017) A cinematic bubble gum that explodes in loud and colorfull way. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Aug 7, 2017
9% The Emoji Movie (2017) An one-hour and twenty-minute blatant spot on "the secret life of your smartphone". [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Aug 7, 2017
92% Spider-Man: Homecoming (2017) The charisma of the cast transcends the expectation of seeing old acquaintances and gives the audience the opportunity to accept characters and different narrative arcs, instead of tracing models that had previously worked. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Jul 7, 2017
37% Snatched (2017) An unintentionally political, racist comedy and worst of all: no laughter. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Jun 26, 2017
91% Good Time (2017) Robert Pattinson delivers the best performance of his career. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 30, 2017
62% Amant Double (L'amant double) (2018) If not taken seriously, Orzon's film is nothing more than a perverse amusement that is so absurd and confusing. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 30, 2017
55% In the Fade (Aus dem Nichts) (2017) Akin's film relies heavily on conventional structures, zero formal hazards and a solid performance by Kruger. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 30, 2017
68% A Gentle Creature (2017) Losnitza achieves a smooth and elegant first part that becomes too dense towards the end. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 26, 2017
78% The Beguiled (2017) Philippe Le Sourd's photography and Nicole Kidman's performance elevate the film and place it among the leading of a weak competition. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 26, 2017
17% I Am Happiness on Earth (2014) A film that is impeccable from a formal point of view, but that begins to stumble with the limits of its speech. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 26, 2017
32% Jupiter's Moon (Jupiter holdja) (2017) Weak and empty in its ideas and relies excessively on its spectacularity and validity to be able to hang a halo of "greatness" and "power." [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
86% Okja (2017) Okja refines the limitations of Snowpiercer as a social satire and strengthens his message as a call to appreciate any creation. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
81% The Square (2017) It's unfortunate that the film closes with much weakness and uses its best material in the first part. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
99% BPM (Beats Per Minute) (120 battements par minute) (2017) Counting on formal moments of extraordinary beauty, the film loses force by wanting to embrace too much. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
53% Redoubtable (Le redoutable) (2017) It's in the production design where the film finds its greatest strength and also allows it to generate some visual and sound gags. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
58% Radiance (Hikari) (2017) Most of the time it falls into the sentimentality, although it's one of the most successful works of the Japanese filmmaker. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
79% The Killing of a Sacred Deer (2017) The film doesn't support the finely constructed tension of the first part and ends up sacrificing itself towards the last act, in an overturned and irregular way. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
66% Happy End (2017) One of the director's least successful works and perhaps the weakest. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
93% The Meyerowitz Stories (New and Selected) (2017) Baumbach achieves a kindly acid and devastatingly funny movie. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 25, 2017
71% Wonderstruck (2017) Wonderstruck is a film of beauty and unparalleled detail, without a blunt narrative. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 22, 2017
92% Loveless (Nelyubov) (2018) A film that puts his country (Russia) as the epitome of a moral collapse that leads to a complete destruction of all emotion, not from a start, but from indifference. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 19, 2017
60% Les Fantômes d'Ismaël (2017) The film shows that a ghost is able to move with secrecy and elegance, but lacks precision and clarity. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 18, 2017
67% Los Herederos (2015) In a nonexistent and narrative style that is scarcely fulfilling, Hernandez's film is only fortunate for a few moments, but its opacity and eagerness to dedramatize damages its moralizing effort. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 16, 2017
29% King Arthur: Legend Of The Sword (2017) A movie that moves at a frenetic pace, lashing the audience with an overwhelming amount of elements that move equally to exaggerated revolutions or in idle recharge. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted May 11, 2017
75% We Are the Flesh (Tenemos la carne) (2017) Regardless of how complete or failed, it's an evidence of a creativity that strengthens the industry and gives us enough to talk about. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 27, 2017
80% Personal Shopper (2017) A film of a spectral elegance and metaphysical aspirations whose central problem lies in its diffusion but in many aspects similar to the sensations of a film like L'Eclisse (1962), by Michelangelo Antonioni. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 17, 2017
89% The Ornithologist (O ornitólogo) (2017) Abundant in symbolism, filmic, pictorial and personal references, the film isn't easily accessible, but it's gratifying in its religious implications, playful spirit and in its sophisticated style. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 6, 2017
91% Kékszakállú (2017) Solnicki gives a refined vision of formal precision and an enervating narrative brilliance that imposes a trance that suspends time and generates states of boredom or ecstasy. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 1, 2017