Jorge Loser

Jorge Loser
Jorge Loser's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Espinof
Publications: Espinof

Movie Reviews Only

T-Meter Title | Year
96% The Beatles: Eight Days a Week - The Touring Years (2016) 'Eight Days a Week' draws people's attention by the amount of recordings, about their years of shows and tours, that has been conveniently restored and shine as never before in an admirable and pure editing work. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
91% Elle (2016) The biggest virtue of the director Paul Verhoeven is to show complex characters, that are humans and 'grays', whose reactions raise the thriller peels, so we can see the thin sarcasm of their contradictions. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
82% Captain Fantastic (2016) The character composition helps to convert Captain Fantastic in a dark, fun, and often tender exam about fatherhood and its responsibilities. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
50% Hardcore Henry (2016) The power of its kinetic energy and its meticulous bloody choreography from the first to the last minute cannot be ignored. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
86% A Monster Calls (2017) The biggest problem of 'A monster Calls' is its lack of subtlety. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
83% Sausage Party (2016) Its jokes raise smiles and their journey through the more corrosive side of humor makes it easy for us to buy the idea, but watch out, the expiration date is not very far. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
No Score Yet Dr. Strange (1978) It is a cheap movie, it shows it in details as basic as its unconvincing recreation of New York, but it has a special charm and is able to make look again the superhero cinema with naivety. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
89% Doctor Strange (2016) Dr. Strange 'is a very well written and structured film that proposes a new world, different from the rest of heroes ones. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
No Score Yet The Halloween Tree (1993) The set of visual details hidden in the beautiful backgrounds... and the parade of textures to make the darkness a character elevate this children's movie to a small masterpiece. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
84% Oasis: Supersonic (2016) 'Oasis: Supersonic' is not the most honest movie about the group, but definitely, perhaps, the best documentary about a rock band to this date. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
92% Eat That Question: Frank Zappa in His Own Words (2016) A complex but inevitable contradiction, when it comes to analyzing a figure with so many arcs, a genius of impenetrable seriousness, capable of becoming an hilarious Dadaist. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
76% Idiocracy (2006) A movie not too bright, not funny, but that guessed right and predicted the incredible... The Apocalypse is now. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
85% Sully (2016) It pays tribute to the real character and his legacy without leaving the docudrama perspective aside. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
94% Arrival (2016) Implausibilities aside, the development of the bulk of the plot is an exciting study of the language of extraterrestrial symbols that they draw with their squid ink from outer space. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 20, 2019
74% Fantastic Beasts and Where to Find Them (2016) The film triumphs when it focuses on the nourished and surprising naturalistic adventure. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
94% Gimme Danger (2016) Other highly appreciable dynamic elements are the photographic inserts, archival material, classic cinema and educational reels from the fifties used in a montage. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
60% Allied (2016) The director maintains the balance of melodrama and suspense, with some predictability but remembering the Hitchcock script games. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
95% The Handmaiden (Ah-ga-ssi) (2016) As we discover its twists and turns, the movie proves to be a much less interesting story than it seemed to be in its wonderful first act. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
96% Moana (2016) The absence of unnecessary romance, the limitation of the comic resource, the claim of the self-sufficient woman as an exemplary figure are necessary variations to the dogma. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
53% Genius (2016) 'Genius' looks like a half-baked bread, lacking a solid emotional hook. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
85% Hacksaw Ridge (2016) Gibson intelligently uses the story to align the beliefs of his protagonist with his own beliefs and let his speech move away from the revenge that his detractors would expect. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
60% Circle (2015) Superficial and easy, it simplifies complex social dilemmas at the elementary level and its study of human cruelty is as apathetic and inefficient as its entertainment value. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
73% Nocturnal Animals (2016) An emotional torture thoroughly broken down into millimeter elements to be reconstructed mathematically in a sordid tale of revenge. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
84% Rogue One: A Star Wars Story (2016) One of the last takes surprises by its bravery, but does not remove the sensation of having seen an adulterated imitation of the 'Return of the Jedi's' climax. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
97% Hell or High Water (2016) The great achievement here is its decadent atmosphere about its anti-corporative attitude, a depressing situation that can be the push that the neo-Western needs to return the genre to its true glory. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
17% Mine (2017) Both the narrative exposition, an inner drama that is reflected on the outside, and the cinematographic tools offer an intense, reflective and conscious perspective on the condition of the man trapped in himself. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
63% Desierto (2016) A simple movie-experience, sometimes obvious, but that works. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
38% The 9th Life of Louis Drax (2016) The aesthetics of a television melodrama, a pastiche that wants to be more ingenious than it really can. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 19, 2019
83% Silence (2017) It raises a discussion about the value of religion for the human species, although the experience of almost three hours of mono-circumspection demands too much of the viewer. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
91% La La Land (2016) The director replaces the dances with a sense of rhythm, applying musical mathematics with precision to the cinematographic narrative, its images, the dialogues, carry a hidden musical compass. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
No Score Yet Hostage to the Devil (2016) The fascination that gives us the possibility that everything is real, or even as a very well-documented "mockumentary", it is perfectly enjoyable. - Espinof EDIT
Read More | Posted Aug 16, 2019
93% Hidden Figures (2017) The three main actresses are fun, expressive, endearing and turn their characters' naive enthusiasm into a spontaneous emotional grip. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
77% Split (2017) One of the highlights in the promotion of the movie was the promise to see James McAvoy playing some of Kevin's 23 personalities, which never happens. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
67% iBoy (2017) As a film is something lame, insufficient, almost because of its condition as an instant consumer product, is very much in line with the philosophy of the new online culture it recreates. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
80% Beware the Slenderman (2018) The film focuses in details of the case, and tries to associate its two aspects without achieving a conclusive correlation or a solid theory to hold on to.[Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
96% Manchester by the Sea (2016) Its visual modesty conveys the feeling that the director protects his characters, respecting their pain by diverting their eyes and giving them some space. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
89% Loving (2016) A true love story that is not afraid of compromises or silence as a way of expression. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
35% Live By Night (2017) Costume design, ambiance, production design and photography are magnificent, but what really draws attention is Affleck's visual ability, much more ambitious than the rest of his filmography. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
37% Resident Evil: The Final Chapter (2017) It does not help the accumulation of nonsense and ridiculous desperate moments. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
100% The Fury of a Patient Man (Tarde para la ira) (2016) Although all the cast is magnificent, the protagonism is for Antonio de la Torre. Much has been said about his interpretation and I contribute nothing if I repeat that he, and his furious gaze, push the film to the top. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
98% Moonlight (2016) 'Moonlight' is an experience subtle enough to establish itself as a remarkable racial drama. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
87% Jackie (2016) A complex portrait of a personality trapped between personal loss and the public eye that, at the same time, can be very speculative. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
43% Gold (2017) Gold is a good entertainment for adults, with an increasingly rare scale for independent works that are not blockbusters and therefore deserve, at least, an opportunity. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
92% Fences (2016) When the actors shine, the film is next to the flight, but its commitment to its scenic origin creates an authentic narrative fence, a poor understanding of the rhythm. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
75% Kong: Skull Island (2017) An exhausting journey without dramatic impact, neither in the beliefs of its heroes nor in the apparitions of the protagonist animal. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
91% Land of Mine (Under Sandet) (2017) A beautiful study on the contradictory nature of resentment and the importance of forgiveness. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 16, 2019
82% The Founder (2017) It does not offer much more than a film made for television but, yes, with a great Keaton. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 15, 2019
No Score Yet The Scarlet Flower (1977) This vision of Lev Atamanov is simply essential for any lover of classical animation or for those who want to enter a completely new and pure children's cinema universe. A masterpiece. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 15, 2019
86% The Bar (El bar) (2017) A return to Alex de la Iglesia's style, in which he continues to miss the visual achievements of his first era, but that, with some limitations, takes up the pulse of his good cinema. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 15, 2019
60% Southpaw (2015) There is a rawness, urgency and intensity in the 'Southpaw's' narrative that elevates its own biopic material. [Full Review in Spanish] - Espinof EDIT
Read More | Posted Aug 15, 2019