Jorge (JJ) Negrete Movie Reviews & Previews - Rotten Tomatoes

Jorge (JJ) Negrete

Jorge (JJ) Negrete
Jorge (JJ) Negrete's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Cine Premiere, Butaca Ancha

Movie Reviews Only

Rating T-Meter Title | Year Review
65% American Dharma (2018) Morris for his part tries to corner Breitbart's spokesman by means of stinging questions... leaving a sophisticated and impartial but slightly condescending portrait of Trump's former advisor. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 17, 2018
91% Long Day's Journey Into Night (Di qiu zui hou de ye wan) (2018) Bi Gan is confirmed as a filmmaker of rigor and sensitivity increasingly scarce in a world whose imagination and inventiveness is exhausted as the spark in a flare. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 17, 2018
80% Museum (Museo) (2018) Connecting the intimate with the universal and the current with the ancestral, Museum is discreet in its size but it encloses a particular vision of our history as a country. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 17, 2018
No Score Yet Fausto (2018) Fausto is a refined work of narrative, literary and cinematographic revisionism that, rather than modernizing, puts Goethe's work in dialogue with other stories, finding revealing similarities. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 17, 2018
100% Ash Is Purest White (2019) Zhangke Jia sees the present times dominated by a vertigo that abandons people behind them and transforms them into living ruins, ashes of such purity, that they even look white. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 17, 2018
73% In My Room (2018) With the same formal hollowness of the new Berlin school, Köhler revisits the genre of science fiction and the myths of masculinity in a personal key. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 13, 2018
100% Girl (2018) Girl is a feat of sensitivity and a warm empathy lesson with an impressive pas de bourré. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 13, 2018
64% Maya (2018) With lyrical beauty, Maya puts a critical perspective on "self-discovery quests" as seen in Eat, Pray, Love. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 13, 2018
71% The Good Girls (Las niñas bien) (2018) Marquez's direction shows an elegant sobriety and is careful not to deify a lifestyle more than to show its decadence, showing empathy with characters difficult to empathize with. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 13, 2018
92% If Beale Street Could Talk (2018) Despite a moving performance by Regina King, Jenkins' film has a sense of dramatic imposture and has a hard time shaking it. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 13, 2018
67% Capernaum (Capharnaüm) (2018) A disgusting act of film vanity disguised as a social conscience. Cinema is not nourished by heroes, but by ideas and art. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 12, 2018
100% Can You Ever Forgive Me? (2018) Heller's film is like any of the letters that Lee modifies: a miniature that offers enormous pleasures in each line with a fantastic interaction between McCarthy and Richard E. Grant. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 12, 2018
100% In Fabric (2018) In Fabric is a stylized piece of comic horror, rather than revising a genre it seems to create a new one through a peculiar hybrid, so finely embroidered and devilishly designed. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 12, 2018
No Score Yet Belmonte (2018) Belmonte, offers a very particular vision of male fatigue and a portrait of the artist who wants to remain whole, as bold as his pictorial work, full of phalluses that struggle agonizingly to stay erect. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 12, 2018
No Score Yet The Chambermaid (La camarista) (2018) The Chambermaid is a genuine approach to the experience of a woman whose destiny is tied to laying an opulent bed, but never being able to rest in it. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
93% Widows (2018) In the end despite al formal solvency and highly enjoyable product onscreen, the artist who brought us Hunger (2008) is missed. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
75% What You Gonna Do When the World's on Fire? (2018) Although sometimes it becomes monotonous and somewhat repetitive, Minervini uses these deficiencies to reinforce the discourse of ethnic minorities to counteract the effects of a powerful media and political apparatus. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
83% The Sisters Brothers (2018) Audiard delivers an impersonal western, which aims to launch maxims on the corrosive nature of greed, but which is barely efficient and does not contain a single memorable shot or sequence. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
100% Too Late to Die Young (2018) Emphasizing the personal on the collective, Sotomayor's film changes as it advances, as do its characters. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
65% Asako I & II (Netemo sametemo) (2018) Sharpening his ability as a conjuror of reality Hamaguchi finely explores, through sharp visual compositions and rhythmic rhythm, the mystery that nurtures an obsession and the destructive drive of doubt. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
88% Transit (2019) Abstracting the basic forms of a narrative such as Casablanca (Curtiz, 1942), Petzold presents a sober, disconcerting and emotionally devastating work that keeps his real identity carefully hidden. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
41% Outlaw King (2018) Mackenzie stages some impressive battle sequences, but the notorious deficiencies make Mackenzie's film look more like a collection of material that did not reach a montage of the best of Game of Thrones. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Sep 10, 2018
92% Lean on Pete (2018) Haigh manages to create a film that possesses the same natural majesty and virile beauty of a horse that has no hands, but does not need them to give all the support that a poor human breeding needs. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Aug 27, 2018
80% Mamma Mia! Here We Go Again (2018) Mamma Mia: Here We Go Again! is... a collection of highly contagious artificial emotion and a sequel that, in the beginning, does not obey any sense, but finds it in the air, the stars, the night, Fernando... [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Aug 20, 2018
2.5/5 No Score Yet Swagger (2016) Babinet's documentary is sensible and genuine, but the discourse and ideas present throughout the film wear thin. [Full Review in Spanish]‐ Cine Premiere
Read More | Posted Jun 25, 2018
94% Incredibles 2 (2018) Bird thinks and films like an architect... and understands that real superheroes are born on paper and not on a computer pixel. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Jun 15, 2018
68% Ocean's 8 (2018) Combining star talent with celebrities results in a an effective combination... [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Jun 5, 2018
89% Climax (2018) Rich in neon and long sequences, Noe has rebounded from the colossal misstep that was Love, but his new provocation results to be more conservative than scandalous. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 22, 2018
96% 3 Faces (2018) While it doesn't entertain in the same way as previous films, Three Faces registers the themes of Iranian cinema with warmth and melancholy and without a hitch. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 22, 2018
83% Woman at War (Kona fer í stríð) (2018) [Woman at War] is a notable portrait of the implications that arise when having the initiative to combat the neoliberal monster and all of its devices. ‐ Butaca Ancha
Read More | Posted May 22, 2018
81% Diamantino (2018) An authentic curiosity that is worth exploring due to its idiosyncratic commentary about Europe today. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 22, 2018
61% Summer (Leto) (2018) [Summer] uses a narrator to distort the turn of events only to in the end signal that things did not occur the way the way they did. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 22, 2018
No Score Yet Ten Years Thailand (2018) Weerasethakul is acute in his simplicity and acute in his post on the scene that reveal conversations about a nation that has become accustomed to living in ruins... [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
93% Cold War (Zimna wojna) (2018) The ominous figure of socialism chases this love story throughout and is composed with sharp plastic rigor as well as a sensibility akin to the feminine characters of Ingmar Bergman. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
89% Petra (2018) Rosales's film is as interested in its characters as it is in its spaces, dissecting the importance of both. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
75% To the Ends of the World (Les confins du monde) (2018) Nicloux displays a gluttonous amount of gratuitous violence that seems to only serve as a sensationalist exercise. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
100% Wildlife (2018) Dano presents a secure directorial command. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
93% Border (Gräns) (2018) A film worth it's value in the risks that it takes and easily identifiable for ferocious fans of genre cinema. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 17, 2018
58% Everybody Knows (Todos lo saben) (2018) [Everybody Knows] is global enough to open a festival, but its mild manner condemns it to the forgotten and that's something... everybody knows. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 11, 2018
90% Isle of Dogs (2018) Isle of Dogs is beautifully designed, but narrated poorly. It's a contradiction that pretends to talk about fidelity that only serves to inspire something so fickle. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted May 3, 2018
84% Avengers: Infinity War (2018) The Russo Brothers have confectioned a film whose frenetic pacing can fatigue Marvel skeptics, but will cause joyous anxiety for loyal fans. [Full Review in Spanish]‐ Butaca Ancha
Read More | Posted Apr 27, 2018
72% Ready Player One (2018) Spielberg is a filmmaker with an acute narrative skill... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 29, 2018
87% Annihilation (2018) ... an ambitious film with a fabulous feminine ensemble, solid ideas, diluted in the imperious need to be condescending with the audience... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 15, 2018
No Score Yet Drift (2017) ... full of curiosity and naive astonishment at the simplest and most majestic: the swaying of water. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 6, 2018
100% Milla (2018) [Director Valerie] Massadian presents a work of sincere parsimony and modest ambition that allows us to witness in just two hours what some never manage to achieve in a whole life: maturity. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 6, 2018
No Score Yet Baronesa (2017) Sensitive without being evasive, Baroness captures majesty it'is most earthly facet. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Mar 6, 2018
2/5 51% Roman J. Israel, Esq. (2017) The problem is that, like its protagonist, the film works under expired precepts... not lacking in value, but with little interest to speak to a contemporary audience. [Full review in Spanish]‐ Cine Premiere
Read More | Posted Mar 2, 2018
2/5 72% Hostiles (2018) A mediocre western... [Full review in Spanish]‐ Cine Premiere
Read More | Posted Feb 26, 2018
91% Phantom Thread (2018) ... a sophisticated and incisive portrait of a narcissist who in each dress leaves a piece of himself that allows him to see each woman. [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Feb 22, 2018
88% The Untamed (La región salvaje) (2017) Amat Escalante grows remarkably as a filmmaker... [Full review in Spanish]‐ Butaca Ancha
Read More | Posted Feb 2, 2018