Joshua Rothkopf Movie Reviews & Previews - Rotten Tomatoes

Joshua Rothkopf

Joshua Rothkopf
Joshua Rothkopf's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
4/5 93% Logan Lucky (2017) When the plot stops cold for a beauty-pageant performance of exquisite purity, you'll feel like you're watching the most American film of the year.‐ Time Out
Read More | Posted Aug 17, 2017
4/5 93% Marjorie Prime (2017) Though visually spare and undistinguished, the movie gets revelatory mileage out of Geena Davis -- just as brainy and bruised as she was in her heyday -- as Marjorie's bitter adult daughter, in need of some postmortem therapy of her own.‐ Time Out
Read More | Posted Aug 17, 2017
3/5 82% The Trip to Spain (2017) As exposed as the actors allow themselves to be, their mostly improvised script never takes them anywhere, and the rough edge of their banter seems to acknowledge as much. At least they get to eat.‐ Time Out
Read More | Posted Aug 11, 2017
3/5 86% Ingrid Goes West (2017) Instagram stalking deserves a meaner satire than this well-acted but ultimately harmless pretender.‐ Time Out
Read More | Posted Aug 11, 2017
4/5 87% Wind River (2017) You learn to look for tracks and clues; it's a film that makes you a better viewer.‐ Time Out
Read More | Posted Aug 4, 2017
4/5 93% Icarus (2017) Imagine a version of Morgan Sperlock's Super Size Me in which, instead of merely bloating up, Sperlock entered into an uneasy friendship with an evil clown version of Ronald McDonald, and you'll get a sense of this doc's unexpected depth.‐ Time Out
Read More | Posted Aug 4, 2017
4/5 94% Menashe (2017) The plot is a touch obvious, but Menashe still plays like a more culturally specific Kramer vs. Kramer, setting up a testy, fascinating dynamic between micromanaging rabbis and a naturally warm dad with wisdom of his own.‐ Time Out
Read More | Posted Jul 28, 2017
5/5 83% Detroit (2017) The standoff at the Algiers Motel has entered legend (if not widely known history) as a notorious incident of interrogatory injustice. Bigelow makes it the centerpiece of Detroit and, simply put, has crafted her most harrowing piece of filmmaking.‐ Time Out
Read More | Posted Jul 26, 2017
4/5 88% Girls Trip (2017) For some reason with this film, the wildness feels wilder, the vulnerability rawer and the sisterhood stronger.‐ Time Out
Read More | Posted Jul 21, 2017
3/5 51% Valerian and the City of a Thousand Planets (2017) If we're going to have space operas, let them sing in the strangest accents possible.‐ Time Out
Read More | Posted Jul 12, 2017
4/5 93% War for the Planet of the Apes (2017) Apart from pulling off the unique trick of having us root for human extinction, War foregrounds a beautiful tension between the savage instinct for retribution and higher restraint -- ironically fought within the heart of an animal.‐ Time Out
Read More | Posted Jun 29, 2017
4/5 80% The Reagan Show (2017) An oblique history of '80s disarmament laden with revealing off-camera asides, The Reagan Show makes the glossy surface profound.‐ Time Out
Read More | Posted Jun 28, 2017
4/5 94% Baby Driver (2017) Baby Driver is sweet fantasy, unlike more violent and existential vehicular visions such as Drive or Bullitt. That means its two-bit thieves and criminal masterminds (Jamie Foxx, Jon Hamm, Kevin Spacey) are enjoyably cartoonish.‐ Time Out
Read More | Posted Jun 28, 2017
3/5 15% Transformers: The Last Knight (2017) Regardless of our opinions, we all know what a Michael Bay film is. This one's his most Baysome.‐ Time Out
Read More | Posted Jun 25, 2017
3/5 48% Rough Night (2017) Orchestrating a gender reversal on this concept isn't especially liberating; you might actually get more laughs out of the cutaways to the lame bachelor party of Jess's fiancé, where sensitive men get "wild" at their private wine tasting.‐ Time Out
Read More | Posted Jun 17, 2017
4/5 76% Beatriz at Dinner (2017) Together, screenwriter Mike White and his Enlightened director Miguel Arteta have an almost magical way with light-touch verbal sparring, an art that's become lost in today's broad, banter-filled comedies. ‐ Time Out
Read More | Posted Jun 16, 2017
5/5 88% It Comes At Night (2017) Trey Edward Shults's nerve-shredding domestic thriller joins the rarified company of Cormac McCarthy's 2006 novel The Road and the handful of intimate post-apocalyptic scenarios that puncture through to our deepest fears.‐ Time Out
Read More | Posted Jun 7, 2017
4/5 19% Baywatch (2017) The generous -- radical? -- thing about Hollywood's version of the tush-ogling '90s TV phenomenon is that, pretty quickly, it makes you feel in on the joke.‐ Time Out
Read More | Posted May 23, 2017
5/5 97% The Survivalist (2017) You'll leave completely rapt.‐ Time Out
Read More | Posted May 22, 2017
5/5 82% Casting JonBenét (2017) Desperately, these people all want the truth -- as well as the gig -- and that tension is what makes Casting JonBenet provocative.‐ Time Out
Read More | Posted May 17, 2017
4/5 90% Hounds of Love (2017) What is it about Australian filmmakers and down-and-dirty, no-holds-barred crime dramas? Let's not figure out why they're so good at them and simply enjoy.‐ Time Out
Read More | Posted May 12, 2017
5/5 97% Burden (2017) An epic, often funny testament to creative fearlessness.‐ Time Out
Read More | Posted May 10, 2017
2/5 17% The Circle (2017) Movies about the dangers of rampant interconnectivity are welcome in this day and age, but let's please make them a little more courageous.‐ Time Out
Read More | Posted Apr 28, 2017
2/5 67% Free Fire (2017) Ben Wheatley shouldn't settle for becoming the next Guy Ritchie. For some reason, he'd like to.‐ Time Out
Read More | Posted Apr 21, 2017
4/5 94% Citizen Jane: Battle for the City (2017) Citizen Jane takes on an invigorating richness as it delves into issues of sexism (Jacobs, a respected journalist, was often painted by her foes as an angry mother), economic despair and the complex idea of the "master builder."‐ Time Out
Read More | Posted Apr 21, 2017
4/5 89% Norman (Norman: The Moderate Rise and Tragic Fall of a New York Fixer) (2017) Gere, his Cheshire-cat smile only improving with age, has found his most essential role, one that pushes his smooth operator's desperation to the limit.‐ Time Out
Read More | Posted Apr 20, 2017
4/5 92% The Devil's Candy (2017) Sean Byrne's assured second feature is so in on the satanic joke, it sometimes feels like a comedy. In its final turn, it brings the pain; it's definitely a horror movie but a wonderfully witty one, not for gentle souls.‐ Time Out
Read More | Posted Apr 3, 2017
3/5 60% The Zookeeper's Wife (2017) Jessica Chastain is relaxed with some actual lion cubs, and there's a bunny that should win an Oscar. But when the film pivots to the scared human beings down below, you get a hint of the weirder, tougher drama it might have been.‐ Time Out
Read More | Posted Mar 31, 2017
2/5 45% Ghost in the Shell (2017) When stone-faced Japanese actor "Beat" Takeshi Kitano is the most human element in your movie, something's wildly wrong.‐ Time Out
Read More | Posted Mar 30, 2017
5/5 87% The Lost City of Z (2017) The grandeur of this movie is off the charts. For a certain kind of old-school film fan, someone who believes in shapely, classical proportions and an epic yarn told over time, it will be the revelation of the year.‐ Time Out
Read More | Posted Mar 16, 2017
3/5 76% Kong: Skull Island (2017) Directed by Jordan Vogt-Roberts with a gleeful, look-at-me-ma garishness that speaks to his background in TV comedy, the movie feels wonderfully close to self-parody.‐ Time Out
Read More | Posted Mar 2, 2017
2/5 27% Fist Fight (2017) By one way of looking at it, Fist Fight might be seen as a timely nightmare -- not about bullying but being downsized. For that reason alone, it's not a complete waste of time. Also it features a rampaging horse on meth.‐ Time Out
Read More | Posted Feb 24, 2017
4/5 100% My Life as a Zucchini (Ma vie de courgette) (2017) The main reason to commit to this movie's tough story of orphan loneliness is the screenplay by Céline Sciamma, herself a major French talent devoted to tales of youthful resilience (Girlhood).‐ Time Out
Read More | Posted Feb 17, 2017
4/5 78% Lovesong (2017) Kim's latest -- like Carol made on an indie budget -- is split in two exquisite halves.‐ Time Out
Read More | Posted Feb 17, 2017
3/5 99% Get Out (2017) A horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter ( They Live ), Get Out has more fun playing with half-buried racial tensions than with scaring us to death. ‐ Time Out
Read More | Posted Feb 17, 2017
4/5 42% A Cure For Wellness (2017) Dank with greenish tiled interiors and an unshakable sense of dread, this lovably icky horror film mounts a sumptuous, immersive universe, the kind that big-budgeted Hollywood rarely seems imaginative enough to try.‐ Time Out
Read More | Posted Feb 9, 2017
4/5 98% Kedi (2017) We're down on the ground with these animals, whose day-to-day impulsiveness finds a sinuous expression in some of the most elegant camerawork to ever 
grace a nature doc.‐ Time Out
Read More | Posted Feb 8, 2017
4/5 78% Where Is Kyra? (2017) Pfeiffer is nothing short of heartbreaking in a part that requires her to be completely unvarnished.‐ Time Out
Read More | Posted Feb 2, 2017
5/5 100% Call Me by Your Name (2017) In attaching sinuous style and casual sexiness to a universal ache, [Luca] Guadagnino has come away with real wisdom. Sweet and salty, his movie burns like a suntan.‐ Time Out
Read More | Posted Feb 2, 2017
4/5 91% A Ghost Story (2017) The collision of aesthetics -- a cartoonish, Halloween-costume-grade specter haunting a quiet indie -- is the point where A Ghost Story asks the most of us. But how thrilling it is to be jostled.‐ Time Out
Read More | Posted Feb 2, 2017
5/5 82% Walking Out (2017) A father and son are faced with a harrowing test of endurance in this snowy thriller with a burning heart.‐ Time Out
Read More | Posted Feb 2, 2017
5/5 98% The Big Sick (2017) Already, The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film -- a bracingly sophisticated one -- you'll want to cry with happiness. (The real tears will come soon enough.)‐ Time Out
Read More | Posted Feb 2, 2017
3/5 77% An Inconvenient Sequel: Truth To Power (2017) The serious issue of global warming won't be minimized by a mediocre documentary, but it has yet to find a filmmaker inflamed with rage and visual passion.‐ Time Out
Read More | Posted Feb 2, 2017
4/5 88% I don't feel at home in this world anymore. (2017) It would be easy to look at the title of this stellar oddball indie -- a film buckling with distinctly American rage, splattery violence and plenty of dark laughs -- and find a certain timeliness.‐ Time Out
Read More | Posted Feb 2, 2017
5/5 95% Oklahoma City (2017) You must see Oklahoma City, if only to know the enemy. They're not stuck at the airport.‐ Time Out
Read More | Posted Feb 2, 2017
3/5 35% Resident Evil: The Final Chapter (2017) While the franchise has slackened into dependably dumb post-apocalyptic thrills, star Milla Jovovich has only gotten better, seasoning her long-legged athleticism with a commanding stare.‐ Time Out
Read More | Posted Jan 28, 2017
3/5 74% Split (2017) There's a tiny shiver of something in the final few seconds that doesn't exactly change what we've watched so much as say, "I'm still M. Night Shyamalan, and I'm still crazy!" He's become his own twist ending.‐ Time Out
Read More | Posted Jan 18, 2017
4/5 94% The Red Turtle (La tortue rouge) (2017) Dudok de Wit modulates our emotions in sophisticated ways, first accessing the awe of The Black Stallion, then straight-up guilt and, finally, an evolution that can't be explained by anything other than hope.‐ Time Out
Read More | Posted Jan 18, 2017
3/5 71% Reset (Relève: Histoire d'une création) (2017) Reset could use a lot more discipline itself; it feels too flabby for the company it keeps.‐ Time Out
Read More | Posted Jan 10, 2017
1/5 18% Underworld: Blood Wars (2017) Whatever's vibrating on your phone is more interesting than what's onscreen.‐ Time Out
Read More | Posted Jan 6, 2017