Juanma Ruiz Movie Reviews & Previews - Rotten Tomatoes

Juanma Ruiz

Juanma Ruiz
Juanma Ruiz's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Caimán Cuadernos de Cine

Movie Reviews Only

Rating T-Meter Title | Year Review
85% Star Trek Beyond (2016) ... a sound adventure film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted Dec 27, 2017
82% The Nothing Factory (A Fábrica de Nada) (2017) A social drama that expresses the maximum possibilities of the cinematographic medium. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet La defensa del dragon (2017) A solid story around a protagonist unable to take the reins of his own life. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
No Score Yet Pure Hearts (Cuori puri) (2017) The coin is in the air throughout the footage, and when it finally falls there are so many shadows that prevent you from seeing sides. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 31, 2017
86% You Were Never Really Here (2018) Joe is, to all intents and purposes, a ghost. The camera know it, and from there our fascination to contemplate it. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 30, 2017
82% Patti Cake$ (2017) Beyond a protagonist who defends her role with skill and charisma, the development of Patty Cake$ is dishearteningly routine. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
44% Bushwick (2017) Its characters are flimsy, its narrative articulation certainly clumsy and its outcome, anticlimactic. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 29, 2017
100% The Prince of Nothingwood (2017) The passion for creation, no matter how clumsy, propels the lives of these movie men and their countless fans. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
63% The Summit (La cordillera) (2017) In a relatively solid film there's something that doesn't just fit. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
95% Marlina the Murderer in Four Acts (2017) Despite several lucky visual gags, the result is considerably below what it promised. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 26, 2017
14% Frost (2017) The footage is too long in the first half for so little raw material, and even in its second part it's free from certain excesses of verbiage. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
95% 24 Frames (2018) The film fails to escape the reiteration and 24 Frames is quickly exhausting, drowned in its own proposal. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
55% Radiance (Hikari) (2017) Radiance is a film that offers the viewer the possibility of touching the light, and therein lies their achievement. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
No Score Yet The Intrusion (L'intrusa) (2017) The way of swaying the point of view between three characters without delving into any of them ends up by defeating any attempt at dramatic depth. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
96% The Florida Project (2017) Baker offers little hope, and the only certainty is that childhood, and innocence, always have an expiration date. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
79% The Day After (Geu-hu) (2018) It's not the director's best film, but there's no doubt that it's still a small worldly pleasure to wander around Hong Sangsoo's soggy world of soju. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
71% West of the Jordan River (2018) A solid, necessary and thought-provoking speech, even if it doesn't hide great cinematic contributions. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
80% The Killing of a Sacred Deer (2017) [The Killing of a Sacred Deer] is elevated to the nth degree, to the point where it's difficult not to feel alienated by what the film offers. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
30% How to Talk to Girls at Parties (2018) Is just the personal remembrance of the moment when every teenager discovers something as alien as the opposite sex can turn out at that age. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
38% Mobile Homes (2017) The code here is pure fiction, very built, but narrated with pulse and extraordinarily measured interpretations. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
75% Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2018) The final result makes me think of a school theater montage of Jesus Christ Superstar, but without Lloyd Webber. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
88% Claire's Camera (La caméra de Claire) (2018) It's a good film but misses that 'something more' that usually its films offer. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 25, 2017
87% Wind River (2017) Even with its imperfections, it's a solid and promising debut behind the camera. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
96% The Rider (2018) The pretended epic of rodeo, so idiosyncratically American, appears hollow in front of the several wounded and amputated that parade on screen. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
89% Just to Be Sure (Ôtez-moi d'un doute) (2017) Full of clichés and with an uneven and nothing subtle humor, Carine Tardieu's filmm advances like a blow of script manual. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
20% Alive in France (2017) It seems that the filmmaker has finally become addicted to himself. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
75% Filmworker (2018) Too bad its story is more interesting than the resulting film. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
86% Okja (2017) Okja has a wild satire tone without giving up a strong component of tenderness. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
82% A Ciambra (2018) Jonas Carpignano constructs a telling story with minimal elements, and extracts an astonishing truth from the actors. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
83% Lover For A Day (L'amant d'un jour) (2018) Garrel offers a film that is like a Polaroid, joyfully impure and with fuzzy outlines. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
86% Barbara (2017) Strange and appealing, Barbara offers stimulating readings. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
47% Jupiter's Moon (Jupiter holdja) (2017) As the protagonist rises, all the other elements of the film fall sharply. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
85% Blade of the Immortal (Mugen no jûnin) (2017) Everything leaves the bittersweet feeling that the story and the director could gave much more. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
67% Wonderstruck (2017) Its first hour is an authentic symphony, with hardly any dialogue, where the sense of wonder seems inexhaustible. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017
60% Ismael's Ghosts (Les fantômes d'Ismaël) (2018) An imperfect work, deeply unbalanced, but abounding in stimulating ideas. [Full review in Spanish]‐ Caimán Cuadernos de Cine
Read More | Posted May 22, 2017