Kahron Spearman Movie Reviews & Previews - Rotten Tomatoes

Kahron Spearman

Kahron Spearman
Kahron Spearman's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Austin Chronicle

Movie Reviews Only

Rating T-Meter Title | Year Review
3.5/5 100% Atomic Homefront (2017) The human impact in the film is maddening and undeniable, begging for some exploration into the awful self-evidence of our defense apparatus.‐ The Daily Dot
Read More | Posted Feb 21, 2018
4.5/5 100% Cuba And The Cameraman (2017) He makes no bones about his leanings, and make no apologies, which lend significantly to the documentary. Whatever your politics, it's a stunning achievement.‐ The Daily Dot
Read More | Posted Nov 30, 2017
3.5/5 No Score Yet DeRay Davis: How to Act Black (2017) How To Act Black, Davis' overdue big break and first Netflix special, shows his evolved craft and a thriving history still being written.‐ The Daily Dot
Read More | Posted Nov 16, 2017
3.5/5 No Score Yet O Matador (2017) The Killer marks a new territory for Westerns, outlaw spirit and all.‐ The Daily Dot
Read More | Posted Nov 16, 2017
100% Kingdom of Us (2017) Touching and responsibly presented, the film shows the meditative, intimate power of the documentary format.‐ The Daily Dot
Read More | Posted Oct 19, 2017
89% First They Killed My Father (2017) Tantamount to something just above trauma porn, First They Killed My Father is drenched in arbitrary violence, and with minimal context as to why violence was the answer.‐ The Daily Dot
Read More | Posted Sep 22, 2017
No Score Yet Tracy Morgan: Staying Alive (2017) Through the vulgarity, there's a new softness and understanding. Morgan finds humor riffing about men being emotionally stunted. He says it in a way that more cautionary life lesson, and it's powerful.‐ The Daily Dot
Read More | Posted May 17, 2017
100% Rodney King (2017) Lee is restrained and meditative as a director, save a few Lee-isms with camera effects... Lee makes sure that the story of where we were in 1992, and where we still are in many respects, is what we get.‐ The Daily Dot
Read More | Posted May 3, 2017
0% The Show (2017) Placing the obvious philosophical hypocrisies aside, the film's ultimate issues lie in motivations, the film's and each of the characters. ‐ Austin Chronicle
Read More | Posted Mar 13, 2017
67% Fits and Starts (2017) Fits and Starts ultimately glows through Cenac's unique charisma.‐ Austin Chronicle
Read More | Posted Mar 13, 2017
No Score Yet 808 (2015) It's a valuable piece of work, laying out the ongoing influence and impact of the Roland TR-808 drum machine.‐ The Daily Dot
Read More | Posted Jan 17, 2017
80% Aloys (2016) As a first go, Aloys showcases Nölle's superior technical abilities, but the script stammers to an end that only a director who also wrote the film could create.‐ Austin Chronicle
Read More | Posted Oct 28, 2016
100% The Age of Shadows (2016) Excellent gunfight scenes, and the director's stunning images and settings... overcome most of the film's character-specific problems. His superior eye for color and tone are top-notch.‐ Austin Chronicle
Read More | Posted Oct 26, 2016
29% Ghostland: The View of the Ju'Hoansi (2016) Stadler tries his best at boxing in a naturally exploitative circumstance, into something balanced. However, he doesn't help himself at the conclusion, where the returning Bushmen and women aren't afforded any deep reflection of their travels, on film.‐ Austin Chronicle
Read More | Posted Mar 22, 2016
100% Transpecos (2016) With nail-biting precision, Kwedar has crafted Transpecos into a diamond.‐ Austin Chronicle
Read More | Posted Mar 15, 2016