Kieron Corless

Kieron Corless
Kieron Corless's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Sight and Sound
Publications: Sight and Sound

Movie Reviews Only

T-Meter Title | Year
75% Men on the Bridge (2012) Ozge's film speaks to a very specific Turkish reality, one that usually lies hidden to the casual visitor, but aspects will inevitably resonate more widely in an era of precarious, globalised austerity. - Sight and Sound EDIT
Read More | Posted Jul 10, 2018
97% Sweetgrass (2009) Strange to relate that one of the year's most striking cinematic experiences so far is a documentary starring 3,000 sheep. - Sight and Sound EDIT
Read More | Posted Jul 6, 2018
No Score Yet An Organization of Dreams (2009) Too often Stiegler's insights come across as banal or sweeping - philosophy for beginners - and the attempt to embed its ideas cinematically feels stilted, self-conscious rather than unconscious. - Sight and Sound EDIT
Read More | Posted Apr 6, 2017
100% Shed Your Tears and Walk Away (2010) The obliteration of distance between filmmaker and those being filmed carries over into the viewer's experience, an intimacy so raw and visceral you can practically smell the alcohol on his subjects' breath. - Sight and Sound EDIT
Read More | Posted Apr 6, 2017
98% The Selfish Giant (2013) Two elements stood out for me: the film's vivid evocation of edge-lands, the scrubby, generally disregarded hinterland areas on the outskirts of British cities, and its depiction of the actual physical circulation of money. - Sight and Sound EDIT
Read More | Posted Sep 14, 2013
88% Like Father, Like Son (2014) Like Father Like Son plays out as a gentle, cautionary morality tale for our times, which might be its weakness. - Sight and Sound EDIT
Read More | Posted Sep 14, 2013
88% The Turin Horse (2012) [Tarr's] most direct and overtly compassionate film. - Sight and Sound EDIT
Read More | Posted Jun 18, 2012
43% Janice Beard 45 wpm (2002) On the whole Janice herself is an endearing, eccentric creation but the film lacks the sharpness that might capture the public's imagination as Billy Liar did back in the early 60s. - Sight and Sound EDIT
Read More | Posted Dec 2, 2002