Kirk Honeycutt Movie Reviews & Previews - Rotten Tomatoes

Kirk Honeycutt

Kirk Honeycutt
Kirk Honeycutt's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
76% The Contender (2000) Intelligent.‐ Hollywood Reporter
Posted Jan 1, 2000
95% You Can Count On Me (2000) Lonergan serves his superb screenplay well.‐ Hollywood Reporter
Posted Jan 1, 2000
60% Mystery Men (1999) All of the technical credits are first-rate!‐ Hollywood Reporter
Posted Jan 1, 2000
84% Erin Brockovich (2000) There is never a dull moment.‐ Hollywood Reporter
Posted Jan 1, 2000
61% The Patriot (2000) Gibson gives a mechanically precise but soulless performance in which he seems more concerned with how he looks than what his character is thinking or feeling.‐ Hollywood Reporter
Posted Jan 1, 2000
96% The Insider (1999) The film is gifted with a number of excellent performances.‐ Hollywood Reporter
Posted Jan 1, 2000
19% Teaching Mrs. Tingle (1999) Contains enough amusing moments and unpredictable twists for the film to score with teen audiences.‐ Hollywood Reporter
Posted Jan 1, 2000
82% Fantasia 2000 (2000) Firmly re-establishes that studio's leadership in animation at the dawn of the new century.‐ Hollywood Reporter
Posted Jan 1, 2000
52% Bounce (2000) Dramatic contrivances and manipulation stain a tissue-thin plot.‐ Hollywood Reporter
Posted Jan 1, 2000
41% Men of Honor (2000) Everyone behind the camera goes for the conventional.‐ Hollywood Reporter
Posted Jan 1, 2000
46% Runaway Bride (1999) There's no question the chemistry between them still works for a light romantic comedy. But an overcalculated, undernourished screenplay undermines much of the effort.‐ Hollywood Reporter
Posted Jan 1, 2000
52% What's Cooking? (2000) For a canvas this broad, the portraiture is exceptionally fine.‐ Hollywood Reporter
Posted Jan 1, 2000
53% Scary Movie (2000) It's scary that it took six people to write a movie this bad.‐ Hollywood Reporter
Posted Jan 1, 2000
48% Bamboozled (2000) The work of a filmmaker completely in control of his craft and determined to say things not everyone wants to hear.‐ Hollywood Reporter
Posted Jan 1, 2000
13% Book of Shadows - Blair Witch 2 (2000) It's better made than the original, and its writing contains a subtlety and wit the original film lacked.‐ Hollywood Reporter
Posted Jan 1, 2000
40% Proof of Life (2000) A first-rate thriller.‐ Hollywood Reporter
Posted Jan 1, 2000
12% Get Carter (2000) Isn't likely to satisfy either action buffs or the actor's fans.‐ Hollywood Reporter
Posted Jan 1, 2000
54% Girl, Interrupted (1999) Never engages the viewer at a gut level.‐ Hollywood Reporter
Posted Jan 1, 2000
48% Vertical Limit (2000) Story and character development gets buried in an avalanche of illogical behavior and preposterous catastrophes.‐ Hollywood Reporter
Posted Jan 1, 2000
22% Lucky Numbers (2000) Gags hit with sledgehammer heaviness and most of them mock the movie's own characters so relentlessly -- and mirthlessly -- that one winces rather than laughs.‐ Hollywood Reporter
Posted Jan 1, 2000
81% Bowfinger (1999) A mirthful comedy certain to send audiences into multiple spasms of laughter!‐ Hollywood Reporter
Posted Jan 1, 2000
47% The Perfect Storm (2000) For once, we have a film in which the FX guys dominate and yet, human truth and drama shine through.‐ Hollywood Reporter
Posted Jan 1, 2000
81% X-Men (2000) X-Men lacks the style and substance of such top-drawer science-fiction movies as The Matrix or The Empire Strikes Back.‐ Hollywood Reporter
Posted Jan 1, 2000
33% Loving Jezebel (1999) A slight, unpleasant romantic comedy.‐ Hollywood Reporter
Posted Jan 1, 2000
14% Red Planet (2000) Crash-lands in a desert of one-note characters, banal dialogue and a general lack of excitement or tension.‐ Hollywood Reporter
Posted Jan 1, 2000
68% U-571 (2000) Mostow's direction is taut, with no energy expended that doesn't add to the white-knuckle ride.‐ Hollywood Reporter
Posted Jan 1, 2000
62% The Claim (2000) The characters' predetermined fates never evoke pity.‐ Hollywood Reporter
Posted Jan 1, 2000
48% Me, Myself & Irene (2000) As highly talented as Carrey is, he can't make these abrupt physical and mental transitions the least bit convincing.‐ Hollywood Reporter
Posted Jan 1, 2000