Leonardo Garcia Tsao Movie Reviews & Previews - Rotten Tomatoes

Leonardo Garcia Tsao

Leonardo Garcia Tsao
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Rating T-Meter Title | Year Review
87% The Lost City of Z (2017) One of those vigorous adventure films that are no longer made. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 27, 2017
No Score Yet Heaven in Auschwitz (2016) A remarkable work of collection and treatment of archival material. [Full review in Spanish]‐ La Jornada
Read More | Posted Aug 17, 2017
95% Graduation (Bacalaureat) (2017) A cold and ruthless dissection of the current Romanian society. [Full review in Spanish]‐ La Jornada
Read More | Posted Jul 6, 2017
29% The Queen of Spain (La reina de España) (2017) Too bad the script is an example of missed opportunities. And the heavy hand with which Trueba directs its actors also doesn't help. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 19, 2017
90% Maquinaria Panamericana (2016) A film combines the potential of a commercial film with the stance of the author's cinema. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 8, 2017
71% Double Lover (L'amant double) (2018) The filmmaker wants to teng a lot of traps to the viewer, that the film turns out to be incoherent. [Full review in Spanish]‐ La Jornada
Read More | Posted May 30, 2017
77% In the Fade (Aus dem Nichts) (2017) A conventional demonstration of how to trivialize a hot topic. [Full review in Spanish]‐ La Jornada
Read More | Posted May 30, 2017
50% Based on a True Story (D'après une histoire vraie) (2017) The dialogues feel artificial and make a subtle actress like Green look bad. [Full review in Spanish]‐ La Jornada
Read More | Posted May 30, 2017
87% You Were Never Really Here (2018) The film confirms Ramsay's status, who has not filmed enough. [Full review in Spanish]‐ La Jornada
Read More | Posted May 30, 2017
77% A Gentle Creature (2017) Undoubtedly, Loznitsa uses Krotkaya as an emotional discharge, a kind of ideological exorcism. But what fault do we have? [Full review in Spanish]‐ La Jornada
Read More | Posted May 29, 2017
92% Good Time (2017) A film that evokes a certain eighties cinema, without falling into the trap of nostalgia. [Full review in Spanish]‐ La Jornada
Read More | Posted May 29, 2017
78% The Beguiled (2017) The film shows some progress in the director's ability, but it's more decorative than decorous. [Full review in Spanish]‐ La Jornada
Read More | Posted May 26, 2017
55% Godard Mon Amour (Le redoutable) (2018) A bad joke that overflows with resentment against Godard. [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
57% Radiance (Hikari) (2017) Despite being a filmmaker who seems limited to me, doesn't change my opinion. [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
78% The Day After (Geu-hu) (2018) The monotony with which Hong films their long dialogues it's exhausting. [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
80% The Killing of a Sacred Deer (2017) It's the most solemn film of Lanthimos to date and misses the irreverent mood of his previous Dogtooth (2009). [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
69% Happy End (2017) The bad European conscience and nihilism as the only correct posture are some of the issues now shuffled in which it is a very minor work. [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
92% The Meyerowitz Stories (New and Selected) (2017) I wouldn't say it's contest material for the most prestigious festival in the world. [Full review in Spanish]‐ La Jornada
Read More | Posted May 25, 2017
52% Ismael's Ghosts (Les fantômes d'Ismaël) (2018) Although Desplechin is an estimable author, this time his project didn't worked. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
67% Wonderstruck (2017) Undoubtedly, Wonderstruck is well filmed, but the sweetened and is the exact opposite record to that of Zvyagintsev. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
93% Loveless (Nelyubov) (2018) Zvyagintsev looks at his society with the same critical eye of his previous Leviathan (2014), albeit with less political scope. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
99% Faces Places (Visages, villages) (2017) You can not help but admire a woman of almost 90 years still interested in making a fresh and personal cinema. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
50% Jupiter's Moon (Jupiter holdja) (2017) The end result is frustrating because the filmmaker doesn't show his full potential. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
86% Okja (2017) The message is rudely repeated, as if someone thought that an american transnational might be benign. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
84% The Square (2017) The film itself, two hours and 20 minutes long, would have benefited from a greater sense of the economy. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
98% BPM (Beats Per Minute) (120 battements par minute) (2017) The film offers an European perspective on the AIDS crisis, with an emphasis on different political positions, attitudes of solidarity and vital celebration in clubs. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2017
74% Final Portrait (2018) One of those films that will not be released on the billboard of its country, because its potential audience is non-existent. It's designed for some cable channel like HBO, because it's basically like a prestigious telefilm. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
79% T2 Trainspotting (2017) Danny Boyle's useless recovery on of one of his greatest successes. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
45% The Dinner (2017) Although it has interpreters with enough solvency, the excessive ethical discussion becomes tiring. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
100% Devil's Freedom (La Libertad del Diablo) (2017) A series of disturbing testimonies that doesn't pretend any aesthetic strategy, but rather confront with the repeated voice of violence. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
87% Florence Foster Jenkins (2016) A joyous production which emotional side is reinforced by Meryl Streep's performance. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
95% Train to Busan (Busanhaeng) (2016) The greatness of a fantastic film is measured in its capacity of delirium and Yeon achieves it in the climatic actions. [Full review in Spanish]‐ La Jornada
Read More | Posted Apr 12, 2017
86% Los Hámsters (2014) A ruthless satire in which González Penilla makes a punctual dissection of the customs of a middle class Mexican family in crisis situations. [Full review in Spanish]‐ La Jornada
Read More | Posted Nov 29, 2016
88% The Untamed (La región salvaje) (2017) A strange story where sex is everything. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 27, 2016
91% Into the Inferno (2016) A product from a rational director that doesn't takes risks. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 23, 2016
94% Neruda (2016) While it evokes Borges more than Neruda, the film works because gives a conceptual twist to what could have been a conventional biopic. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 22, 2016
23% Below her Mouth (2017) The kind of movie that succeeds between male viewers. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 22, 2016
98% Moonlight (2016) An emotional but discrete drama about the acknowledgement of homosexuality in an African american young man. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 22, 2016
31% Salt and Fire (2017) One of those unclassified products that only finds its place at film festivals. [Full review in Spanish]‐ La Jornada
Read More | Posted Sep 22, 2016
97% Cemetery of Splendor (2016) A film as interesting as it's lethargic. [Full review in Spanish]‐ La Jornada
Read More | Posted Aug 8, 2016
73% Valley Of Love (2016) Pretentious film-making. [Full review in Spanish]‐ La Jornada
Read More | Posted Jul 25, 2016
73% Louder Than Bombs (2016) A family tragedy that's well crafted, contained and never falls into unnecessary melodrama. [Full review in Spanish]‐ La Jornada
Read More | Posted Jul 4, 2016
96% Heart of a Dog (2015) Not so much a documentary but a piece of art. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 29, 2016
85% Francofonia (2016) A testament of the importance of France in world culture. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 29, 2016
92% Mountains May Depart (Shan he gu ren) (2016) With insight and lots of emotion, the film depicts a new generation of people in China. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 21, 2016
82% The Brand New Testament (Le tout nouveau testament) (2016) It feels like Monty Python off the rails and full of irony. [Full review in Spanish]‐ La Jornada
Read More | Posted Jun 3, 2016
91% Elle (2016) Those who expect a conventional thriller of female revenge, do not know Verhoeven's filmography. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2016
57% The Neon Demon (2016) Winding Refn pretends to be a risky stylist, but his images are as empty as the inside of his skull. [Full review in Spanish]‐ La Jornada
Read More | Posted May 23, 2016
95% Gimme Danger (2016) A good, but not great documentary. [Full review in Spanish]‐ La Jornada
Read More | Posted May 20, 2016
70% The Unknown Girl (La fille inconnue) (2017) A too conventional script and a guilty motivation for the actions of the protagonist are not enough to make this a good film. [Full review in Spanish]‐ La Jornada
Read More | Posted May 20, 2016