Leonardo Goi Movie Reviews & Previews - Rotten Tomatoes

Leonardo Goi

Leonardo Goi
Leonardo Goi's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): The Film Stage, CineVue, Cinema Scope, MUBI

Movie Reviews Only

Rating T-Meter Title | Year Review
76% Suspiria (2018) A bacchanalian tour de force that's as terrifying as it is viciously magnetic.‐ MUBI
Read More | Posted Sep 19, 2018
89% Vox Lux (2018) Brady Corbet's portrait of a singer's ascent to planetary stardom stars Natalie Portman in a career-high performance.‐ MUBI
Read More | Posted Sep 19, 2018
56% Our Time (Nuestro tiempo) (2018) The Mexican iconoclast and his wife play a husband and wife living on a ranch who face the challenges of an open marriage.‐ MUBI
Read More | Posted Sep 19, 2018
No Score Yet Memories of My Body (Kucumbu tubuh indahku) (2018) The dancer and choreographer Rianto serves as a receptacle the suffering of Indonesia and its uneasy balancing of tradition and modernity.‐ MUBI
Read More | Posted Sep 19, 2018
A- 86% The Other Side of the Wind (2018) It is a confounding, unsettling, disorienting adieu from a director whose nonconformist and uncompromising vision was decades ahead of his time. ‐ The Film Stage
Read More | Posted Sep 18, 2018
B+ 93% Shadow (2019) If The Great Wall was a disappointing head-scratcher, Shadow ushers in a fresher Zhang, in a beautifully mounted period piece that ranks among his most captivating offerings.‐ The Film Stage
Read More | Posted Sep 11, 2018
B+ 60% Sibel (2018) Perceptively, Sibel understands patriarchy as a straightjacket affecting both men and women.‐ The Film Stage
Read More | Posted Sep 8, 2018
B+ 84% Non-Fiction (2018) A gentle and profoundly compassionate human comedy that draws from the ever-widening rift between old and new trends in the publishing industry to conjure up a tale of societal changes-and people caught in between them.‐ The Film Stage
Read More | Posted Sep 8, 2018
A- 86% The Nightingale (2019) One of the most memorable works in its genre - a parable that never turns violence into a spectacle, but is resolutely committed to expose the poisonous double prism of racism and sexism it feeds upon.‐ The Film Stage
Read More | Posted Sep 6, 2018
A- 75% The Nightingale (2017) One of the most memorable works in its genre - a parable that never turns violence into a spectacle, but is resolutely committed to expose the poisonous double prism of racism and sexism it feeds upon.‐ The Film Stage
Read More | Posted Sep 6, 2018
B- 73% Dragged Across Concrete (2018) Dragged Across Concrete hits a nail-biting pace, culminating in a tour de force of car chases and gun fights, its visual impact amplified by director of photography Benji Bakshi's ability to work with a dark palette.‐ The Film Stage
Read More | Posted Sep 5, 2018
B+ 90% A Star Is Born (2018) The real surprise here is not Cooper, but Gaga. More than a newly born star, hers never stops growing.‐ The Film Stage
Read More | Posted Aug 31, 2018
A- 95% The Favourite (2018) The Favourite is a zany, piercing close-up on three women so replete with swagger as to reduce their male counterparts to disposable extras.‐ The Film Stage
Read More | Posted Aug 30, 2018
B- 60% A Paris Education (Mes provinciales) (2018) A wonderfully anachronistic homage to a timeless, New Wave-style world filled with cinephiles, lovers, and great films. It's a universe as self-centered as it is endlessly fascinating.‐ The Film Stage
Read More | Posted Aug 30, 2018
A- 88% First Man (2018) In its tragic undertones, complex psychological edifice, and claustrophobic visuals, First Man stands out, in both content and form, as a remarkable, jaw-dropping departure from anything Chazelle has previously made.‐ The Film Stage
Read More | Posted Aug 29, 2018
B- 93% Good Manners (As Boas Maneiras) (2018) For all its fantasy tropes, werewolves and blood-sucking sleepwalkers, Good Manners retains a realistic and heartwarming tone.‐ The Film Stage
Read More | Posted Aug 14, 2018
A- 94% Araby (Arábia) (2018) In a little over an hour and a half, Araby captures a whole world.‐ The Film Stage
Read More | Posted Jun 23, 2018
A- 100% Summer 1993 (Estiu 1993) (2018) Gently paced but not slow, plot-thin yet not uneventful, Summer 1993 feels like a moving letter written by an adult to a much younger self, imbued with the peculiar sadness at the realization the recipient will never be able to read it. ‐ The Film Stage
Read More | Posted May 25, 2018
B 95% Ava (2018) Foroughi's assured debut remains a welcomed and insightful reminder that the patriarchy Ava struggles against is still alive and kicking. ‐ The Film Stage
Read More | Posted Apr 26, 2018
C+ No Score Yet A Violent Life (2017) A Violent Life has conjured up a judiciously shot drama that nonetheless feels as distant and at arm's length as the island and the generation it portrays.‐ The Film Stage
Read More | Posted Apr 3, 2018
94% A Fantastic Woman (Una mujer fantástica) (2018) Naturally in synch with the character she embodies with a moving mix of candour and courage, [Daniela] Vega's performance turns A Fantastic Woman into a painfully vivid tragedy, whose questions feel universal in scope.‐ MUBI
Read More | Posted Feb 5, 2018
2/5 78% Last Flag Flying (2017) Last Flag Flying lacks the organic flow of Linklater's earlier gems, and its profound anti-war sentiment is lost in a script that seems more concerned with spoon feeding the audience some grand platitudes.‐ CineVue
Read More | Posted Dec 27, 2017
69% mother! (2017) Darren Aronofsky's awareness of his own directorial grandeur ultimately turns it into a self-referential, hallucinatory trip.‐ Cinema Scope
Read More | Posted Oct 25, 2017
65% Manhunt (2017) Manhunt as a wonderful throwback to the director's golden years, the film's unapologetically goofy energy may also help introduce new audiences to the wonders of the Woo Cinematic Universe. ‐ Cinema Scope
Read More | Posted Oct 25, 2017
36% The Leisure Seeker (2018) Take The Leisure Seeker for what it is-namely, a predictable road movie, right down to the inevitable Bob Dylan soundtrack cuts.‐ Cinema Scope
Read More | Posted Oct 25, 2017
92% Three Billboards Outside Ebbing, Missouri (2017) Sam Rockwell is in a league of his own.‐ Cinema Scope
Read More | Posted Oct 25, 2017
50% Downsizing (2017) The film works best when Payne exposes the egotism and self-righteousness of the small-world denizens; where it stalls a little is when the critique threatens to turn the whole feature into a moral parable.‐ Cinema Scope
Read More | Posted Oct 25, 2017
84% The Third Murder (Sandome no satsujin) (2018) The impossibility of knowing the real version (and motives) behind the crime is The Third Murder's greatest merit.‐ Cinema Scope
Read More | Posted Oct 25, 2017