Leonardo Goi Movie Reviews & Previews - Rotten Tomatoes

Leonardo Goi

Leonardo Goi
Leonardo Goi's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): The Film Stage, CineVue, Cinema Scope, MUBI

Movie Reviews Only

Rating T-Meter Title | Year Review
A- 91% Araby (Arábia) (2018) In a little over an hour and a half, Araby captures a whole world.‐ The Film Stage
Read More | Posted Jun 23, 2018
A- 100% Summer 1993 (Estiu 1993) (2018) Gently paced but not slow, plot-thin yet not uneventful, Summer 1993 feels like a moving letter written by an adult to a much younger self, imbued with the peculiar sadness at the realization the recipient will never be able to read it. ‐ The Film Stage
Read More | Posted May 25, 2018
B 93% Ava (2018) Foroughi's assured debut remains a welcomed and insightful reminder that the patriarchy Ava struggles against is still alive and kicking. ‐ The Film Stage
Read More | Posted Apr 26, 2018
C+ No Score Yet A Violent Life (2017) A Violent Life has conjured up a judiciously shot drama that nonetheless feels as distant and at arm's length as the island and the generation it portrays.‐ The Film Stage
Read More | Posted Apr 3, 2018
94% A Fantastic Woman (Una mujer fantástica) (2018) Naturally in synch with the character she embodies with a moving mix of candour and courage, [Daniela] Vega's performance turns A Fantastic Woman into a painfully vivid tragedy, whose questions feel universal in scope.‐ MUBI
Read More | Posted Feb 5, 2018
2/5 77% Last Flag Flying (2017) Last Flag Flying lacks the organic flow of Linklater's earlier gems, and its profound anti-war sentiment is lost in a script that seems more concerned with spoon feeding the audience some grand platitudes.‐ CineVue
Read More | Posted Dec 27, 2017
69% mother! (2017) Darren Aronofsky's awareness of his own directorial grandeur ultimately turns it into a self-referential, hallucinatory trip.‐ Cinema Scope
Read More | Posted Oct 25, 2017
64% Manhunt (2017) Manhunt as a wonderful throwback to the director's golden years, the film's unapologetically goofy energy may also help introduce new audiences to the wonders of the Woo Cinematic Universe. ‐ Cinema Scope
Read More | Posted Oct 25, 2017
36% The Leisure Seeker (2018) Take The Leisure Seeker for what it is-namely, a predictable road movie, right down to the inevitable Bob Dylan soundtrack cuts.‐ Cinema Scope
Read More | Posted Oct 25, 2017
92% Three Billboards Outside Ebbing, Missouri (2017) Sam Rockwell is in a league of his own.‐ Cinema Scope
Read More | Posted Oct 25, 2017
51% Downsizing (2017) The film works best when Payne exposes the egotism and self-righteousness of the small-world denizens; where it stalls a little is when the critique threatens to turn the whole feature into a moral parable.‐ Cinema Scope
Read More | Posted Oct 25, 2017
90% The Third Murder (Sandome no satsujin) (2018) The impossibility of knowing the real version (and motives) behind the crime is The Third Murder's greatest merit.‐ Cinema Scope
Read More | Posted Oct 25, 2017