Lisa Nesselson Movie Reviews & Previews - Rotten Tomatoes

Lisa Nesselson

Lisa Nesselson
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
No Score Yet The Extraordinary Journey of the Fakir (2018) Never too edgy or too suspenseful or too violent, it just rolls along at a nice pace telling a nice story.‐ Screen International
Read More | Posted Jun 13, 2018
43% At War (En guerre) (2018) Ripped from the headlines, keenly researched and carefully crafted, this fictional tale has near-universal resonance...‐ Screen International
Read More | Posted May 15, 2018
No Score Yet Our Struggles (Nos batailles) (2018) This modest but convincing film benefits from a fine ensemble cast and a committed central performance by Romain Duris.‐ Screen International
Read More | Posted May 14, 2018
33% Angel Face (Gueule d'ange) (2018) Anybody with functioning reproductive organs can produce a child, but this films reminds us that being a parent is a major and never-ending commitment too overwhelming for some‐ Screen International
Read More | Posted May 13, 2018
No Score Yet My Favorite Fabric (Mon tissu préféré) (2018) Jiji explores Middle Eastern notions of femininity and virility with frank and daring strokes, leavened by fantasy.‐ Screen International
Read More | Posted May 11, 2018
83% Sauvage (2018) An incredibly frank and involving immersive portrait impressively anchored by an in-every-frame performance from Félix Maritaud.‐ Screen International
Read More | Posted May 11, 2018
17% Sextape (A genoux les gars) (2018) A joyously irreverent and inventive romp jet-fuelled by dynamite performances co-written by the film's fearlessly self-affirming young actresses about the congenitally sexist males in their orbit.‐ Screen International
Read More | Posted May 10, 2018
75% To the Ends of the World (Les confins du monde) (2018) The expression "couldn't be better" applies to Gaspard Ulliel's portrayal of conflicted French soldier Robert Tassen as it does to Gerard Depardieu's turn as a French writer in exile.‐ Screen International
Read More | Posted May 10, 2018
48% Everybody Knows (Todos lo saben) (2018) Farhadi deftly inserts love, resentment, class, money and family ties into a propulsive narrative replete with doubts, accusations, intimations, red herrings and other welcome ingredients from the suspenseful-drama arsenal.‐ Screen International
Read More | Posted May 8, 2018
No Score Yet A Violent Life (2017) The violence plays like frontier justice but what constitutes the frontier keeps evolving.‐ Screen International
Read More | Posted Apr 3, 2018
No Score Yet The Prayer (La prière) (2018) Always watchable but not transcendent, Cedric Kahn's character study builds its portrait via landscape, work, prayer and friendship.‐ Screen International
Read More | Posted Feb 20, 2018
100% Montparnasse Bienvenue (Jeune femme) (2017) A fearless, powerhouse performance by Laetitia Dosch infuses every frame of Montparnasse Bienvenue (Jeune Femme).‐ Screen International
Read More | Posted Jan 10, 2018
40% Diving (Plonger) (2017) More often irritating than involving although it is fetchingly shot and features a few strikingly original elements. Chalk this up as a benevolent misfire in an honorable filmography.‐ Screen International
Read More | Posted Sep 12, 2017
50% Razzia (2017) A complex and involving compound portrait of the upheaval caused by creeping theocracy and ingrained attitudes.‐ Screen International
Read More | Posted Sep 11, 2017
100% Number One (Numéro une) (2017) Wielding an entertainingly sharp narrative scalpel throughout incident-rich Number One, (Numero Une) Tonie Marshall posits that women getting promoted solely on merit is a quaint notion.‐ Screen International
Read More | Posted Sep 11, 2017
60% Reinventing Marvin (Marvin) (2017) A cascade of clichés made palatable and cumulatively touching by a very fine cast.‐ Screen International
Read More | Posted Sep 3, 2017
95% 12 Days (12 Jours) (2018) Should be shown on screens large and small wherever quality docs find a home.‐ Screen International
Read More | Posted May 26, 2017
97% Marlina the Murderer in Four Acts (2018) Marlina The Murderer In Four Acts weaves basic elements into a tale worth telling splendidly accompanied by a sit-up-and-take-notice musical score.‐ Screen International
Read More | Posted May 24, 2017
100% The Prince of Nothingwood (2017) This is a crowd-pleasing winner that's educational, touching and hilarious. An infectious live-for-today energy permeates every frame.‐ Screen International
Read More | Posted May 24, 2017
75% Jeannette: The Childhood of Joan of Arc (Jeannette l'enfance de Jeanne d'Arc) (2018) A strange and forthright cinematic object with considerable rough-hewn charm.‐ Screen International
Read More | Posted May 22, 2017
83% Lover For A Day (L'amant d'un jour) (2018) A lot happens in just 75 minutes of screen time, offering viewers emotional fallout that lingers much longer.‐ Screen International
Read More | Posted May 19, 2017
91% Heal the Living (Réparer les vivants) (2017) An emotionally satisfying, cinematically deft look at interwoven fates.‐ Screen International
Read More | Posted Apr 11, 2017
44% Ghost in the Shell (2017) Even though there's an enormous amount to look at and digest, little of this film is truly memorable or thought-provoking.‐ Screen International
Read More | Posted Mar 28, 2017
No Score Yet Chacun sa vie (2017) Suggesting that there's anything wrong with what's on screen would be akin to criticising a bunch of kids having a great time at a playground.‐ Screen International
Read More | Posted Mar 27, 2017
88% Ladies (De plus belle) (2017) A relativity unusual topic - how to relate to one's own body and to other people after battling and beating cancer - is explored in a leisurely and ultimately touching manner in De Plus Belle.‐ Screen International
Read More | Posted Mar 15, 2017
No Score Yet The Confession (La confession) (2016) A solid, consistently compelling look at the big questions of life laced into the framework of a transformative meeting of the minds under dicey circumstances.‐ Screen International
Read More | Posted Mar 15, 2017
86% Apprentice (2017) The final result is seamlessly convincing.‐ Screen International
Read More | Posted Feb 27, 2017
88% The Midwife (Sage femme) (2017) A bittersweet delight written to order for two consummate performers who inhabit their diametrically opposed characters with satisfying élan.‐ Screen International
Read More | Posted Feb 14, 2017
50% Barrage (2017) The style is minimalist and meandering but does eventually add up to an unsettling portrait of three generations connected by blood if not affection.‐ Screen International
Read More | Posted Feb 10, 2017
35% The Great Wall (2017) A battle sequence is never far away and motivations remain credible within the parameters of popcorn-movie silliness, played straight.‐ Screen International
Read More | Posted Jan 10, 2017
88% Nocturama (2017) Bertrand Bonello's Paris-set Nocturama does a riveting job of observing a group of young people who think it's a good idea to do what should be unthinkable.‐ Screen International
Read More | Posted Oct 21, 2016
40% Down By Love (Éperdument) (2016) This increasingly unsettling tale sets the bar as high as electrified prison walls and would probably veer towards silliness were it not for the very fine work by its two leads Adele Exarchopoulos and Guillaume Gallienne.‐ Screen International
Read More | Posted Aug 15, 2016
91% Elle (2016) Suspenseful and unsettling from first frame to last ...‐ Screen International
Posted May 22, 2016
94% The Red Turtle (La tortue rouge) (2017) With unpretentious poetry to spare, Dutch illustrator and animator Michael Dudok de Wit winningly expands to feature length the verve that has been evident in his award-winning short films for two decades.‐ Screen International
Posted May 20, 2016
86% Two Lovers and a Bear (2016) A rewarding take on coupledom told with satisfying visual flair.‐ Screen International
Posted May 18, 2016
98% My Life as a Zucchini (Ma vie de courgette) (2017) Sustains a tone that acknowledges that life is a blend of good news and bad but that kindness and compassion can cut through a great deal of soul-crushing adversity.‐ Screen International
Posted May 15, 2016
60% Dogs (Câini) (2016) Mirica makes a very assured feature debut, juggling an accretion of sinister clues and slow-burn allegiances at a low-key pace kept humming thanks to attention-getting widescreen panache.‐ Screen International
Posted May 15, 2016
83% Like Crazy (La pazza gioia) (2017) This is a crowd-pleasing bittersweet comedy in which tragic circumstances are attenuated by moral support from unusual quarters.‐ Screen International
Posted May 15, 2016
80% Victoria (2016) In Bed with Victoria (Victoria) has its moments but too often falls short of the "oomph" that renders a comedy special.‐ Screen International
Posted May 12, 2016
3.5/5 100% Ilo Ilo (2014) Nobody in Jiale's extended family is happy for long but neither are they miserable. The film achieves a quietly impressive balance as human behaviour swings from serious to funny and back again.‐ sbs.com.au
Read More | Posted May 3, 2016
91% The Measure of a Man (La loi du marché) (2016) An unflinching look at deteriorating working -- and non-working -- conditions for the common man and woman in contemporary France.‐ Screen International
Posted Mar 28, 2016
70% The Wait (L'attesa) (2016) Messina is a young talent to watch.‐ Screen International
Posted Mar 23, 2016
95% Marguerite (2016) Despite its running time, the film's suspense lasts until the final frames. The musical score -- both on-and-off key -- is splendid.‐ Screen International
Posted Mar 8, 2016
41% Jane Got a Gun (2016) What's on screen is, for the most part, both suspenseful and entertaining if comfortably familiar.‐ Screen International
Posted Jan 28, 2016
80% Evolution (2016) A sustained visual tour-de-force that's the opposite of a popcorn movie.‐ Screen International
Posted Sep 14, 2015
68% Wolf Totem (2015) Jean-Jacques Annaud adds another visually bold adventure tale to his filmography with Wolf Totem.‐ Screen International
Posted Sep 9, 2015
83% Elle L'adore (2015) First-time director Jeanne Herry delivers a sardonic comedy propelled by spot-on performances in Elle l'adore.‐ Screen International
Posted Aug 31, 2015
88% My Golden Days (Trois Souvenirs De Ma Jeunesse) (2016) A Frencher-than-French tale of deeply-anchored yet partially thwarted romance, Arnaud Desplechin's My Golden Days is touching, involving and very well acted.‐ Screen International
Posted Jul 20, 2015
79% 24 Days (2015) Alexandre Arcady's film is wrenching and politically astute.‐ Screen International
Posted Apr 20, 2015
25% Dark Places (2015) Audiences who like twisty narratives laced with wrenching revelations should be pleased with this satisfyingly downbeat thriller.‐ Screen International
Posted Apr 7, 2015