Louis Proyect Movie Reviews & Previews - Rotten Tomatoes

Louis Proyect

Louis Proyect
Louis Proyect's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
58% In the Fade (Aus dem Nichts) (2017) Film has an urgent mission given the rise of the neo-Nazi AfD in Germany. It is also dramatically compelling and deserving of a much higher rating here.‐ Counterpunch.org
Read More | Posted Dec 13, 2017
87% Darkest Hour (2017) Except for the make-up job on Oldman, not much to write home about--least of all the idea that Churchill was defending "Western Civilization" against the brutes. Tell that to the Indians and Kenyans.‐ Counterpunch.org
Read More | Posted Dec 9, 2017
92% Dunkirk (2017) Artistically disjointed and historically unfactual, just the latest in a series of vastly overrated Christopher Nolan films.‐ Counterpunch.org
Read More | Posted Dec 9, 2017
No Score Yet Sins of the Flesh (2016) Outstanding both as neo-film noir and as penetrating examination of class relations in Egypt that help explain the continuation of capitalist oligarchic rule.‐ Counterpunch.org
Read More | Posted Dec 1, 2017
66% Happy End (2017) A penetrating study of the dry rot at the heart of capitalist society. Haneke at his best.‐ Counterpunch.org
Read More | Posted Dec 1, 2017
90% The Other Side of Hope (Toivon tuolla puolen) (2017) Kaurismaki continues to make the case for immigrants using his characteristically deadpan humor. Superb.‐ Counterpunch.org
Read More | Posted Dec 1, 2017
No Score Yet The Mighty Atom (2017) Mesmerizing tale of a professional strongman as well as a fascinating examination of the powers of the mind as well as the body.‐ Counterpunch.org
Read More | Posted Nov 17, 2017
100% Mr. Roosevelt (2017) Ms. Wells is 10 times funnier and smarter than Louis CK. Her film is a reminder of what a crime sexism is. It not only harms women, it prevents the real cream from rising to the surface.‐ Counterpunch.org
Read More | Posted Nov 15, 2017
37% I Love You, Daddy (2017) Comparable to "Manhattan" in its use of black-and-white and the bad character of the men who made the films, "I Love You, Daddy" is an inferior film. But then again, so everything Allen made after "Manhattan".‐ Counterpunch.org
Read More | Posted Nov 12, 2017
100% Requiem for a Running Back (2017) The film both makes a compelling case for abolishing football as well as explaining why it was so beloved by the players whose brains it was destroying. First-rate.‐ Counterpunch.org
Read More | Posted Nov 8, 2017
94% A Gray State (2017) A story similar to "The Shining" but much scarier because it is true.‐ Counterpunch.org
Read More | Posted Nov 1, 2017
95% Human Flow (2017) A film so necessary when Muslims and other non-Ayran peoples are being demonized by white supremacists like Donald Trump for the crime of trying to flee war and economic disaster.‐ Counterpunch.org
Read More | Posted Oct 31, 2017
84% Blade of the Immortal (Mugen no jûnin) (2017) A typically mind-boggling tour de force from Miike that echoes both "True Grit" and "The Wolfman". ‐ Counterpunch.org
Read More | Posted Oct 24, 2017
99% Jane (2017) Visually stunning and thought-provoking documentary about Jane Goodall despite questionable attempts to link chimpanzee violence to the warfare of organized capitalist society.‐ Counterpunch.org
Read More | Posted Oct 19, 2017
95% One of Us (2017) Deeply involving story of 3 Hasidic Jews who break away from a sect that provided both support and frustration. My choice for best documentary of 2017.‐ Counterpunch.org
Read More | Posted Oct 19, 2017
92% Wonder Woman (2017) A ponderous film that contains the Michael Bay esthetic beneath a thin veneer of faux feminism.‐ Counterpunch.org
Read More | Posted Oct 14, 2017
93% War for the Planet of the Apes (2017) Consistent with the latest generation of these Boulle-based films that started in 2011, it examines the question of who is bestial. Man or ape? It answers the question with an intelligence not often found in Hollywood blockbusters.‐ Counterpunch.org
Read More | Posted Sep 29, 2017
78% Thy Father's Chair (2017) A vivid portrait of the archetypical New York hoarder as well as a glimpse into Brooklyn's insular orthodox community, all the more remarkable given the gentile identity of the directors.‐ Counterpunch.org
Read More | Posted Sep 20, 2017
55% Elizabeth Blue (2017) Unlike "Psycho" or "Shutter Island", a realistic and moving depiction of the life of a schizophrenic. It not only succeeds as drama but as a social statement badly needed to educate a public so used to stigmatizing those who are ill.‐ Counterpunch.org
Read More | Posted Sep 20, 2017
56% Red Trees (2017) Not just a story of survival, it is a statement about the values of a family that were not only considered anathema to the Nazis but to the alt-right of today. In many ways, this is the most powerful anti-fascist film you will see this or any other year.‐ Counterpunch.org
Read More | Posted Sep 16, 2017
100% Company Town (2017) Convincing evidence that the Koch brothers should be put in prison for the rest of their sorry lives. What is the difference between putting arsenic in someone's food or toxins in their water? Not much, actually.‐ Counterpunch.org
Read More | Posted Sep 8, 2017
98% Trophy (2017) Penetrating and complex study of the relationship between trophy hunters, the game they pursue, and a pact with the devil that might protect Africa's endangered species.‐ Counterpunch.org
Read More | Posted Sep 8, 2017
100% The Long Night of Francisco Sanctis (La larga noche de Francisco Sanctis) (2017) Existential drama about a one-time radical now settled into a middle-class life-style being summoned to carry out a selfless task that might destroy everything he treasures, including his life.‐ Counterpunch.org
Read More | Posted Aug 24, 2017
No Score Yet Mama Africa (2011) Worth watching as a compilation of the great singer's songs but even more worth watching as social history from the heyday of the civil rights movement to Black Power to the end of apartheid.‐ Counterpunch.org
Read More | Posted Aug 21, 2017
No Score Yet The Shopkeeper (2016) This loving tribute to a saintly Austin recording studio owner is also a searing examination of the dubious benefits of streaming services like Spotify. ‐ Counterpunch.org
Read More | Posted Aug 18, 2017
100% California Typewriter (2017) A fantastically entertaining movie even if you--unlike me--never had the pleasure (and frustration) of using a manual typewriter. ‐ Counterpunch.org
Read More | Posted Aug 18, 2017
99% Whose Streets? (2017) Sensitive study of the activists in Ferguson who helped launch an urgently needed new civil rights movement, especially with a racist President determined to permit cops to kill with impunity.‐ Counterpunch.org
Read More | Posted Aug 13, 2017
81% The Nile Hilton Incident (2017) Brilliant synthesis of film noir and political analysis of the fetid core of Egyptian bourgeois society.‐ Counterpunch.org
Read More | Posted Aug 13, 2017
95% A Taxi Driver (2017) A timely reminder that the South Korean state could act as brutally as the demonized regime to the North.‐ Counterpunch.org
Read More | Posted Aug 11, 2017
91% Icarus (2017) Starts out like "Super Size Me" and then turns into an investigation of Russian use of PED's and a much more interesting film.‐ Counterpunch.org
Read More | Posted Aug 4, 2017
91% Machines (2016) In 25 years of reviewing documentaries, this is the most powerful work on labor exploitation I have ever seen. It brings Marxist theory to life with a remarkable compassion. Brilliant in all respects.‐ Counterpunch.org
Read More | Posted Aug 4, 2017
100% Sled Dogs (2017) A powerful documentary that reveals how much Iditarod and Michael Vick have in common.‐ Counterpunch.org
Read More | Posted Jul 28, 2017
97% Menashe (2017) A stunning achievement in every sense. The film stands on its own as family drama but beyond that is a profoundly sensitive look at an orthodox society that is facing challenges from within. ‐ Counterpunch.org
Read More | Posted Jul 25, 2017
100% Midnight Return: The Story of Billy Hayes and Turkey (2017) A portrait of a young man who never expected to serve life in prison for a first-time drug offense and whose true-life escape from a Turkish prison was dramatized effectively by Oliver Stone but with a needless demonization of the Turks.‐ Counterpunch.org
Read More | Posted Jul 20, 2017
85% The Fencer (Miekkailija) (2017) Compelling story of how a Soviet satellite stood up for its national dignity during the depths of the Cold War but without anti-Communist cliches.‐ Counterpunch.org
Read More | Posted Jul 19, 2017
100% Chasing Coral (2017) The urgency of this problem requires people to become informed about the issues, starting with seeing the film either at the IFC or on Netflix.‐ rec.arts.movies.reviews
Read More | Posted Jul 18, 2017
99% City of Ghosts (2017) A timely reminder that as the city of Raqqa is being bombed mercilessly by the USA, it was never reconciled to ISIS rule. Ordinary Syrians were confronted by fascists in beards and fascists in neckties. Down with fascism.‐ Counterpunch.org
Read More | Posted Jul 7, 2017
88% RUMBLE: The Indians Who Rocked the World (2017) Succeeds both as entertainment, musicology and American Indian history. It shows that no matter how hard white America tried to force Indians to be "white", they maintained their traditions even expressing them as rock-and-roll. ‐ Counterpunch.org
Read More | Posted Jul 5, 2017
83% Santoalla (2017) A gripping mystery story based on cultural clashes between a Dutch couple and the only family left in a farming village in Spain's beautiful but impoverished Galicia region.‐ Counterpunch.org
Read More | Posted Jul 5, 2017
No Score Yet A Bold Peace (2016) Fascinating insights into the real possibility of living without war in a society committed to equality. Not a utopia--just Costa Rica.‐ Counterpunch.org
Read More | Posted Jul 5, 2017
100% Nowhere To Hide (2017) Courageous filmmaking at its best.‐ Counterpunch.org
Read More | Posted Jun 30, 2017
89% Lady Macbeth (2017) Despite a questionable revision of the Leskov novella upon which the film is based, a most compelling work that prioritizes mis-en-scene over dialog.‐ Counterpunch.org
Read More | Posted Jun 30, 2017
100% Hell on Earth: The Fall of Syria and the Rise of ISIS (2017) By far the best documentary on Syria to date. It deserves the widest audience given the urgent need for solidarity with a people who have been killed or displaced for demanding freedom.‐ Counterpunch.org
Read More | Posted Jun 14, 2017
95% Night School (2017) I have over 1000 reviews on Rotten Tomatoes and this is the first one that uses that overused word "inspirational". A great work for a period when the government views the film's subjects as superfluous.‐ Counterpunch.org
Read More | Posted Jun 10, 2017
70% Moscow Never Sleeps (2017) This film is an unqualified masterpiece and my pick for best foreign language film of 2017. It is a throwback to the naturalist fiction of Chekhov and Zola but in cinematic terms. Bravo! ‐ Counterpunch.org
Read More | Posted Jun 10, 2017
85% Afterimage (Powidoki) (2017) Penetrating examination of how an avant-garde artist true to the vision of the early days of the USSR collided with the reactionary "Socialist Realism" diktats of Poland's Stalinist bureaucracy.‐ Counterpunch.org
Read More | Posted May 19, 2017
92% Abacus: Small Enough to Jail (2017) The documentary hearkens back to Frank Capra's "It's a Wonderful Life". I prefer the documentary.‐ Counterpunch.org
Read More | Posted May 18, 2017
100% Last Men in Aleppo (2017) Deeply affecting portrait of two White Helmet first responders who struggle to save the lives of victims of Russian and Baathist terror.‐ Counterpunch.org
Read More | Posted May 5, 2017
94% Citizen Jane: Battle for the City (2017) Does not quite get to the social contradictions of New York that have turned it into a theme park for hedge fund magnates, but it does serve to show how big capital was fought by Jane Jacobs in the early 60s. ‐ Counterpunch.org
Read More | Posted Apr 21, 2017
87% The Lost City of Z (2017) Confused thematically but cinematically impressive. A study of obsession evocative of Herzog's "Aguirre, Wrath of God" but based on British rather than Spanish colonialism.‐ Counterpunch.org
Read More | Posted Apr 19, 2017