Luis Martínez

Luis Martínez
Luis Martínez's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Mundo (Spain)
Publications: El Mundo (Spain)

Movie Reviews Only

T-Meter Title | Year
4/5 90% Spider-Man: Far From Home (2019) Far From Home is conscious of its place between 80s comedies, self-parodies and the most joyous pop re-vindication of superhero films. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 5, 2019
1/5 No Score Yet Los Japón (2019) Everything in this film in wrong and feels more like conventional television than film. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 2, 2019
4/5 88% The Days to Come (Los días que vendrán) (2019) And, as in his previous two films, Carlos Marques-Marcet manages to tighten the screen to question both the very principle of reality and the deeper nature of fiction. And of love. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jul 2, 2019
5/5 98% Toy Story 4 (2019) Toy Story 4 is tender, but terrifying, warm, but risky and liberating, but wild. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 25, 2019
1/5 22% Men in Black International (2019) At some moments its a variety action film and at others a comedy with little grace. The big problem is that it's never both. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jun 16, 2019
79% The Traitor (2019) The result is an exploration to the deepest and most turbid of the soul to draw the exact profile of issues such as fear, guilt, responsibility or much simpler horror. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
10% Mektoub, My Love: Intermezzo (2019) We are facing a 'tour de force' at a scant pace of career suicide. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
52% Oh Mercy! (Roubaix, une lumière) (2019) Desplechin rehearses an effective and brilliant exercise of cinema structured in two parts so different from each other that they would say opposite. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
51% Matthias and Maxime (2019) Everything in it is simply childish. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
100% Parasite (Gisaengchung) (2019) It is exciting to see Bong Joon Ho's facility to pass the most devastating messages about the world that we tread almost without being noticed. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
100% A Sun That Never Sets (Fire Will Come) (O Que Arde) (2019) The result is a film of a beauty as provocative as hypnotic, at the same time apology and refutation of fire. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
85% Diego Maradona (2019) Asif Kapadia presents a little inspired documentary so dazzled by the figure of the football player with little to add to the chaos and confusion of the character. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
67% Liberté (2019) Nobody can accuse Liberté of being the most entertaining of the proposals, much less of even making sense. But there is no way to resist. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
100% Portrait of a Lady on Fire (Portrait de la jeune fille en feu) (2019) What follows is both a guided study of the process of creation and the very meaning of the film contemplated. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
74% A Hidden Life (Une vie cachée) (2019) The result is a film that literally breathes onscreen. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
85% The Whistlers (2019) Feverish, deranged and extremely raw. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
95% The Wild Goose Lake (Nan fang che zhan de ju hui) (2019) The film progresses as a sad and threatening elegy in which the staging strives to unravel reality to offer its most ferocious, cruel and even magnetic side of it. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
68% Little Joe (2019) The film impresses both coherence and coldness; the strange familiarity as the distance between ironic and only cynical. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
3/5 90% Rocketman (2019) The spirit of the song guides the staging with an ability to match its brilliance. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 26, 2019
92% Once Upon a Time In Hollywood (2019) The result is a happy movie; a film built from cinematic emotion, from the tension of the narrative. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 22, 2019
5/5 87% The Sisters Brothers (2018) The director creates a brilliant, cruel and melancholic story about the sureness of abyss. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 10, 2019
67% Paradise Hills (2019) Provocative, irreverent, strange and personal. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 3, 2019
3/5 66% The White Crow (2019) Between an elegant "pas de deux" and a simple, as well as painful, sprain. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted May 3, 2019
4/5 94% Avengers: Endgame (2019) Everything works. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 29, 2019
2/5 27% The Aftermath (2019) A melodrama so exquisite and neat that one would say that it does not bother, nor hurt nor stain. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 15, 2019
2/5 78% Never Look Away (2019) Despite the rigor of the mise-en-scène, the film fails. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 7, 2019
3/5 91% Shazam! (2019) David F. Sandberg manages to compose a beautiful, funny and self-conscious tribute to Richard Donner. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 7, 2019
2/5 46% Dumbo (2019) There is no form. It doesn't soar. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 3, 2019
3/5 No Score Yet Get Her... If You Can (Qué te juegas?) (2019) An extravagant delirium as ambitious, risky and accurate in silvering as irregular and arrhythmic in execution. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 3, 2019
5/5 92% Pain and Glory (Dolor y gloria) (2019) The film reaches a level of perfection that is difficult to surpass. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 22, 2019
4/5 90% Funan (2019) The film, by contradiction, impresses, moves and always remains attentive to the limits of modesty. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 22, 2019
4/5 74% Destroyer (2018) A film as conscious in its brutality as it is feverish in its forms. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 19, 2019
4/5 91% Mirai (2018) A film that is as delicate and precise as it is elaborate and labyrinthine. Maybe perfect. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
4/5 70% The Mule (2018) Eastwood in a farewell that is, at the same time, a beautiful and cruel reunion. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
2/5 69% Beautiful Boy (2018) The film gets caught in its interpretative overdose. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
3/5 97% Woman at War (Kona fer í stríð) (2019) A feminist, anti-capitalist and, hurrying, apocalyptic argument, but, and above all, it is the portrait of a woman determined to turn her convictions into a source of inspiration. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 10, 2019
3/5 80% At Eternity's Gate (2018) The film that Julian Schnabel proposes barely moves forward sick with its own auto-indulgence. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 1, 2019
3/5 60% The Front Runner (2018) Reitman loses his focus and, despite the brilliant portrayal by Hugh Jackman, the film insists on telling everything in a diffuse and confused way. - El Mundo (Spain) EDIT
Read More | Posted Feb 15, 2019
5/5 83% High Life (2019) The film ventures somewhere new, cloudy, revolutionary and without a doubt, fascinating. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 8, 2019
3/5 78% Green Book (2018) Everything is simple and yet it works. Effectively, effective. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 1, 2019
4/5 93% The Old Man & the Gun (2018) The whole film is full of details that call not so much the celebration of memory as the constancy of time itself. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 25, 2019
4/5 95% If Beale Street Could Talk (2019) What emerges from Jenkins is a refined monument to the agony, so abstract even disarming. And you fall in love with it. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 25, 2019
4/5 38% Glass (2019) A movie so smart, slow, derivative, playful and self-aware that there is no choice but to surrender. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 18, 2019
4/5 66% Vice (2018) In a game of mirrors between postmodernity and simple occurrence, the film plays represents the ways in which the protagonist is both an excessive, fat and great, Christian Bale and the obesity of our most intimate stupidity. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 11, 2019
5/5 97% Border (Gräns) (2018) It's a drama with the force of comedy. It's Buñuel without renouncing Tod Browning. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 11, 2019
4/5 60% The Quietude (La quietud) (2018) One of the most disturbing and cruelly funny movies of the year. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 4, 2019
1/5 No Score Yet Memoirs of A Man in Pajamas (Memorias de un hombre en pijama) (2018) Everything sounds tired, hackneyed or just clumsy in this tale of "ill-mannered youngsters." [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 4, 2019
3/5 93% Bumblebee (2018) There is still ruckus, but with light sifting. - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
4/5 No Score Yet Some Time After (Tiempo después) (2018) A melancholy film, funny, slightly uncomfortable and so lucid that even makes you laugh. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
1/5 65% Aquaman (2018) Two and a half hours literally submerged in a giant fish tank where, except for common sense, everything floats. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 27, 2018