Luis Martínez

Luis Martínez
Luis Martínez's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): El Mundo (Spain)
Publications: El Mundo (Spain)

Movie Reviews Only

T-Meter Title | Year
2/5 25% The Aftermath (2019) A melodrama so exquisite and neat that one would say that it does not bother, nor hurt nor stain. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 15, 2019
2/5 77% Never Look Away (2019) Despite the rigor of the mise-en-scène, the film fails. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 7, 2019
3/5 90% Shazam! (2019) David F. Sandberg manages to compose a beautiful, funny and self-conscious tribute to Richard Donner. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 7, 2019
2/5 47% Dumbo (2019) There is no form. It doesn't soar. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 3, 2019
3/5 No Score Yet Get Her... If You Can (Qué te juegas?) (2019) An extravagant delirium as ambitious, risky and accurate in silvering as irregular and arrhythmic in execution. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Apr 3, 2019
5/5 67% Pain and Glory (Dolor y Gloria) (2019) The film reaches a level of perfection that is difficult to surpass. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 22, 2019
4/5 100% Funan (2019) The film, by contradiction, impresses, moves and always remains attentive to the limits of modesty. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 22, 2019
4/5 74% Destroyer (2018) A film as conscious in its brutality as it is feverish in its forms. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 19, 2019
4/5 92% Mirai (2018) A film that is as delicate and precise as it is elaborate and labyrinthine. Maybe perfect. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
4/5 70% The Mule (2018) Eastwood in a farewell that is, at the same time, a beautiful and cruel reunion. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
2/5 68% Beautiful Boy (2018) The film gets caught in its interpretative overdose. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 15, 2019
3/5 97% Woman at War (Kona fer í stríð) (2019) A feminist, anti-capitalist and, hurrying, apocalyptic argument, but, and above all, it is the portrait of a woman determined to turn her convictions into a source of inspiration. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 10, 2019
3/5 80% At Eternity's Gate (2018) The film that Julian Schnabel proposes barely moves forward sick with its own auto-indulgence. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Mar 1, 2019
3/5 59% The Front Runner (2018) Reitman loses his focus and, despite the brilliant portrayal by Hugh Jackman, the film insists on telling everything in a diffuse and confused way. - El Mundo (Spain) EDIT
Read More | Posted Feb 15, 2019
5/5 83% High Life (2019) The film ventures somewhere new, cloudy, revolutionary and without a doubt, fascinating. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 8, 2019
3/5 78% Green Book (2018) Everything is simple and yet it works. Effectively, effective. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Feb 1, 2019
4/5 92% The Old Man & the Gun (2018) The whole film is full of details that call not so much the celebration of memory as the constancy of time itself. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 25, 2019
4/5 95% If Beale Street Could Talk (2019) What emerges from Jenkins is a refined monument to the agony, so abstract even disarming. And you fall in love with it. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 25, 2019
4/5 37% Glass (2019) A movie so smart, slow, derivative, playful and self-aware that there is no choice but to surrender. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 18, 2019
4/5 66% Vice (2018) In a game of mirrors between postmodernity and simple occurrence, the film plays represents the ways in which the protagonist is both an excessive, fat and great, Christian Bale and the obesity of our most intimate stupidity. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 11, 2019
5/5 96% Border (Gräns) (2018) It's a drama with the force of comedy. It's Buñuel without renouncing Tod Browning. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 11, 2019
4/5 60% The Quietude (La quietud) (2018) One of the most disturbing and cruelly funny movies of the year. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 4, 2019
1/5 No Score Yet Memoirs of A Man in Pajamas (Memorias de un hombre en pijama) (2018) Everything sounds tired, hackneyed or just clumsy in this tale of "ill-mannered youngsters." [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Jan 4, 2019
3/5 92% Bumblebee (2018) There is still ruckus, but with light sifting. - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
4/5 No Score Yet Some Time After (Tiempo después) (2018) A melancholy film, funny, slightly uncomfortable and so lucid that even makes you laugh. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 28, 2018
1/5 65% Aquaman (2018) Two and a half hours literally submerged in a giant fish tank where, except for common sense, everything floats. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 27, 2018
3/5 95% Yuli (2018) An irregular film that oscillates between the tense and luminous moments of dance and rough docudrama. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 14, 2018
5/5 96% Roma (2018) Alfonso Cuarón completes the movie of the year in one of the most beautiful tours of the wound of time. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 7, 2018
66% Suspiria (2018) Everything that this new version gains in clarity loses it in the power of evocation. And a transparent mystery is not mystery. It's just annoying. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 7, 2018
3/5 67% Mirage (Durante la tormenta) (2018) Beyond the exquisite labyrinth of lost looks, we can always be attentive Adriana Ugarte's work, who is always at the edge. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 2, 2018
4/5 91% Widows (2018) What is really great, aside from original and brilliant, is the way in which the director plays with expectations to then dismantle them all. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Dec 2, 2018
4/5 99% The Guilty (Den skyldige) (2018) A script with telescopic precision, without a word more or a word less. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 26, 2018
3/5 60% Superlópez (2018) Superlópez, by Javier Ruiz Caldera, is exactly the superhero that Spain deserves. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 26, 2018
4/5 90% Museum (Museo) (2018) It's a rapt and rapturous chronicle of a trip to nowhere. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 26, 2018
3/5 37% Fantastic Beasts: The Crimes of Grindelwald (2018) The problem isn't just the confusion, but also the lack of spark. It's almost impossible to pay attention to everything in that's stuffed in this film. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 19, 2018
3/5 87% Colette (2018) The director builds a fun universe, unprejudiced and so far from this world that it even seems lie. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 19, 2018
3/5 40% The Girl in the Spider's Web (2018) The director turns Lisbeth into the perfect female replicant of James Bond; half secret agent and half neighborhood superhero. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 12, 2018
2/5 80% Overlord (2018) The moral lessons, let's call them that, are of a clumsy fool that borders on the immoral. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 12, 2018
1/5 61% Bohemian Rhapsody (2018) The only thing that's surprising about this film is the endeavor to turning it into one more post-mortem marketing product. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Nov 1, 2018
4/5 82% Quién te cantará (2018) With this film, the director asserts himself as one of the most affected, sharp and turbid voices of his generation. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 26, 2018
3/5 81% The Guernsey Literary and Potato Peel Pie Society (2018) An adaptation with grace, ease and, everything is said, in the most obvious way imaginable. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 26, 2018
3/5 No Score Yet Animales sin collar (2018) A film as visceral and intense as it is serious in its approach and unfocused in its impact. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 24, 2018
5/5 94% Petra (2018) The calculated and minute structure of the film leads the spectator through a strange labyrinth at the same time and perfectly recognizable. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Oct 24, 2018
2/5 49% The Spy Who Dumped Me (2018) A film that doesn't know if it's comedy or parody. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 26, 2018
5/5 92% Revenge (2018) Feminist TNT. [Full Review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 26, 2018
4/5 84% Under the Tree (Undir trénu) (2018) Mordant, bleeding, cruel and, above all, very true. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 10, 2018
4/5 82% Beirut (2018) Screenwriter Tony Gillroy (Michael Clayton) returns to his uninhabited, wounded and desperately virile characters. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 10, 2018
2/5 11% Siberia (2018) In freezing Russia, a diamond dealer falls in love, crosses paths with the mafia, gets distracted and hunts bears. Not necessarily in this order. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 6, 2018
4/5 92% Nico, 1988 (2018) With the help of a monumental Trine Dyrholm, Nico, 1988... creates a painful and, above all, very authentic examination of what leaves life after its 15 minutes of fame. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 6, 2018
4/5 50% Down a Dark Hall (2018) It is cinema that's offered as a rite of passage between two worlds, between the real and the other, between youth and death. [Full review in Spanish] - El Mundo (Spain) EDIT
Read More | Posted Aug 6, 2018